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Record #: 1
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=008 690507t19691968nyufb\\\\b\\\\001\0\eng\\
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=041 1\$aeng
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=090 \\$aE59.R38$bR413 1969
=100 1\$aKrickeberg, Walter,$d1885-1962.$0http://id.loc.gov/authorities/names/n87107304
=240 00$aDie Religionen des alten Amerika. English
=245 10$aPre-Columbian American religions /$c[by] Walter Krickeberg [and others] Translated by Stanley Davis.
=250 \\$a[1First ed.ition].
=2604 \\1$aNew York, :$bHolt, Rinehart and Winston,$c[1969,]
=264 \4$c[©1968]
=300 \\$a365 p.ages :$b13 plates, maps. ;$c25 cm.
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=490 01\$aHistory of religion series
=500 \\$aTranslation of Die Religionen des alten Amerika.
=504 \\$aBibliography: p.ages 331-358.
=650 \0$aIndians$xReligion.$0http://id.loc.gov/authorities/subjects/sh85065067
=650 \7$aIndians$xReligion.$2fast$0http://id.worldcat.org/fast/969400
=650 \0$aIndian mythology.$0http://id.loc.gov/authorities/subjects/sh94001033
=650 \7$aIndian mythology.$2fast$0http://id.worldcat.org/fast/969152
=830 \0$aHistory of religion (Phoenix Press (London, England))$0http://id.loc.gov/authorities/names/n2003104493
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Record #: 2
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=008 090827st2010\\\\2010nyua\\\\\\\\\\001\0\eng\\
=010 \\$a2009933866
=020 \\$a9781435493100
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=090 \\$aNA2728$b.F69 2010
=100 1\$aFox, Lay Christopher.$0http://id.loc.gov/authorities/names/n2004008667
=245 10$aIntroducing and implementing Revit Architecture 2010 /$cLay Christopher Fox, James J. Balding.
=2604 \\1$aClifton Park, N.Y. :$bDelmar ;$aAndover :$bCengage Learning,$c[2010]
=264 \4$c©2010.
=300 \\$axiv, 529 p.ages :$bill.ustrations ;$c28 cm. +$eCD-ROM (4 3/4 in.)
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=347 \\$atext file$2rdaft$0http://rdaregistry.info/termList/fileType/1002
=500 \\$aIncludes index.
=500 \\$a"Back-of-book CD files provide video instruction"--P. [4] of cover.
=650 \0$aArchitectural drawing$xComputer-aided design.$0http://id.loc.gov/authorities/subjects/sh2009115366
=650 \7$aArchitectural drawing$xComputer-aided design.$2fast$0http://id.worldcat.org/fast/813232
=650 \0$aArchitectural design$xData processing.$0http://id.loc.gov/authorities/subjects/sh85006586
=650 \7$aArchitectural design$xData processing.$2fast$0http://id.worldcat.org/fast/813193
=700 1\$aBalding, James J.$0http://id.loc.gov/authorities/names/n2004008668
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Record #: 3
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=028 32$a144-40277$bMerion Music
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=040 \\$aPPT$cPPT
=041 0\$geng
=045 0\$bd1995
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=041 0\$geng
=079 \\$aocm36312688
=090 \\$aM452.L385x no.4 1996
=100 1\$aLazarof, Henri.$0http://id.loc.gov/authorities/names/n82063900
=240 10$aQuartets,$mstrviolings (2), viola, cello,$nno. 4$0http://id.loc.gov/authorities/names/n00074799
=245 00$aFourth string quartet /$cHenri Lazarof.
=2604 \\1$aBryn Mawr, Penn. :$bMerion Music :$bT. Presser, sole representative,$c[1996]
=264 \4$c©1996.
=300 \\$a1 score (21 p.ages) + 4 parts ;$c28 cm.
=306 \\$a002100
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=500 \\$aFor 2 violins, viola, and violoncello.
=500 \\$aDuration: ca. 21:00.
=500 \\$aIncludes biographical notes of composer on back cover.
=500 \\$aThird movement titled: "Hommage à Mahler."
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Record #: 4
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=100 1\$aBach, Johann Sebastian,$d1685-1750.$0http://id.loc.gov/authorities/names/n79021425
=240 10$aConcertos,$mharpsichord, string orchestra,$nBWV 1052, $rD minor$0http://id.loc.gov/authorities/names/n81129545
=245 10$aKonzert D moll :$bfür Klavier mit Begleitung von 2 Violinen, Viola, Violoncell und Bass /$cvon Joh. Seb. Bach ; nach der Ausgabe der Bach-Gesellschaft, revidiert und mit Vorwort versehen von Arnold Schering.
=246 1\$iCover title:$aKlavier-Konzert
=2604 \\1$aLeipzig :$bE. Eulenburg,$c[1925]
=300 \\$a1 miniasturedy score (66 p.ages) ;$c19 cm.
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=490 1\0$aEulenburg's kleine Partitur-Ausgabe ;$vno. 744
=650 \0$aConcertos (Harpsichord with string orchestra)$vScores.$0http://id.loc.gov/authorities/subjects/sh2009121287
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=700 1\$aSchering, Arnold,$d1877-1941,$0http://id.loc.gov/authorities/names/n86130321$4eeditor.
=830 \0$aEulenburgs kleine Partitur-Ausgabe ;$0http://id.loc.gov/authorities/names/n95053696$vno. 744.
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Record #: 5
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=008 020418st2002\\\\2002ctua\\\\\b\\\\001\0\eng\\
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=090 \\$aTX355.5$b.G65 2002
=100 1\$aGoldstein, Myrna Chandler,$d1948-$0http://id.loc.gov/authorities/names/n96800088
=245 10$aControversies in food and nutrition /$cMyrna Chandler Goldstein and Mark A. Goldstein.
=2604 \\1$aWestport, Conn. :$bGreenwood Press,$c[2002]
=264 \4$c©2002.
=300 \\$aviii, 260 p.ages :$bill.ustrations ;$c25 cm.
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=490 1\0$aContemporary controversies,$x1522-2047.
=504 \\$aIncludes bibliographical references and index.
=505 0\$aFood additives -- Food irradiation -- Vegetarian/vegan diets -- Animal growth hormones -- Imported food -- Life-enhancing/life-threatening foods -- Food labeling -- Hidden ingredients in food -- Large doses of vitamins -- Fast foods -- Antioxidants -- Organic foods -- High-protein diets -- Popular diets -- Genetically modified foods.
=650 \0$aFood.$0http://id.loc.gov/authorities/subjects/sh85050184
=650 \7$aFood.$2fast$0http://id.worldcat.org/fast/930458
=650 \0$aNutrition.$0http://id.loc.gov/authorities/subjects/sh85093451
=650 \7$aNutrition.$2fast$0http://id.worldcat.org/fast/1042187
=700 1\$aGoldstein, Mark A.$q(Mark Allan),$d1947-$0http://id.loc.gov/authorities/names/n96800087
=856 41$zAccess Table of contents.$uhttp://www.loc.gov/catdir/toc/fy035/2002069605.html
=830 \0$aContemporary controversies.$0http://id.loc.gov/authorities/names/n98065139$x1522-2047.
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Record #: 6
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=041 0\$aeng
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=100 10\$aRachewiltz, Igor de.$0http://id.loc.gov/authorities/names/n50054906
=245 10$aIndex to biographical material in Chin and Yüan literary works /$c[by] Igor de Rachewiltz and Miyoko Nakano.
=260 \\$aCanberra, :$bCentre of Oriental Studies in association with Australian National University Press,$c1970-
=300 \\$av.olumes ;$c25 cm.
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=490 1\$aAustralian National University, Canberra.$bCentre of Oriental Studies. ;$vno. 6
=500 \\$aEnglish and Chinese.
=500 \\$a"To be used in conjunction with, and as a supplement to, the Combined indices to thirty collections of Liao, Chin and Yüan biographies ..."
=650 \0$aAuthors, Chinese$x0http://id.loc.gov/authorities/subjects/sh85009839$vIndexes.$0http://id.loc.gov/authorities/subjects/sh99001477
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=700 1\$aNakano, Miyoko.$0http://id.loc.gov/authorities/names/n81022204
=730 0\1$aCombined indices to thirty collections of Liao, Chin and Yüan biographies.
=830 \0$aOriental monograph series, ;$0http://id.loc.gov/authorities/names/no2004060611$vno. 6.
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Record #: 7
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=099 \\$aBoosey and Hawkes BH 578
=100 1\$aMahler, Gustav,$d1860-1911.$0http://id.loc.gov/authorities/names/n80067106
=240 10$aSymphonies,$nno. 1,$rD major$0http://id.loc.gov/authorities/names/n78080134
=245 10$aSymphony no. 1 D major /$cGustav Mahler.
=250 \\$aRev.ised edition.
=2604 \\1$aLondon ;$aNew York :$bBoosey & Hawkes,$c[1943]
=264 \4$c©1943.
=300 \\$a1 miniasturedy score (171 p.ages) ;$c27 cm.
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=384 0\$aD major
=490 1\$aHawkes pocket scores
=500 \\$aAnalysis in English and Spanish by F. Stiedry (6 p.) inserted.
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=700 1\$aStiedry, Fritz.,$0http://id.loc.gov/authorities/names/n84198895$ewriter of accompanying material.
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Record #: 8
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=100 1\$aCroce, Giovanni,$dapproximately 1557-1609.$0http://id.loc.gov/authorities/names/n82063691
=245 10$aTriaca musicale nella quale vi sono diversi capricci a 4, 5, 6, 7 voci miste :$b(1596) /$cGiovanni Croce ; trascrizione e interpretazione di Achille Schinelli ; [testo poetico riveduto da Guido Camillucci].
=2604 \\1$aRoma :$bEdizioni De Santis,$c[1964]
=300 \\$a1 score (vii, 80 p.ages) :$bfacsimiles. ;$c32 cm.
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=490 1\0$aCapolavori polifonici del secolo XVI ;$vv. 3
=500 \\$aMadrigal comedy.
=500 \\$aFor 4-7 mixed voices, unacc., in varying combinations.
=650 \0$aMadrigal comedies.$0http://id.loc.gov/authorities/subjects/sh85079545
=650 \7$aMadrigal comedies.$2fast$0http://id.worldcat.org/fast/1005354
=650 \0$aPart songs, Italian.$0http://id.loc.gov/authorities/subjects/sh85098324
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=700 1\$aSchinelli, Achille.$0http://id.loc.gov/authorities/names/nr89002506
=700 1\$aCamillucci, Guido.$0http://id.loc.gov/authorities/names/no91029762
=830 \0$aCapolavori polifonici del secolo XVI ;$0http://id.loc.gov/authorities/names/n84748252$vv. 3.
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Record #: 9
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=100 1\$aRühle, Otto,$d1874-1943.$0http://id.loc.gov/authorities/names/nr88003641
=245 10$aSchriften.$bPerspektiven e. Revolution in hochindustrialisierten Ländern. /$cHrsg. von Gottfried Mergner.
=2604 \\1$a(Reinbek ;$aHamburg) :$bRowohlt,$c(1971).
=300 \\$a219 p.ages ;$c19 cm.
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=490 0\$aRowohlts Klassikėr der Literatur und der Wissenschaft, 255-257. Philosophie der Neuzeit, Politik und Gesellschaft, ;$vBd. 21
=490 01\$aTexte des Sozialismus und Anarchismus
=490 01\$aRororo Klassiker
=504 \\$aIncludes bibliographical references.
=505 0\$aBrauner und roter Faschismus. -- Weltkrieg, Weltfaschismus, Weltrevolution. -- Briefe.
=650 \0$aTotalitarianism.$0http://id.loc.gov/authorities/subjects/sh85136217
=650 \7$aTotalitarianism.$2fast$0http://id.worldcat.org/fast/1153040
=650 \0$aRevolutions.$0http://id.loc.gov/authorities/subjects/sh85113507
=650 \7$aRevolutions.$2fast$0http://id.worldcat.org/fast/1096737
=700 1\$aRühle, Otto,$d1874-1943.$tWeltkrieg, Weltfaschismus, Weltrevolution.$f1971.
=830 \0$aRororo Klassiker.$0http://id.loc.gov/authorities/names/no2014036997
=830 \0$aTexte des Sozialismus und Anarchismus.$0http://id.loc.gov/authorities/names/n84743074
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Record #: 10
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=245 14$aThe cry of Anubis :$bfor tuba and orchestra /$cHarrison Birtwistle.
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=700 1\$aJohnson, Michael,$d1964-$0http://id.loc.gov/authorities/names/n2003044175$eauthor of screenplay.
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=245 00$aAlambrista and the U.S.-Mexico border :$bfilm, music, and stories of undocumented immigrants /$cedited and with an introduction by Nicholas J. Cull and Davíd Carrasco.
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=100 1\$aSosnowska, Monika,$d1972-
=245 10$aMonika Sosnowska /$c[texts Maria Gough, Adam Szymczyk, and Heidi Zuckerman Jacobson ; editors Jacob Proctor and Ryan Shafer].
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=520 8\$aThis publication offers a definitive, career-spanning exploration of Polish sculptor Monika Sosnowska (born 1972), known for manipulating ordinary forms and spaces into fascinating and often disorienting new configurations. Freed from their original functionality, her architectonic works and environments evoke a moment when, as she puts it, "architectural space begins to take on the characteristics of mental space." Optical illusions, shifts in scale, mazes, and other such techniques that challenge the intellect of the viewer are motifs throughout her oeuvre. Published for an exhibition at the Aspen Art Museum, this volume documents a decade's worth of Sosnowska's objects, installations and exhibitions and features new scholarship by Maria Gough, Adam Szymczyk and Heidi Zuckerman Jacobson. It is the most comprehensive book on the artist in English to date.
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=245 00$aPrehistoric hunter-gatherers of the Baikal region, Siberia :$bbioarchaeological studies of past life ways /$cedited by Andrzej W. Weber, M. Anne Katzenberg, Theodore G. Schurr.
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=245 00$aRichard Wright :$ba documented chronology, 1908-1960 /$cToru Kiuchi and Yoshinobu Hakutani.
=264 \1$aJefferson, North Carolina :$bMcFarland & Company, Inc., Publishers,$c[2013]
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=520 \\$a"Part One covers Wright's life through the year 1946, the period in which he published his best-known work. Part Two covers the final two decades of his life, a prolific period that saw him publish travel writing, novels, and four works of nonfiction. Each part begins with a historical and critical introduction"--$cProvided by publisher.
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=700 1\$aHakutani, Yoshinobu,$d1935-$0http://id.loc.gov/authorities/names/n79063046$eeditor.
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=245 00$aMicrobiology;$bincluding immunology and molecular genetics /$c[by] Bernard D. Davis [et al.nd others]
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=2604 \\1$aHagerstown, Md., :$bHarper & Row,$c[1973]
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=650 \7$aMolecular genetics.$2fast$0http://id.worldcat.org/fast/1024797
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=111 2\$aCentre for Vision Research Conference on Cortical Mechanisms of Vision$d(2007)$0http://id.loc.gov/authorities/names/no2009171570
=245 10$aCortical mechanisms of vision /$cedited by Michael R.M. Jenkin, Laurence R. Harris.
=2604 \\1$aCambridge, UK ;$aNew York :$bCambridge University Press,$c2009.
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=500 \\$aContents of CD-ROM: video clips and ill. (some col.) associated with the text.
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=505 0\$aDorsal stream -- The lateral intrapariental area : a priority map in posterior parietal cortex -- Left-to-right reversal of hemispatial neglect symptoms following adaptation to reversing prisms -- Sensorimotor aspects of reach deficits in optic ataxia -- When what you see isn't where you get : cortical mechanisms of vision for complex action -- Neural mechanisms of self-movement : perception for navigation and spatial orientation -- Ventral stream -- Differential development of the human ventral stream -- Clarifying the functional neuroanatomy of face perception by single case neuroimaging studies of acquired prosopagnosia -- An integrative approach towards understanding the psychological and neural basis of congenital prosopagnosia -- Object ontology in temporal lobe ensembles -- Frontal cortex -- How the prefrontal cortex is thought to be involved in response suppression -- Prefrontal cortex and the neurophysiology of visual knowledge : perception, action, attention, memory, strategies, and goals -- Saccade target selection in unconstrained visual search -- Oculomotor control of spatial attention -- Neural mechanisms of attentional selection in visual search : evidence from electromagnetic recordings -- Attention and consciousness -- Two visual systems : separate pathways for perception and action in the human cerebral cortex -- Requirements for conscious visual processing.
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=100 1\$aSchwarz, Hans-Peter.$0http://id.loc.gov/authorities/names/n85309070
=245 10$aMedia--art--history :$bMedia Museum, ZKM, Center for Art and Media Karlsruhe /$cHans-Peter Schwarz ; [translated from the German by Freiherr von Teuffenbach].
=2604 \\1$aMunich ;$aNew York :$bPrestel,$c1997.
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=500 \\$a"Published on the occasion of the opening of the Media Museum ZKM, Center for Art and Media Karlsruhe on October 18, 1997"--T.p. verso.
=504 \\$aIncludes bibliographical references (p.ages 182-185) and index.
=650 \0$aArt and electronics.$0http://id.loc.gov/authorities/subjects/sh92005813
=650 \7$aArt and electronics.$2fast$0http://id.worldcat.org/fast/815393
=650 \0$aElectronics in art.$0http://id.loc.gov/authorities/subjects/sh97000146
=650 \7$aElectronics in art.$2fast$0http://id.worldcat.org/fast/907600
=650 \0$aArt, Modern$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007805
=710 2\$aZentrum für Kunst und Medientechnologie Karlsruhe.$0http://id.loc.gov/authorities/names/no92003771
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Record #: 51
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=245 00$aPerspectives in representation theory :$ba conference in honor of Igor Frenkel's 60th birthday on perspectives in representation theory, May 12-17, 2012, Yale University, New Haven, CT /$cPavel Etingof, Mikhail Khovanov, Alistair Savage, editors.
=264 \1$aProvidence, Rhode Island :$bAmerican Mathematical Society,$c[2014]
=300 \\$aix, 370 pages ;$c26 cm.
=336 \\$atext$2rdacontent
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=490 1\$aContemporary mathematics ;$v610
=504 \\$aIncludes bibliographical references.
=650 \0$aRepresentations of algebras$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2010110785
=650 \0$aLie algebras$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2009129765
=650 \0$aRepresentations of groups$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2008110714
=650 \0$aGroup theory$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2008105181
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=700 1\$aEtingof, P. I.$q(Pavel I.),$d1969-$0http://id.loc.gov/authorities/names/n92059577$eeditor.
=700 1\$aKhovanov, Mikhail,$0http://id.loc.gov/authorities/names/n2012035886$eeditor.
=700 1\$aSavage, Alistair,$0http://id.loc.gov/authorities/names/no2005114630$eeditor.
=700 1\$aFrenkel, Igor,$0http://id.loc.gov/authorities/names/n88021666$ehonoree.
=711 2\$aPerspectives in representation theory$d(2012 :$cYale University)
=830 \0$aContemporary mathematics (American Mathematical Society) ;$0http://id.loc.gov/authorities/names/n42008179$vv. 610.
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=511 1\$aSalli Richardson-Whitfield, Michole White, Omari Hardwick, Tracie Thoms, Dijon Talton, Damone Roberts, Blair Underwood, Beverly Todd.
=508 \\$aMusic, Kathryn Bostic ; editor, Spencer Averick ; director of photography, Miguel Bunster.
=500 \\$aDVD release of the 2011 motion picture.
=520 \\$a"Maye is a success. Hot career. Hot boyfriend. But when her world is turned upside down by tragedy, she must struggle to keep her balance... chronicles a day in the life of a woman at a crossroads, and the twelve people who help her move forward into a brave, new world"--Container.
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=700 1\$aDuVernay, Ava,$0http://id.loc.$gov/authorities/names/no2011127416$eproducer,$4eauthor of screenplay,$4edirector.
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=240 10$aSonaten und Partiten,$mviolin,$nBWV 1001-1006$0http://id.loc.gov/authorities/names/n85136814
=245 00$aSechs Sonaten und Partiten für Violine solo /$cJoh. Seb. Bach ; nach dem Autograph und Abschriften herausgegeben von Klaus Rönnau ; mit einer eingerichteten und kommentierten Violinstimme von Wolfgang Schneiderhan.
=2604 \\1$aMünchen :$bG. Henle Verlag,$c[1987]
=264 \4$c©1987.
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=500 \\$a"Urtext"--Cover.
=500 \\$aIn covering folder.
=500 \\$aPrefatory notes in English, French, and German.
=505 0\$a[v.1] Nach dem Autograph und Abschriften herausgegeben von Klaus Rönnau; mit einer eingerichteten und kommentierten Violinstimme von Wolfgang Schneiderhan.
=505 0\$a[v.2] Für den praktischen Gebrauch eingerichtet und mit Erläuterungen versehen von Wolfgang Schneiderhan.
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=245 00$aFlaps and reconstructive surgery /$cedited by Fu-Chan Wei, Samir Mardini.
=2604 \\1$a[Philadelphia] :$bSaunders/Elsevier,$c2009.
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=538 \\$aSystem requirements for accompanying DVD-ROM: Windows and Macintosh single user version.
=650 12$aReconstructive Surgical Procedures$xmethods.$0https://id.nlm.nih.gov/mesh/D019651Q000379
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=100 1\$aMarías, Fernando,$d1949-$0http://id.loc.gov/authorities/names/n81058620$eauthor.
=240 00$aEl Greco, historia de un pintor extravagante.$lEnglish$0http://id.loc.gov/authorities/names/no2014021166
=245 103$aEl Greco, life and work, a new history /$cFernando Marías ; [translated from the Spanish by Paul Edson and Sander Berg].
=2604 \\1$aLondon ;$aNew York :$bThames & Hudson,$c2013.
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=500 \\$aTranslated from Spanish: El Greco, historia de un pintor extravagante.
=504 \\$aIncludes bibliographical references (p.ages 308-329) and index.
=520 \\$aDomenikos Theotokopoulos, known to us as El Greco, was one of the seminal figures of the Spanish Golden Age. This volume, published to mark the four hundredth anniversary of the artist's death, features new photographs of recently cleaned and restored paintings, revealing hitherto unknown facets of his art. Born in Crete in 1541 under Venetian rule, raised in the iconographic traditions of Byzantine art, and acquainted with both Greek Orthodox and Roman Catholic practice, El Greco journeyed to Venice and Rome in the late Renaissance, before finding patronage in Spain at the court of Philip II. He was a painter not only of religious subjects but also of idiosyncratic portraits executed in his own uniquely dramatic and expressionistic style. He spent approximately half his life in Toledo, a city with which his name has become indelibly linked, although he was never fully accepted and was known there as a disputatious outsider.
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=508 \\$aDirector of photography, Ernest Laszlo; editor, Bob Wyman; music, Jerry Goldsmith.
=500 \\$aVideodisc release of the motion picture produced in 1976.
=500 \\$aBased on the novel Logan's run / by William F. Nolan and George Clayton Johnson.
=500 \\$aSpecial features: commentary by Michael York, director Michael Anderson, and costume designer Bill Thomas; vintage featurette, "A look at the 23rd century"; original theatrical trailer.
=505 0\$a[Side A] Standard version -- [side B] Widescreen version.
=520 \\$aIn the 23rd century, humans forsake the ravaged outer environment by living in a vast, bubbled metropolis. There, computerized servo-mechanisms provide all needs and everyone can pursue endless hedonism. Endless, that is, until Lastday. That's when anyone who's 30 must submit to Carrousel, a soaring, spinning trip to eternity and supposed rebirth. Logan 5, a Sandman authorized to terminate Runners fleeing Carrousel, decides to become a Runner himself once he finds out the horrible truth about Lastday.
=521 8\$aRating: PG.
=586 \\$aSpecial Achievement Academy Award for Visual Effects.
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=700 1\$aDavid, Saul,$0http://id.$loc.gov/authorities/names/n80154301$eproducer.
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=2604 \\1$aNew York :$bAcademic Press,$c1976.
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=240 00$aSoveraignty & goodness of God$0http://id.loc.gov/authorities/names/n85355541
=245 14$aThe sovereignty and goodness of God :$btogether with the faithfulness of his promises displayed : being a narrative of the captivity and restoration of Mrs. Mary Rowlandson and related documents /$cedited with an introduction by Neal Salisbury.
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=505 0\$aIntroduction : Mary Rowlandson and her removes. The setting: Metacom's War (1675-1676) -- Mary Rowlandson and her narrative -- The great migration -- The Anglo-Indian frontier -- A world upended -- Reordering and remembering -- Part 2 : The document. The preface to the reader -- A Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson -- Part 3 : Related documents. Metacom on the causes of Anglo-Indian War -- The redemption of Mary Rowlandson -- Postwar justice -- Joseph Rowlandson's final sermon -- The captivity of Hannah Dustin -- Appendices. A Rowlandson chronology -- Questions for consideration.
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=245 14$aThe differentiation of cells /$cNorman Maclean.
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=245 12$aA first course in finite elements /$cJacob Fish, Ted Belytschko.
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=505 00$gIntroduction --$tDirect approach for discrete systems --$tStrong and weak forms for one-dimensional problems --$tApproximation of trial solutions, weight functions and gauss quadrature for one-dimensional problems --$tFinite element formulation for one-dimensional problems --$tStrong and weak forms for multidimensional scalar field problems --$tApproximations of trial solutions, weight functions and gauss quadrature for multidimensional problems --$tFinite element formulation for multidimensional scalar field problems --$tFinite element formulation for vector field problems--linear elasticity --$tFinite element formulation for beams --$tCommercial finite element program ABAQUS tutorials --$gAppendix.
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=520 \\$a"Insider secrets to competing-and winning-in the tech-savvy marketplace The new generation of technology savvy workers is changing the way we look at productivity. Agility uniquely describes how technology agility impacts your business's performance and can become a critical success factor. A must-read for leaders defining business strategy and technology implementation, the methodology it describes will show how to measure and drive technology adoption and the derived impact on business results. Includes international cases of various industries, from industry leaders. Incorporates the ideas of flexibility, balance, adaptability, and coordination under one umbrella. Uniquely describes how technology agility impacts business performance. What differentiates Audi, BMW and Mercedes or GM? Understanding it can make or break the future of an organization. Agility makes it clear: the digital divide will be seen in those who take full advantage of the technology versus those merely have it."--$cProvided by publisher.
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=245 10$aRadiation injury;$beffects, principles, and perspectives /$c[by] Arthur C. Upton.
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=245 02$aA Guide to practical histochemistry /$c[by] J. Chayen [and others]
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=508 \\$aAssociate producers, Zoltan Korda and William Cameron Menzies ; production designed by Vincent Korda ; special effects directed by Lawrence Butler ; musical score and songs by Miklos Rozsa ; production manager, David B. Cunynghame ; supervising editor, William Hornbeck ; costumes designed by Oliver Messel, John Armstrong, Marcel Vertes ; film editor, Charles Chrichton.
=520 \\$aWhen Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.
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=505 0\$aBea-u-ti-ful people of Denver -- Belly up to the bar, boys -- Dolce far niente -- Keep-a-hoppin' -- I ain't down yet -- If I knew -- I'll never say no -- I've already started in.
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=2604 \\1$aHillsdale, N.J. :$bL. Erlbaum Associates,$cc[1980.]
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=500 \\$aIncludes indexes.
=504 \\$aBibliography: p.age
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=100 1\$aSkořepa, Michal.$0http://id.loc.gov/authorities/names/no2010199743
=245 10$aDecision making :$ba behavioral economic approach /$cMichal Skořepa.
=2604 \\1$aBasingstoke ;$aNew York :$bPalgrave Macmillan,$c2011.
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=505 0\$aNote continued: Expected Value Maximization -- Terminology of attitudes towards risk -- Utility function -- Expected Utility Maximization -- Marschak triangle -- Selected empirical evidence -- Early evidence -- Recent evidence: "Fourfold Pattern" -- Cumulative Prospect Theory -- Value function, losses, gains -- Formal apparatus of Cumulative Prospect Theory -- Explanation of the evidence: fourfold pattern -- Cumulative Prospect Theory's evaluation of the four types of actions -- Explanation provided by value function -- Explanation provided by probability transformation -- The dominant explanatory role of probability transformation -- Numerical example -- Explanation of the evidence: common consequence effect -- Phenomena that Cumulative Prospect Theory cannot explain -- Competing models -- The case of ambiguity -- Summary -- Review questions -- Exercises -- Hints to review questions -- Hints to exercises -- 13.Comparing II -- Multiple Periods -- Concepts and notation -- Expressing location of outcomes in the future -- Independent Additively Separable Intertemporal Utility Maximization -- Two basic types of weighting of future periods -- Discount factor, discount rate -- Reasons for time discounting -- Do people discount the future? -- Exponential discounting -- Time consistency -- Empirical evidence: time inconsistency -- Casual versus scientific observations of time inconsistency -- Fighting time inconsistency: commitment -- Commitment through restraint -- Commitment through punishment -- Internal commitment -- Willpower -- Policy implications concerning commitment -- Explanation of the evidence -- Growing discount factors -- Further evidence -- "Discounting in Denmark" -- Quasi-hyperbolic Discounting -- Economic applications of Quasi-hyperbolic Discounting -- Hyperbolic Discounting -- Summary -- Review questions -- Hints to review questions.
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=245 10$aForensic psychiatry /$cHenry A. Davidson.
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=505 0\$aIntroduction / Lionel Bovier -- Avant-garde composers. Karlheinz Stockhausen ; Elliott Carter ; Pierre Boulez -- The birth of electroacoustic music. Iannis Xenakis ; Robert Ashley ; Franc̦ois Bayle ; Pauline Oliveros ; Peter Zinovieff -- Minimalism & Fluxus. Terry Riley ; Tony Conrad ; Steve Reich ; Yoko Ono ; Phil Niblock -- Modern masters. Brian Eno ; Arto Lindsay ; Kraftwerk ; Caetano Veloso.
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=520 \\$aThe criminal justice system becomes increasingly complex each year with new laws affecting legal processes. This handbook explains every part of a criminal case including arrests, booking, preliminary hearings, charges, bail, arraignment, search and seizure, plea bargains, sentencing, and juveniles. It explains how the system works, why police, lawyers, and judges do what they do and, most important, the options for defendants, witness, and victims. The revised edition covers the latest changes in criminal law, including U.S Supreme Court cases.
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=245 10$aConversations with Gabriel García Márquez /$cedited by Gene H. Bell-Villada.
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=505 0\$aAnd now, two hundred years of solitude / Ernesto González Bermejo -- Gabriel García Márquez / Rita Guibert -- The yellow trolley car in Barcelona : an interview / William Kennedy -- Journey back to the source / El Manifiesto -- Playboy interview : Gabriel García Márquez / Claudia Dreifus -- Building a compass / Gene H. Bell-Villada -- Love and age : a talk with García Márquez / Marlise Simons -- "Soap operas are wonderful. I've always wanted to write one"/ Susana Cato -- García Márquez on love, plagues, and politics / Marlise Simons -- The best years of his life : an interview with Gabriel García Márquez / Marlise Simons -- The general in his labyrinth is a "vengeful" book / María Elvira Samper -- On the lot with García Márquez / Andrew Paxman -- Gabo changes jobs / Susana Cato -- Days of magic realism : Gabriel García Márquez is a fantastic figure himself, as a rare visit proves / David Streitfeld.
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=245 00$aPainting the modern garden :$bMonet to Matisse /$c[exhibition curators: Ann Dumas, William H. Robinson ; authors: William H. Robinson, Clare A. P. Willsdon, Ann Dumas, Monty Don, James Priest, Heather Lemonedes, Lucy I. Zimmerman].
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=245 00$aDisrupting queer inclusion :$bCanadian homonationalisms and the politics of belonging /$cedited by OmiSoore H. Dryden and Suzanne Lenon.
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=600 10$aNixon, Richard M.$q(Richard Milhous),$d1913-1994.$0http://id.loc.gov/authorities/names/n79018757
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=100 1\$aMansson McGinty, Anna.$0http://id.loc.gov/authorities/names/n2006034938
=245 10$aBecoming Muslim :$bWestern women's conversions to Islam /$cAnna Mansson McGinty.
=250 \\$a1First edition.
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=245 14$aDie alte "Glosa psalmorum ex traditione seniorum" :$bUntersuchungen, Materialien, Texte /$cHelmut Boese.
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=504 \\$aBibliography: p.ages [9]-10.
=630 00$aBible.$pPsalms$0http://id.loc.gov/authorities/names/n79056804$xCriticism, interpretation, etc.$0http://id.loc.gov/authorities/subjects/sh99004866
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=730 02$aGlosa psalmorum ex traditione seniorum.$0http://id.loc.gov/authorities/names/n82246965$f1982.
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=240 10$aAirs and madrigals$0http://id.loc.gov/authorities/names/n84105343
=245 10$a14 ayres in tabletorie to the lute, 1598. /$cEdited by David Greer.
=2460 3\$aAyres in tabletorie to the lute.
=264 \1$aMenston, Eng., :$bScolar Press,$c1971.
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=500 \\$aOriginal t.p. damaged; main title unknown; subtitle reads: 14 ayres in tabletorie to the lute expressed with two voyces and the base violl or the voice & lute only; 6 more to 4 voyces and in tabletorie and 8 madrigalles to 5 voyces. London, P. Short, 1598.
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=650 \7$aPart songs, English.$2fast$0http://id.worldcat.org/fast/1053960
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=500 \\$aIncludes biographical information on Sri Chinmoy, excerpts from his writings on music, a bibliography of source songbooks, performance instructions ("musical terms") and a Bengali pronunciation guide.
=546 \\$aChiefly Bengali words, also printed as text with English translation;$bRoman alphabet.
=505 0\$aAkash madhur batas madhur -- Alpa kathar manush ami -- Amal dhabal pal tuleche -- Amare jadi baso bhalo -- Amare karo ma shunya -- Ami ananta asima akasha pratim -- Ami jagibona ami kandibona -- Ami tomar lagiya -- Andhar guhai parbona -- Asha bihanga -- Bhagaban -- Bharater rabi -- Bhulera anta nai je amar -- Bhulite diyona prabhu -- Chalre rabi bhai -- Charan tale asan pele -- Chokher jale pujle tomai -- Chokher kanna -- Debata esechhe -- Dhyane tanamoy -- Dukhero rajani pohabena jani -- E jibane shudhu dao go amare -- Ei jibaner mahanander -- Eso eso mor jiban majhare -- Hiya pakhi egiye chalo -- Kabi karo shilpi karo -- Kata gan ami geyechhi dharai -- Ke jabi go nadir opar -- Ke jai ke jai charana parashe -- Khama karo -- Khunjite chahigo tomar nayan -- Madhurata jetha nai -- Mama prabhu/My Lord -- Nai nai nai ami ar nai -- Namichhe aj ananda plaban -- Nijhum rate ghum bhenge jai -- Nirab amare karo go bibhola -- Nrityer tale tale tumi aso -- Phule phule dule dule -- Shok tap jetha nai -- Shunya bakkhe biraje purna -- Sundara madhumoy -- Swapan tari swapan tari -- Swapan tari tumi amar -- Swapane asiya -- Swapane aso swapane haso -- Tamasa rate -- Tomare rakhibo -- Tomari name -- Turiyer nandana ranjana --
=505 8\$acd 1-2: A teaching guide : hear, sing and learn 50 basic melodies with music students of Sri Chinmoy --
=505 8\$acd 3 (sampler of recordings arranged and performed by music students of Sri Chinmoy): Charan tale (Arthada and friends) -- Chokher kanna (Blue Flower) -- Dhyane tanamoy (Silence and Sound) -- Dukhero rajani pohabena jani (Mountain-Silence) -- Eso eso mor jiban majhare (Shindhu) -- Hiya pakhi egiye chalo (Spiritual Renaissance Choir of Moscow) -- Bharater rabi (Minati's Group) -- Khama karo (Sangit Tarangini) -- Ke jai ke jai charana parashe (Adarsha) -- Nai nai nai ami ar nai (Blue-Gold Shore of the Beyond) -- Swapane Asiya (Sankeertan and family) -- Tomare rakhibo (Mountain-Silence) -- Turiyer nandana ranjana (Sri Chinmoy Bhajan Singers).
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=245 00$aHandbook of complex percutaneous carotid intervention /$cedited by Jacqueline Saw ... [etand al.others].
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=505 0\$aEpidemiology and significance of carotid artery stenosis / Anthony Y. Fung and Jacqueline Saw -- Medical therapy for carotid artery stenosis / David S. Lee -- Carotid endarterectomy : techniques and evidence-based medicine / Joël Gagnon and York N. Hsiang -- Carotid angioplasty and stenting trials : a historical perspective and evidence-based medicine / David S. Lee and Jay S. Yadav -- Cerebrovascular anatomy / Ravish Sachar and Samir Kapadia -- Noninvasive imaging of the carotid artery / J. Emilio Exaire ... [et al.] -- Cerebrovascular angiography / J. Emilio Exaire, Jacqueline Saw, and Christopher Bajzer -- Indications for carotid artery stenting / Cameron Haery, Sharat Koul, and Deepak L. Bhatt -- The approach to extracranial carotid artery stenting / Jacqueline Saw and Jay S. Yadav -- Equipment for extracranial carotid artery stenting / Jacqueline Saw and J. Emilio Exaire --
=505 0\$aEmboli protection devices / Jacqueline Saw -- Complications of carotid artery stenting / Jacqueline Saw -- The approach to intracranial carotid artery intervention / Ivan P. Casserly and Jay S. Yadav -- The approach to intracranial and extracranial vertebral artery stenting / J. Emilio Exaire and Jacqueline Saw -- Endovascular treatment of acute ischemic stroke / Mikhael Mazighi, Qashim Bashir, and Alex Abou-Chebl -- Case : left carotid artery stenting with a challenging type III aortic arch / Jacqueline Saw -- Case : stenting of a tortuous left internal carotid artery / J. Emilio Exaire -- Case : stenting of a critical internal carotid artery stenosis with string sign / Jacqueline Saw -- Case : stenting of a carotid endarterectomy patch restenosis and aneurysm / J. Emilio Exaire --
=505 0\$aCase : carotid stenting with slow flow and distal embolization / J. Emilio Exaire -- Case : acute stroke intervention with a large thrombotic burden / Jacqueline Saw -- Case : left internal carotid artery stenting in a bovine aortic arch / David S. Lee -- Case : right carotid artery stenting via right brachial artery approach / David S. Lee -- Case : ostial innominate artery intervention / David S. Lee.
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=245 00$aREgenerations :$boral history project : rebuilding Japanese American families, communities, and civil rights in the resettlement era /$cJapanese American National Museum in collaboration with the Chicago Japanese American Historical Society, the Japanese American Historical Society of San Diego, and the Japanese American Resource Center/Museum.
=246 30$aRE·gen·er·a·tions
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=505 0\$av. 1 Chicago -- v. 2 Los Angeles -- v. 3 San Diego -- v. 4 San Jose.
=500 \\$a"This extensive collection of oral history interviews offers insight into the often-overlooked period with Japanese American history known as resettlement."
=536 \\$a"This project was funded in part by a grant from the Civil Liberties Public Education Fund and annual members and donors of the Japanese American National Museum and the Chicago Japanese American Historical Society"--T.p. verso.
=650 \0$aJapanese Americans$xEvacuation and relocation, 1942-1945.$0http://id.loc.gov/authorities/subjects/sh85069606
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=100 1\$aKavey, Allison,$d1977-$0http://id.loc.gov/authorities/names/n2007019316
=245 10$aBooks of secrets :$bnatural philosophy in England, 1550-1600 /$cAllison Kavey.
=2604 \\1$aUrbana :$bUniversity of Illinois Press,$c[2007]
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=504 \\$aIncludes bibliographical references (p.ages 187-194) and index.
=505 0\$aIntroduction: telling secrets -- Printing secrets -- Roger Bacon, Robert Greene's Friar Bacon, and the secrets of art and nature -- Structuring secrets for sale -- Secrets gendered : femininity and feminine knowledge in books of secrets -- Secrets bridled, gentlemen trained -- Conclusion: A secret by any other name.
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=245 00$aAncient religions /$cSarah Iles Johnston, general editor.
=2604 \\1$aCambridge, Mass. :$bBelknap Press of Harvard University Press,$c2007.
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=650 \7$aCivilization, Ancient.$2fast$0http://id.worldcat.org/fast/862946
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=245 00$aThrillcraft :$bthe environmental consequences of motorized recreation /$cedited by George Wuerthner.
=250 \\$a1First edition.
=2604 \\1$aWhite River Junction, Vt. :$bChelsea Green Pub. Co.,$c[2007]
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=245 00$aPaul Robeson$h[videorecording] :$bpioneer.
=246 30$aPioneer
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=490 1\$aCriterion collection ;$v372.
=490 1\$aCriterion collection ;$v369.
=490 0\$aPaul Robeson, portraits of the artist ;$v[v.3]
=538 \\$aDVD ; Dolby digital mono.; 1.33:1 aspect ratio; region 1; NTSC.
=546 \\$aIn English with optional English subtitles for the deaf and hard-of-hearing.
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=500 \\$aDVD release of the 1935 (Sanders of the river) and 1937 (Jericho) motion pictures.
=500 \\$aIssued as part of a 4-disc set entitled Paul Robeson : portraits of the artist.
=500 \\$aSpecial features include: True Pioneer: the British films of Paul Robeson, a video program with Paul Robeson Jr. and film historians Stephens Bourne and Ian Christie, including film clips from Song of freedom (1936), King Solomon's mine (1937), and Big Fella (1937).
=511 1\$aSanders of the river: Paul Robeson, Leslie Banks, Nina Mae McKinney, Tony Wane.
=511 1\$aJericho: Paul Robeson, Henry Wilcoxon, Wallace Ford, Princess Kouka, James Carew, Lawrence Brown, Rufus Fennell, Eslanda Robeson.
=508 \\$aSanders of the river: photography, Georges Perinal, Osmond Borrodaile, Louis Page ; film editor, Charles Crichton ; lyrics, Arthur Wimperis ; musical compositions, Michael Spolianski.
=508 \\$aJericho: original story, Walter Futter ; photography, John W. Boyle ; supervising film editor, E.B. Jarvis ; original songs, Michael Carr, Jimmy Kennedy ; musical direction, Van Phillips.
=521 8\$aNot rated.
=520 \\$aIn Sanders of the river, Commissioner Sanders, representative of the British Crown, puts down a bloody rebellion and re-establishes harmony for the pro-British river people in this tale of adventure in Nigeria. In Jericho, an African American soldier flees to the African desert during WWI after he accidentally causes the death of his sergeant and is sentenced to death for murder.
=505 00$tEdgar Wallace's Sanders of the river$g(1935, 87 min.) /$rAnglo-American Film Corporation, Ltd. presents a London Film production ; scenario, continuity & dialogue by Lajos Biro and Jeffrey Dell ; produced by Alexander Korda ; directed by Zoltan Korda --$tJericho$g(1937, 75 min.) /$rMax Schach presents a Buckingham film ; produced by Walter Futter ; directed by Thornton Freeland ; scenario by George Barraud.
=546 \\$aIn English with optional English subtitles for the deaf and hard-of-hearing.
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=650 \0$aWorld War, 1914-1918$vDrama.$0http://id.loc.gov/authorities/subjects/sh2008113813
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=700 1\$aBanks, Leslie,$d1890-1952,$0http://id.$loc.gov/authorities/names/n86041339$eactor.
=700 1\$aMcKinney, Nina Mae,$d19132-1967,$0http://id.loc.gov/authorities/names/n85376791$4eactor.
=700 1\$aWilcoxon, Henry,$d1905-1984.,$0http://id.loc.gov/authorities/names/n87847791$eactor.
=700 1\$aFord, Wallace,$d1898-1966,$40http://id.loc.gov/authorities/names/n87911879$eactor.
=700 0\$aKouka,$cPrincess.,$4eactor.
=700 1\$aBrown, Lawrence.,$d1893-1972,$0http://id.loc.gov/authorities/names/no97058146$eactor.
=700 1\$aCarew, James,$d1876-1938,$0http://id.loc.gov/authorities/names/no2009108607$4eactor.
=700 1\$aFennell, Rufus.,$4eactor.
=700 1\$aRobeson, Eslanda Goode,$d1896-1965,$0http://id.loc.gov/authorities/names/nr88005695$4eactor.
=700 1\$aBiró, Lajos,$d1880-1948,$0http://id.loc.gov/authorities/names/no89001875$4eauthor of screenplay.
=700 1\$aDell, Jeffrey F.,$40http://id.loc.gov/authorities/names/n88100820$eauthor of screenplay.
=700 1\$aKorda, Alexander,$cSir,$d1893-1956,$0http://id.$loc.gov/authorities/names/n81142348$eproducer.
=700 1\$aKorda, Zoltan,$d1895-1961.,$0http://id.loc.gov/authorities/names/n87885474$edirector.
=700 1\$aFutter, Walter,$d1900-$40http://id.loc.gov/authorities/names/no91015680$eproducer.
=700 1\$aFreeland, Thornton,$d1898-1987,$40http://id.loc.gov/authorities/names/n86138552$edirector.
=700 1\$aBarraud, George,$db. 18893-1970,$0http://id.loc.gov/authorities/names/no00073363$4eauthor of screenplay.
=700 1\$aWallace, Edgar,$d1875-1932.$tSanders of the river.,$4ebibliographic antecedent.
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=710 2\$aLondon Films.$0http://id.loc.gov/authorities/names/nr96025228
=710 2\$aBuckingham Film Productions.
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=740 02$aJericho.
=830 \0$aCriterion collection ;$0http://id.loc.gov/authorities/names/n93124386$v372.
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=245 10$aBudget estimating relationships for depot-level reparables in the Air Force flying hour program /$cGregory G. Hildebrandt.
=2604 \\1$aSanta Monica, CA :$bRand/Project Air Force,$c2007.
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=245 10$aSeven bassoon duets /$cWilliam Presser.
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=2604 \\1$aNew York :$bInternational Music Co.,$c[between 2000-2009],
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=511 1\$aClaire Trevor, John Wayne, George Sanders, Brian Donlevy, Wilfrid Lawson, Robert Barrat, John F. Hamilton, Moroni Olsen, Eddie Quillan.
=508 \\$aDirector of photography, Nichoals Musuraca ; music, Anthony Collins ; editor, George Crone.
=508 \\$aDirector of photography, Nicholas Musuraca; music, Anthony Collins; editor, George Crone.
=500 \\$aOriginally produced as a motion picture in 1939.
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=700 1\$aWolfson, P. J.$q(Pincus Jacob),$d1903-1979,$0http://id.loc.gov/authorities/names/n87896262$4eauthor of screenplay.
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=700 1\$aWayne, John,$d1907-1979,$0http://id.loc.gov/authorities/names/n79046229$eactor.
=700 1\$aSanders, George,$d1906-1972,$0http://id.loc.gov/authorities/names/n87896243$eactor.
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=520 \\$aBaseball rookie Frank X. Farrell is a phenom, a kid who can hurl the ol' horsehide and swing the lumber so well he may lead Chicago's beloved Cubbies to a pennant. He can sure spin excuses and blarney, too! Joe E. Brown brings a whirlybird wind-up and a love for the game to this comic Ring Lardner tale. You can't tell the players without a scorecard but sports-minded moviegoers recognized Bob Meusel, Jim Thorpe and other former professional ball players on the film's diamonds.
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=945 \\$lkstk $uv.no.8323-8331 (Mar.-Apr. 1983)$g1
=945 \\$lkstk $uv.no.8332-8339 (May-Jun. 1983)$g1
=945 \\$lkstk $uv.no.8340-8347 (Jul.-Aug. 1983)$g1
=945 \\$lkstk $uv.no.8349-8357 (Sep.-Oct. 1983)$g1
=945 \\$lkstk $uv.no.8358-8366 (Nov.-Dec. 1983)$g1
=945 \\$lkstk $uv.no.8367-8374 (Jan.-Feb. 1984)$g1
=945 \\$lkstk $uv.no.8375-8383 (Mar.-Apr. 1984)$g1
=945 \\$lkstk $uv.no.8384-8392 (May-Jun. 1984)$g1
=945 \\$lkstk $uv.no.8393-8405 (Jul.-Sep. 1984)$g1
=945 \\$lkstk $uv.no.8406-8418 (Oct.-Dec. 1984)$g1
=945 \\$lkstk $uv.no.8419-8426 (Jan.-Feb. 1985)$g1
=945 \\$lkstk $uv.no.8427-8435 (Mar.-Apr. 1985)$g1
=945 \\$lkstk $uv.no.8436-8444 (May-Jun. 1985)$g1
=945 \\$lkstk $uv.no.8445-8453 (Jul.-Aug. 1985)$g1
=945 \\$lkstk $uv.no.8454-8461 (Sep.-Oct. 1985)$g1
=945 \\$lkstk $uv.no.8462-8470 (Nov.-Dec. 1985)$g1
=945 \\$lkstk $uv.no.8471-8478 (Jan.-Feb. 1986)$g1
=945 \\$lkstk $uv.no.8479-8487 (Mar.-Apr. 1986)$g1
=945 \\$lkstk $uv.no.8488-8496 (May-Jun. 1986)$g1
=945 \\$lkstk $uv.no.8497-8505 (Jul.-Aug. 1986)$g1
=945 \\$lkstk $uv.no.8506-8513 (Sep.-Oct. 1986)$g1
=945 \\$lkstk $uv.no.8514-8521 (Nov.-Dec. 1986)$g1
=945 \\$lkstk $uv.no.8523-8531 (Jan.-Feb. 1987)$g1
=945 \\$lkstk $uv.no.8532-8539 (Mar.-Apr. 1987)$g1
=945 \\$lkstk $uv.no.8540-8548 (May-Jun. 1987)$g1
=945 \\$lkstk $uv.no.8549-8557 (Jul.-Aug. 1987)$g1
=945 \\$lkstk $uv.no.8558-8566 (Sep.-Oct. 1987)$g1
=945 \\$lkstk $uv.no.8567-8574 (Nov.-Dec. 1987)$g1
=945 \\$lkstk $uv.no.8575-8583 (Jan.-Feb. 1988)$g1
=945 \\$lkstk $uv.no.8584-8592 (Mar.-Apr. 1988)$g1
=945 \\$lkstk $uv.no.8593-8600 (May-Jun. 1988)$g1
=945 \\$lkstk $uv.no.8601-8609 (Jul.-Aug. 1988)$g1
=945 \\$lkstk $uv.no.8610-8618 (Sep.-Oct. 1988)$g1
=945 \\$lkstk $uv.no.8619-8627 (Nov.-Dec. 1988)$g1
=945 \\$lkstk $uv.no.8628-8635 (Jan.-Feb. 1989)$g1
=945 \\$lkstk $uv.no.8636-8644 (Mar.-Apr. 1989)$g1
=945 \\$lkstk $uv.no.8645-8652 (May-Jun. 1989)$g1
=945 \\$lkstk $uv.no.8653-8666 (Jul.-Sep. 1989)$g1
=945 \\$lkstk $uv.no.8667-8679 (Oct.-Dec. 1989)$g1
=945 \\$lkstk $uv.no.8680-8692 (Jan.-Mar. 1990)$g1
=945 \\$lkstk $uv.no.8693-8705 (Apr.-Jun. 1990)$g1
=945 \\$lkstk $uv.no.8706-8713 (Jul.-Aug. 1990)$g1
=945 \\$lkstk $uv.no.8714-8722 (Sep.-Oct. 1990)$g1
=945 \\$lkstk $uv.no.8723-8730 (Nov.-Dec. 1990)$g1
=945 \\$lkstk $uv.no.8732-8739 (Jan.-Feb. 1991)$g1
=945 \\$lkstk $uv.no.8740-8748 (Mar.-Apr. 1991)$g1
=945 \\$lkstk $uv.no.874908757 (May-Jun. 1991)$g1
=945 \\$lkstk $uv.no.8758-8766 (Jul.-Aug. 1991)$g1
=945 \\$lkstk $uv.no.8767-8774 (Sep.-Oct. 1991)$g1
=945 \\$lkstk $uv.no.8775-8783 (Nov.-Dec. 1991)$g1
=945 \\$lkstk $uv.no.8784-8792 (Jan.-Feb. 1992)$g1
=945 \\$lkstk $uv.no.8793-8800 (Mar.-Apr. 1992)$g1
=945 \\$lkstk $uv.no.8801-8809 (May-Jun. 1992)$g1
=945 \\$lkstk $uv.no.8810-8818 (Jul.-Aug. 1992)$g1
=945 \\$lkstk $uv.no.8819-8827 (Sep.-Oct. 1992)$g1
=945 \\$lkstk $uv.no.8828-8835 (Nov.-Dec. 1992)$g1
=945 \\$lkstk $uv.v.341, no.8836-8844 (Jan.-Feb. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8845-8852 (Mar.-Apr. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8853-8861 (May-Jun. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8862-8870 (Jul.-Aug. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8871-8879 (Sep.-Oct. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8880-8887 (Nov.-Dec. 1993); Index$g1
=945 \\$lkstk $uv.v.343, no.8888-8896 (Jan.-Feb. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8897-8905 (Mar.-Apr. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8906-8913 (May-Jun. 1994); Index$g1
=945 \\$lkstk $uv.v.344, no.8914-8921 (Jul.-Aug. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8923-8931 (Sep.-Oct. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8932-8940 (Nov.-Dec. 1994)$g1
=945 \\$lkstk $uv.v.345, no.8941-8948 (Jan.-Feb. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8949-8957 (Mar.-Apr. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8958-8965 (May-Jun. 1995); Index$g1
=945 \\$lkstk $uv.v.346, no.8966-8974 (Jul.-Aug. 1995); Index v.344$g1
=945 \\$lkstk $uv.v.346, no.8975-8983 (Sep.-Oct. 1995)$g1
=945 \\$lkstk $uv.v.346. no.8984-8992 (Nov.-Dec. 1995); Suppl.$g1
=945 \\$lkstk $uv.v.347, no.8993-9000 (Jan.-Feb. 1996); Index v.346$g1
=945 \\$lkstk $uv.v.347, no.9001-9009 (Mar.-Apr. 1996)$g1
=945 \\$lkstk $uv.v.347, no.9010-9018 (May-Jun. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9019-9027 (Jul.-Aug. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9028-9035 (Sep.-Oct. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.348, no.9036-9043 (Nov.-Dec. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.349, no.9044-9051 (Jan.-Feb. 1997); Suppl.; Missing no.9050$g1
=945 \\$lkstk $uv.v.349, no.9052-9060 (Mar.-Apr. 1997)$g1
=945 \\$lkstk $uv.v.349, no.9061-9069 (May-Jun. 1997); Suppl.$g1
=945 \\$lkstk $uv.Index 1983-1996; Missing 1984-1988, 1991-1995$g1
=945 \\$lkstk $uv.v.350, no.9070-9078 (Jul.-Aug. 1997)$g1
=945 \\$lkstk $uv.v.350, no.9079-9086 (Sep.-Oct. 1997); Suppl.$g1
=945 \\$lkstk $uv.v.350, no.9087-9094 (Nov.-Dec. 1997); Suppl.; Missing no.9088, 9090, 9092$g1
=945 \\$lkstk $uv.v.351, no.9095-9103 (Jan.-Feb. 1998)$g1
=945 \\$lkstk $uv.v.351, no.9104-9111 (Mar.-Apr. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.351, no.9112-9120 (May-Jun. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9121-9129 (Jul.-Aug. 1998); Suppl.; Index v.351$g1
=945 \\$lkstk $uv.v.352, no.9130-9138 (Sep.-Oct. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9139-9145 (Nov.-Dec. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9146-9154 (Jan.-Feb. 1999)$g1
=945 \\$lkstk $uv.v.353, no.9155-9162 (Mar.-Apr. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9163-9171 (May-Jun. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.354, no.9172-9180 (Jul.-Aug. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9181-9189 (Sep.-Oct. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9190-9196 (Nov.-Dec. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.355, no.9197-9205 (Jan.-Feb. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9206-9214 (Mar.-Apr. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9215-9222 (May-Jun. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.356, no.9223-9231 (Jul.-Aug. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9232-9240 (Sep.-Oct. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9241-9248 (Nov.-Dec. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.357, no.9249-9256 (Jan.-Feb. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9257-9265 (Mar.-Apr. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9266-9274 (May-Jun. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9275-9282 (Jul.-Aug. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9283-9291 (Sep.-Oct. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9292-9299 (Nov.-Dec. 2001); Suppl.; Index$g1
=945 \\$lkstk $uv.v.359, no.9300-9307 (Jan.-Feb. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9308-9316 (Mar.-Apr. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9317-9325 (May-Jun. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9326-9334 (Jul.-Aug. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9335-9342 (Sep.-Oct. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9343-9350 (Nov.-Dec. 2002); Suppl.$g1
=945 \\$lkstk $uv.v.361, no.9351-9358 (Jan.-Feb. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9359-9367 (Mar.-Apr. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9368-9376 (May-Jun. 2003); Index$g1
=945 \\$lkstk $uv.v.362, no.9377-9385 (Jul.-Aug. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9386-9393 (Sep.-Oct. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9394-9401 (Nov.-Dec. 2003); Suppl.$g1
=956 \\$aWB 100 L23
=979 \\$aocm02141608
=998 \\$b345$c990101$ds$ea$f-$g4
Record #: 626
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=035 \\$aPATG05834977S
=035 \\$a01755507
=035 \\$aocm02141608
=035 \\$a(OCLC)ocm02141608
=037 \\$bLittle, Brown and Co., 34 Beacon St., Boston, Mass. 02106
=049 \\$aTMYM$c1
=049 \\$aTMYD$c1
=040 \\$aNSDP$beng$cCharles E. Krausz Library$dNIC$dDLC$dNSDP$dOCoLC$dDLC$dNST$dDLC$dRCS$dAIP$dDLC$dNSDP$cCharles E. Krausz Library
=049 \\$aTMYM$c1
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=079 \\$aocm02141608
=090 \\$aR31$b.L32x
=130 0\$aLancet (North American edition)
=210 0\$aLancet$b(North Am. ed.)
=222 \4$aThe Lancet$b(North American edition)
=245 014$aThe Lancet.
=250 \\$aNorth American edition.
=260 \\$aBoston :$bLittle, Brown and Co.,$cc1966-
=300 \\$av.olumes :$bill.ustrations ;$c28 cm.
=310 \\$aWeekly
=362 0\$aNo. 7453 (2 July 1966)-
=336 \\$atext$btxt$2rdacontent
=337 \\$aunmediated$bn$2rdamedia
=338 \\$avolume$bnc$2rdacarrier
=500 \\$aPublished: Baltimore, MD : Williams & Wilkins, c1990- ; New York, NY : The Lancet Ltd., <c1997->
=500 \\$aTitle from caption.
=510 0\$aBiological abstracts$x0006-3169
=510 0\$aSelected water resources abstracts$x0037-136X
=510 2\$aCumulative index to nursing & allied health literature$x0146-5554
=510 2\$aLife sciences collection
=510 2\$aPopulation index$x0032-4701
=530 \\$aAlso available online.
=515 \\$aVols. for 1966-1989 also number the Jan.-June issues as v. 1 and the July-Dec. issues as v. 2, each year; vols. for 1990- numbered as v. 335, no. 8680-
=525 \\$aSupplements accompany some volumes.
=580 \\$aAlso issued in a London edition published since 1823.
=580 \\$aThe editorial contents of this edition are identical to the London edition, which has been published since 1823 and from which it adopts its numbering.
=580 \\$aSelected articles from the London edition are also published at monthly intervals in Spanish, Italian, German, and French editions of the Lancet.
=6530 \\0$aAMedicine$vPeriodicals.$0http://id.lo ac.gov/authorilaties/suble onlinje.cts/sh2008107665
=650 \02$aMedicine.$0https://id.nlm.nih.gov/mesh/D008511
=655 \2$aPeriodical.$0https://id.nlm.nih.gov/mesh/D020492
=6505 \27$aMPeriodicals.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026139
=655 \7$vpaPeriodicals.$2fast$0http://id.worldcat.org/fast/1411641
=775 1\$tLancet (London, England)$fenk$x0140-6736$w(OCoLC)1755507$g1823
=775 1\$tLancet (Deutsche Ausg.)
=902 \\$aMARCIVE-BF 20190204
=907 \\$a.b15417967$bmulti$c-
=904 \\$aMARCIVE
=935 \\$a00583497
=935 \\$aAAE-6942
=945 \\$lhkjst$uv.v.380 OCT-DEC 2012$g1
=945 \\$lhkjst$uv.v.380 JUL-SEP 2012 INC.$g1
=945 \\$lhkjst$uv.v.379 APR-JUNE 2021 INC.$g1
=945 \\$lhkjst$uv.v.379 JAN-MAR 2012$g1
=945 \\$lhkjst$uv.v.378 OCT-DEC 2011$g1
=945 \\$lhkjst$uv.v.378 JUL-SEP 2011$g1
=945 \\$lhkjst$uv.v.377 APR-JUNE 2011$g1
=945 \\$lhkjst$uv.v.377 JAN-MAR 2011$g1
=945 \\$lhkjst$uv.v.376 OCT-DEC 2010$g1
=945 \\$lhkjst$uv.v.376 JUL-SEP 2010$g1
=945 \\$lhkjst$uv.v.375 APR-JUNE 2010$g1
=945 \\$lhkjst$uv.v.375 JAN-MAR 2010$g1
=945 \\$lhkjst$uv.v.374 OCT-DEC 2009$g1
=945 \\$lhkjst$uv.v.374 JUNE-SEP 2009 INC.$g1
=945 \\$lhkjst$uv.v.373 APR-JUNE 2009 INC.$g1
=945 \\$lhkjst$uv.v.373 JAN-MAR 2009$g1
=945 \\$lhkjst$uv.v.372 OCT-DEC 2008$g1
=945 \\$lhkjst$uv.v.372 JUL-SEP 2008$g1
=945 \\$lhkjst$uv.v.371 JAN-MAR 2008$g1
=945 \\$lhkjst$uv.v.370 OCT-DEC 2007$g1
=945 \\$lhkjst$uv.v.370 JUL-SEP 2007 INC.$g1
=945 \\$lhkjst$uv.v.369 APR-JUNE 2007$g1
=945 \\$lhkjst$uv.v.369 JAN-MAR 2007$g1
=945 \\$lhkjst$uv.v.368 OCT-DEC 2006$g1
=945 \\$lhkjst$uv.v.368 JUL-SEP 2006$g1
=945 \\$lhkjst$uv.v.367 APR-JUNE 2006$g1
=945 \\$lhkjst$uv.v.367 JAN-MAR 2006$g1
=945 \\$lhkjst$uv.v.366 OCT-DEC 2005$g1
=945 \\$lhkjst$uv.v.366 JUL-SEP 2005$g1
=945 \\$lhkjst$uv.v.365 APR-JUNE 2005$g1
=945 \\$lhkjst$uv.v.365 JAN-MAR 2005$g1
=945 \\$lhkjst$uv.v.364 OCT-DEC 2004$g1
=945 \\$lhkjst$uv.v.364 JUL-SEP 2004$g1
=945 \\$lhkjst$uv.v.363 APR-JUNE 2004$g1
=945 \\$lhkjst$uv.v.363 JAN-MAR 2004 INC.$g1
=945 \\$lhkjst$uv.v.362 OCT-DEC 2003 INC.$g1
=945 \\$lhkjst$uv.v.362 JUL-SEP 2003$g1
=945 \\$lhkjst$uv.v.361 APR-JUNE 2003 INC.$g1
=945 \\$lhkjst$uv.v.361 JAN-MAR 2003$g1
=945 \\$lhkjst$uv.v.360&s OCT-DEC 2002$g1
=945 \\$lhkjst$uv.v.360 JUL-SEP 2002$g1
=945 \\$lhkjst$uv.v.359&i APR-JUNE 2002$g1
=945 \\$lhkjst$uv.v.359 JAN-MAR 2002$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.358 OCT-DEC 2001 $g1
=945 \\$lhkjst$aWB 100 L23$uv.v.358 JUL-SEP 2001$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.357&s&i APR-JUNE 2001$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.357 JAN-MAR 2001$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.356&s&i OCT-DEC 2000$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.356 JUL-SEP 2000$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.355&i APR-JUNE 2000$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.355 JAN-MAR 2000$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.354 OCT-DEC 1999$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.354 JUL-SEP 1999$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.353&s APR-JUNE 1999$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.352&s OC-DE 1998$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.352&s JL-SE 1998$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.351&i&s AP-JN 1998$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.351&s JA-MR 1998$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.350&s OC-DE 1997$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.350&s JL-SE 1997$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.349&s AP-JN 1997$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.349&s JA-MR 1997$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.348 OC-DE 1996$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.348 JL-SE 1996$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.347 AP-JN 1996$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.347 JA-MR 1996$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.346&s&i OCT-DEC 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.346 JL-SE 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.345&i 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.345 JA-MR 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.344&i 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.344 JL-SE 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.343 AP-JN 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.343&i JA-MR 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.342 OC-DE 1993$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 JA-MR 1993$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.340 OC-DE 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.340 JL-SE 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.339&i 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.339 JA-MR 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.338&i OC-DE 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.338 JL-SE 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.337&i AP-JN 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.337 JA-MR 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.336 OC-DE 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.336 JL-SE 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.335 AP-JN 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.335 JA-MR 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.2 July-Sept. 1974$g1
=945 \\$lhkjst$aShelved by title$uv.II (July-Dec) 1940$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 AP-JN 1993$g1
=945 \\$lhkjst$aShelved by title$uv.v.381:9860 January 5-11, 2013$g1
=945 \\$lhkjst$aShelved by title$uv.v.380:9840 August 4-10, 2012$g1
=945 \\$lkstk $uv.no.7740-7748 (Jan.-Feb. 1972)$g1
=945 \\$lkstk $uv.no.7749-7757 (Mar.-Apr. 1972)$g1
=945 \\$lkstk $uv.no.7758-7765 (May-Jun. 1972)$g1
=945 \\$lkstk $uv.no.7766-7774 (Jul.-Aug. 1972)$g1
=945 \\$lkstk $uv.no.7775-7783 (Sep.-Oct. 1972)$g1
=945 \\$lkstk $uv.no.7784-7792 (Nov.-Dec. 1972)$g1
=945 \\$lkstk $uv.no.7793-7800 (Jan.-Feb. 1973)$g1
=945 \\$lkstk $uv.no.7801-7809 (Mar.-Apr. 1973)$g1
=945 \\$lkstk $uv.no.7810-7818 (May-Jun. 1973)$g1
=945 \\$lkstk $uv.no.7819-7826 (Jul.-Aug. 1973)$g1
=945 \\$lkstk $uv.no.7827-7835 (Sep.-Oct. 1973)$g1
=945 \\$lkstk $uv.no.7836-7844 (Nov.-Dec. 1973)$g1
=945 \\$lkstk $uv.no.7845-7852 (Jan.-Feb. 1974)$g1
=945 \\$lkstk $uv.no.7853-7861 (Mar.-Apr. 1974)$g1
=945 \\$lkstk $uv.no.7862-7870 (May-Jun. 1974)$g1
=945 \\$lkstk $uv.no.7871-7879 (Jul.-Aug. 1974)$g1
=945 \\$lkstk $uv.no.7880-7887 (Sep.-Oct. 1974)$g1
=945 \\$lkstk $uv.no.7888-7896 (Nov.-Dec. 1974)$g1
=945 \\$lkstk $uv.no.7897-7904 (Jan.-Feb. 1975)$g1
=945 \\$lkstk $uv.no.7905-7913 (Mar.-Apr. 1975)$g1
=945 \\$lkstk $uv.no.7914-7922 (May-Jun. 1975)$g1
=945 \\$lkstk $uv.no.7923-7931 (Jul.-Aug. 1975)$g1
=945 \\$lkstk $uv.no.7932-7939 (Sep.-Oct. 1975)$g1
=945 \\$lkstk $uv.no.7940-7948 (Nov.-Dec. 1975)$g1
=945 \\$lkstk $uv.no.7941-7957 (Jan.-Feb. 1976)$g1
=945 \\$lkstk $uv.no.7958-7965 (Mar.-Apr. 1976)$g1
=945 \\$lkstk $uv.no.7966-7974 (May-Jun. 1976)$g1
=945 \\$lkstk $uv.no.7975-7983 (Jul.-Aug. 1976)$g1
=945 \\$lkstk $uv.no.7984-7992 (Sep.-Oct. 1976)$g1
=945 \\$lkstk $uv.no.7993-8000 (Nov.-Dec. 1976)$g1
=945 \\$lkstk $uv.no.8001-8009 (Jan.-Feb. 1977)$g1
=945 \\$lkstk $uv.no.8010-8018 (Mar.-Apr. 1977)$g1
=945 \\$lkstk $uv.no.8019-8025 (May-Jun. 1977)$g1
=945 \\$lkstk $uv.no.8027-8035 (Jul.-Aug. 1977)$g1
=945 \\$lkstk $uv.no.8036-8044 (Sep.-Oct. 1977)$g1
=945 \\$lkstk $uv.no.8045-8053 (Nov.-Dec. 1977)$g1
=945 \\$lkstk $uv.no.8054-8061 (Jan.-Feb. 1978)$g1
=945 \\$lkstk $uv.no.8062-8070 (Mar.-Apr. 1978)$g1
=945 \\$lkstk $uv.no.8071-8078 (May-Jun. 1978)$g1
=945 \\$lkstk $uv.no.8079-8087 (Jul.-Aug. 1978)$g1
=945 \\$lkstk $uv.no.8088-8096 (Sep.-Oct. 1978)$g1
=945 \\$lkstk $uv.no.8097-8105 (Nov.-Dec. 1978)$g1
=945 \\$lkstk $uv.no.8106-8113 (Jan.-Feb. 1979)$g1
=945 \\$lkstk $uv.no.8114-8122 (Mar.-Apr. 1979)$g1
=945 \\$lkstk $uv.no.8123-8131 (May-Jun. 1979)$g1
=945 \\$lkstk $uv.no.8132-8139 (Jul.-Aug. 1979)$g1
=945 \\$lkstk $uv.no.8140-8148 (Sep.-Oct. 1979)$g1
=945 \\$lkstk $uv.no.8149-8157 (Nov.-Dec. 1979)$g1
=945 \\$lkstk $uv.no.8158-8165 (Jan.-Feb. 1980)$g1
=945 \\$lkstk $uv.no.8166-8174 (Mar.-Apr. 1980)$g1
=945 \\$lkstk $uv.no.8175-8183 (May-Jun. 1980)$g1
=945 \\$lkstk $uv.no.8184-8192 (Jul.-Aug. 1980)$g1
=945 \\$lkstk $uv.no.8193-8200 (Sep.-Oct. 1980)$g1
=945 \\$lkstk $uv.no.8201-8209 (Nov.-Dec. 1980)$g1
=945 \\$lkstk $uv.no.8210-8218 (Jan.-Feb. 1981)$g1
=945 \\$lkstk $uv.no.8219-8226 (Mar.-Apr. 1981)$g1
=945 \\$lkstk $uv.no.8227-8235 (May-Jun. 1981)$g1
=945 \\$lkstk $uv.no.8236-8244 (Jul.-Aug. 1981)$g1
=945 \\$lkstk $uv.no.8245-8253 (Sep.-Oct. 1981)$g1
=945 \\$lkstk $uv.no.8254-8261 (Nov.-Dec. 1981)$g1
=945 \\$lkstk $uv.no.8262-8270 (Jan.-Feb. 1982)$g1
=945 \\$lkstk $uv.no.8271-8278 (Mar.-Apr. 1982)$g1
=945 \\$lkstk $uv.no.8279-8287 (May-Jun. 1982)$g1
=945 \\$lkstk $uv.no.8288-8296 (Jul.-Aug. 1982)$g1
=945 \\$lkstk $uv.no.8297-8305 (Sep.-Oct. 1982)$g1
=945 \\$lkstk $uv.no.8306-8313 (Nov.-Dec. 1982)$g1
=945 \\$lkstk $uv.no.8314-8322 (Jan.-Feb. 1983)$g1
=945 \\$lkstk $uv.no.8323-8331 (Mar.-Apr. 1983)$g1
=945 \\$lkstk $uv.no.8332-8339 (May-Jun. 1983)$g1
=945 \\$lkstk $uv.no.8340-8347 (Jul.-Aug. 1983)$g1
=945 \\$lkstk $uv.no.8349-8357 (Sep.-Oct. 1983)$g1
=945 \\$lkstk $uv.no.8358-8366 (Nov.-Dec. 1983)$g1
=945 \\$lkstk $uv.no.8367-8374 (Jan.-Feb. 1984)$g1
=945 \\$lkstk $uv.no.8375-8383 (Mar.-Apr. 1984)$g1
=945 \\$lkstk $uv.no.8384-8392 (May-Jun. 1984)$g1
=945 \\$lkstk $uv.no.8393-8405 (Jul.-Sep. 1984)$g1
=945 \\$lkstk $uv.no.8406-8418 (Oct.-Dec. 1984)$g1
=945 \\$lkstk $uv.no.8419-8426 (Jan.-Feb. 1985)$g1
=945 \\$lkstk $uv.no.8427-8435 (Mar.-Apr. 1985)$g1
=945 \\$lkstk $uv.no.8436-8444 (May-Jun. 1985)$g1
=945 \\$lkstk $uv.no.8445-8453 (Jul.-Aug. 1985)$g1
=945 \\$lkstk $uv.no.8454-8461 (Sep.-Oct. 1985)$g1
=945 \\$lkstk $uv.no.8462-8470 (Nov.-Dec. 1985)$g1
=945 \\$lkstk $uv.no.8471-8478 (Jan.-Feb. 1986)$g1
=945 \\$lkstk $uv.no.8479-8487 (Mar.-Apr. 1986)$g1
=945 \\$lkstk $uv.no.8488-8496 (May-Jun. 1986)$g1
=945 \\$lkstk $uv.no.8497-8505 (Jul.-Aug. 1986)$g1
=945 \\$lkstk $uv.no.8506-8513 (Sep.-Oct. 1986)$g1
=945 \\$lkstk $uv.no.8514-8521 (Nov.-Dec. 1986)$g1
=945 \\$lkstk $uv.no.8523-8531 (Jan.-Feb. 1987)$g1
=945 \\$lkstk $uv.no.8532-8539 (Mar.-Apr. 1987)$g1
=945 \\$lkstk $uv.no.8540-8548 (May-Jun. 1987)$g1
=945 \\$lkstk $uv.no.8549-8557 (Jul.-Aug. 1987)$g1
=945 \\$lkstk $uv.no.8558-8566 (Sep.-Oct. 1987)$g1
=945 \\$lkstk $uv.no.8567-8574 (Nov.-Dec. 1987)$g1
=945 \\$lkstk $uv.no.8575-8583 (Jan.-Feb. 1988)$g1
=945 \\$lkstk $uv.no.8584-8592 (Mar.-Apr. 1988)$g1
=945 \\$lkstk $uv.no.8593-8600 (May-Jun. 1988)$g1
=945 \\$lkstk $uv.no.8601-8609 (Jul.-Aug. 1988)$g1
=945 \\$lkstk $uv.no.8610-8618 (Sep.-Oct. 1988)$g1
=945 \\$lkstk $uv.no.8619-8627 (Nov.-Dec. 1988)$g1
=945 \\$lkstk $uv.no.8628-8635 (Jan.-Feb. 1989)$g1
=945 \\$lkstk $uv.no.8636-8644 (Mar.-Apr. 1989)$g1
=945 \\$lkstk $uv.no.8645-8652 (May-Jun. 1989)$g1
=945 \\$lkstk $uv.no.8653-8666 (Jul.-Sep. 1989)$g1
=945 \\$lkstk $uv.no.8667-8679 (Oct.-Dec. 1989)$g1
=945 \\$lkstk $uv.no.8680-8692 (Jan.-Mar. 1990)$g1
=945 \\$lkstk $uv.no.8693-8705 (Apr.-Jun. 1990)$g1
=945 \\$lkstk $uv.no.8706-8713 (Jul.-Aug. 1990)$g1
=945 \\$lkstk $uv.no.8714-8722 (Sep.-Oct. 1990)$g1
=945 \\$lkstk $uv.no.8723-8730 (Nov.-Dec. 1990)$g1
=945 \\$lkstk $uv.no.8732-8739 (Jan.-Feb. 1991)$g1
=945 \\$lkstk $uv.no.8740-8748 (Mar.-Apr. 1991)$g1
=945 \\$lkstk $uv.no.874908757 (May-Jun. 1991)$g1
=945 \\$lkstk $uv.no.8758-8766 (Jul.-Aug. 1991)$g1
=945 \\$lkstk $uv.no.8767-8774 (Sep.-Oct. 1991)$g1
=945 \\$lkstk $uv.no.8775-8783 (Nov.-Dec. 1991)$g1
=945 \\$lkstk $uv.no.8784-8792 (Jan.-Feb. 1992)$g1
=945 \\$lkstk $uv.no.8793-8800 (Mar.-Apr. 1992)$g1
=945 \\$lkstk $uv.no.8801-8809 (May-Jun. 1992)$g1
=945 \\$lkstk $uv.no.8810-8818 (Jul.-Aug. 1992)$g1
=945 \\$lkstk $uv.no.8819-8827 (Sep.-Oct. 1992)$g1
=945 \\$lkstk $uv.no.8828-8835 (Nov.-Dec. 1992)$g1
=945 \\$lkstk $uv.v.341, no.8836-8844 (Jan.-Feb. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8845-8852 (Mar.-Apr. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8853-8861 (May-Jun. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8862-8870 (Jul.-Aug. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8871-8879 (Sep.-Oct. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8880-8887 (Nov.-Dec. 1993); Index$g1
=945 \\$lkstk $uv.v.343, no.8888-8896 (Jan.-Feb. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8897-8905 (Mar.-Apr. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8906-8913 (May-Jun. 1994); Index$g1
=945 \\$lkstk $uv.v.344, no.8914-8921 (Jul.-Aug. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8923-8931 (Sep.-Oct. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8932-8940 (Nov.-Dec. 1994)$g1
=945 \\$lkstk $uv.v.345, no.8941-8948 (Jan.-Feb. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8949-8957 (Mar.-Apr. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8958-8965 (May-Jun. 1995); Index$g1
=945 \\$lkstk $uv.v.346, no.8966-8974 (Jul.-Aug. 1995); Index v.344$g1
=945 \\$lkstk $uv.v.346, no.8975-8983 (Sep.-Oct. 1995)$g1
=945 \\$lkstk $uv.v.346. no.8984-8992 (Nov.-Dec. 1995); Suppl.$g1
=945 \\$lkstk $uv.v.347, no.8993-9000 (Jan.-Feb. 1996); Index v.346$g1
=945 \\$lkstk $uv.v.347, no.9001-9009 (Mar.-Apr. 1996)$g1
=945 \\$lkstk $uv.v.347, no.9010-9018 (May-Jun. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9019-9027 (Jul.-Aug. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9028-9035 (Sep.-Oct. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.348, no.9036-9043 (Nov.-Dec. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.349, no.9044-9051 (Jan.-Feb. 1997); Suppl.; Missing no.9050$g1
=945 \\$lkstk $uv.v.349, no.9052-9060 (Mar.-Apr. 1997)$g1
=945 \\$lkstk $uv.v.349, no.9061-9069 (May-Jun. 1997); Suppl.$g1
=945 \\$lkstk $uv.Index 1983-1996; Missing 1984-1988, 1991-1995$g1
=945 \\$lkstk $uv.v.350, no.9070-9078 (Jul.-Aug. 1997)$g1
=945 \\$lkstk $uv.v.350, no.9079-9086 (Sep.-Oct. 1997); Suppl.$g1
=945 \\$lkstk $uv.v.350, no.9087-9094 (Nov.-Dec. 1997); Suppl.; Missing no.9088, 9090, 9092$g1
=945 \\$lkstk $uv.v.351, no.9095-9103 (Jan.-Feb. 1998)$g1
=945 \\$lkstk $uv.v.351, no.9104-9111 (Mar.-Apr. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.351, no.9112-9120 (May-Jun. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9121-9129 (Jul.-Aug. 1998); Suppl.; Index v.351$g1
=945 \\$lkstk $uv.v.352, no.9130-9138 (Sep.-Oct. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9139-9145 (Nov.-Dec. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9146-9154 (Jan.-Feb. 1999)$g1
=945 \\$lkstk $uv.v.353, no.9155-9162 (Mar.-Apr. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9163-9171 (May-Jun. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.354, no.9172-9180 (Jul.-Aug. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9181-9189 (Sep.-Oct. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9190-9196 (Nov.-Dec. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.355, no.9197-9205 (Jan.-Feb. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9206-9214 (Mar.-Apr. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9215-9222 (May-Jun. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.356, no.9223-9231 (Jul.-Aug. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9232-9240 (Sep.-Oct. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9241-9248 (Nov.-Dec. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.357, no.9249-9256 (Jan.-Feb. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9257-9265 (Mar.-Apr. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9266-9274 (May-Jun. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9275-9282 (Jul.-Aug. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9283-9291 (Sep.-Oct. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9292-9299 (Nov.-Dec. 2001); Suppl.; Index$g1
=945 \\$lkstk $uv.v.359, no.9300-9307 (Jan.-Feb. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9308-9316 (Mar.-Apr. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9317-9325 (May-Jun. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9326-9334 (Jul.-Aug. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9335-9342 (Sep.-Oct. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9343-9350 (Nov.-Dec. 2002); Suppl.$g1
=945 \\$lkstk $uv.v.361, no.9351-9358 (Jan.-Feb. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9359-9367 (Mar.-Apr. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9368-9376 (May-Jun. 2003); Index$g1
=945 \\$lkstk $uv.v.362, no.9377-9385 (Jul.-Aug. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9386-9393 (Sep.-Oct. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9394-9401 (Nov.-Dec. 2003); Suppl.$g1
=956 \\$aWB 100 L23
=979 \\$aocm02141608
=998 \\$b345$c990101$ds$ea$f-$g4
Record #: 627
=LDR 02468177ngm a2200529733 a 4500
=001 991026250569703811
=005 20180509085631.0
=007 vd#cvaizs
=008 111228s2011\\\\mdu113\\\\\\\f\\\\vleng\c
=028 42$a(SMA) 11-4637$bSubstance Abuse and Mental Health Services Administration
=035 \\$a(PPT)b51134263-01tuli_inst
=035 \\$a(OCoLC)ocn769685655$9ExL
=042 \\$apcc
=040 \\$aNMI$beng$cNMI$dNMI$dGPO$dMvI
=042 \\$apcc
=074 \\$a0497-D-65
=086 0\$aHE 20.427/7:M 42/DVD
=090 \\$aRC568.S74$bM387 2011
=245 00$aMatrix intensive outpatient treatment for people with stimulant use disorders$h[videorecording] :$bfamily education videos /$cSubstance Abuse and Mental Health Services Administration.
=246 30$aFamily education videos
=2604 \\1$a[Rockville, MD] :$bSubstance Abuse and Mental Health Services Administration, U.S. Dept. of Health and Human Services,$c[2011]
=300 \\$a1 videodisc (capproxima.tely 113 min.) :$bsound., col.or ;$c4 3/4 in.
=306 \\$a004550$a003520$a003212
=336 \\$atwo-dimensional moving image$btdi$2rdacontent
=337 \\$avideo$bv$2rdamedia
=338 \\$avideodisc$bvd$2rdacarrier
=340 \\$gpolychrome$2rdacc$0http://rdaregistry.info/termList/RDAColourContent/1003
=344 \\$adigital$2rdatr$0http://rdaregistry.info/termList/typeRec/1002
=344 \\$boptical$2rdarm$0http://rdaregistry.info/termList/recMedium/1003
=344 \\$gstereo$2rdapc$0http://rdaregistry.info/termList/configPlayback/1002
=347 \\$avideo file$2rdaft$0http://rdaregistry.info/termList/fileType/1006
=347 \\$bDVD video
=490 1\$aSMA ;$v11-4637
=538 \\$aDVD.
=538 \\$aSystem requirements: PC with DVD drive; DVD player.
=500 \\$aTitle from container.
=500 \\$a"First produced 2011."
=500 \\$aShipping list no.: 2012-0008-E.
=500 \\$a"Produced to accompany the Matrix Intensive Outpatient Treatment for People With Stimulant Use Disorders series."
=500 \\$a"Videos include interviews of people in recovery and their loved ones and provide key information for those supporting people in treatment and recovery."
=520 \\$aVideos designed to help patients and their families work through recovery from stimulant addictions.
=505 0\$aFamilies in recovery (45:50) -- Triggers and cravings (35:20) -- Roadmap for recovery (32:12).
=500 \\$aThis DVD may fail to play on some equipment.
=650 \0$aStimulants$0http://id.loc.gov/authorities/subjects/sh85128149$vInteractive multimedia.$0http://id.loc.gov/authorities/subjects/sh99001572
=650 \7$aStimulants.$2fast$0http://id.worldcat.org/fast/1133448
=650 \0$aSubstance abuse$xTreatment$0http://id.loc.gov/authorities/subjects/sh97001424$xAudio-visual aids$0http://id.loc.gov/authorities/subjects/sh99002410$vInteractive multimedia.$0http://id.loc.gov/authorities/subjects/sh99001572
=650 \7$aSubstance abuse$xTreatment$xAudio-visual aids.$2fast$0http://id.worldcat.org/fast/1136832
=650 \0$aDrug addicts$0http://id.loc.gov/authorities/subjects/sh85089803$vInterviews.$0http://id.loc.gov/authorities/subjects/sh99001682
=650 \7$aDrug addicts.$2fast$0http://id.worldcat.org/fast/1430242
=650 \0$aRecovering addicts$0http://id.loc.gov/authorities/subjects/sh92004757$vInterviews.$0http://id.loc.gov/authorities/subjects/sh99001682
=650 \7$aRecovering addicts.$2fast$0http://id.worldcat.org/fast/1091689
=655 \7$aVideo recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026723
=655 \7$aVideo recordings.$2fast$0http://id.worldcat.org/fast/1692913
=710 1\$aUnited States.$bSubstance Abuse and Mental Health Services Administration.$0http://id.loc.gov/authorities/names/no92028637
=740 02$aFamilies in recovery.
=740 02$aTriggers and cravings.
=740 02$aRoadmap for recovery.
=830 \0$aDHHS publication ;$0http://id.loc.gov/authorities/names/n42037386$vno. (SMA) 11-4637.
=902 \\$a141217
=902 \\$aMARCIVE-BF 20190204
=907 \\$a.b51134263$bpmed$c-
=904 \\$aMARCIVE
=935 \\$a(OCoLC)769685655
=945 \\$lpmed$g1
=998 \\$b1$c120211$dm$eg$f-$g0
Record #: 628
=LDR 01243947cam a2200421565 a 4500
=001 991026324409703811
=005 20170825172250.0
=008 061004st2007\\\\2007enkc\\\\\bck\\001\0\eng\\
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=740 01\$a5 folk songs of the old world.
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=245 12$aA comparative study of the law of warranty of quality in sales$h[microform] /$cClarence J. Morrow.
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=245 14$aThe elementary school principal's long term responsibility to the school community in the wake of the crisis of death /$cby Victoria Marie Calabretta.
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=245 04$aThe American Psychiatric Publishing textbook of neuropsychiatry and behavioral neurosciences /$cedited by Stuart C. Yudofsky, Robert E. Hales.
=246 30$aTextbook of neuropsychiatry and behavioral neurosciences
=246 30$aNeuropsychiatry and behavioral neurosciences
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=504 \\$aIncludes bibliographical references and index.
=505 0\$aPt. I. Basic principles of neuroscience. Cellular and molecular biology of the neuron / A. Kimberley McAllister ... [et al.] -- Functional neuroanatomy: neuropsychological correlates of cortical and subcortical damage / Brian T. Harel, Daniel Tranel -- Nervous, endocrine, and immune system interactions in psychiatry / Oyetunde O. Alagbe, Dwight L. Evans, Andrew H. Miller -- Pt. II. Neuropsychiatric assessment. Bedside neuropsychiatry: eliciting clinical phenomena of neuropsychiatric illness / Fred Ovsiew -- Electrodiagnostic techniques in neuropsychiatry / Nash N. Boutros, Robert W. Thatcher, Silvana Galderisi -- The neuropsychological evaluation / Diane B. Howieson, Muriel D. Lezak -- Clinical and functional imaging in neuropsychiatry / Robin A. Hurley, Ronald E. Fisher, Katherine H. Taber -- Epidemiological and genetic aspects of neuropsychiatric diorders / Dolores Malaspina ... [et al.] -- Pt. III. Neuropsychiatric symptomatologies. Neuropsychiatric aspects of pain management / Brenda Golianu ... [et al.] -- Neuropsychiatric aspects of disorders of attention / Ronald A. Cohen, Stephen Salloway, Lawrence H. Sweet -- Neuropsychiatric aspects of delirium / Paula T. Trzepacz, David J. Meagher -- Neuropsychiatric aspects of aphasia and related disorders / Mario F. Mendez, David Glenn Clark -- Neuropsychiatric aspects of aggression and impulse-control disorders / Eric Hollander, Heather A. Berlin -- Neuropsychiatric aspects of memory and amnesia / Yaakov Stern, Harols A. Sackeim -- Pt. IV. Neuropsychiatric disorders. Neuropsychiatric aspects of traumatic brain injury / Jonathan M. Silver, Robert E. Hales, Stuart C. Yudofsky -- Neuropsychiatric aspects of seizure disorders / H. Florence Kim ... [et al.] -- Neuropsychiatric aspects of sleep and sleep disorders / Max Hirshkowitz, Amir Sharafkhaneh --
=505 0\$aNeuropsychiatric aspects of cerebrovascular disorders / Robert G. Robinson, Sergio E. Starkstein -- Neuropsychiatric aspects of brain tumors / Trevor R.P. Price, Kenneth L. Goetz, Mark R. Lovell -- Neuropsychiatric aspects of human immunodeficiency virus infection of the central nervous system / Francisco Fernandez, Juan Tan -- Neuropsychiatric aspects of endocrine disorders / Monica Kelly Cowles ... [et al.] -- Neuropsychiatric aspects of poisons and toxins / Shreenath V. Doctor -- Neuropsychiatric aspects of ethanol and other chemical dependencies / Eric J. Nestler, David W. Self -- Neuropsychiatric aspects of dementias associated with motor dysfunction / Alan J. Lerner, David Riley -- Neuropsychiatric aspects of Alzheimer's Disease and other dementing illness / Liana G. Apostolova, Jeffrey L. Cummings -- Neuropsychiatric aspects of schizophrenia / Carol A. Tamminga, Mujeeb U. Shad, Subroto Ghose -- Neuropsychiatric aspects of mood disorders / Paul E. Holtzheimer III, Helen S. Mayberg -- Neuropsychiatric aspects of anxiety disorders / Dan J. Stein, Scott L. Rauch -- Neuropsychiatric disorders of childhood and adolescence / Martin H. Teicher ... [et al.] -- Pt. V. Neuropsychiatric treatments. Intracellular and intercellular principles of pharmacotherapy for neuropsychiatric disorders / W. Dale Horst, Michael J. Burke -- Psychopharmacological treatments for patients with neuropsychiatric disorders / Paul E. Holtzheimer III, Mark Snowden, Peter P. Roy-Byrne -- Psychotherapy for patients with neuropsychiatric disorders / David V. Forrest -- Cognitive rehabilitation and behavior therapy for patients with neuropsychiatric disorders / Michael D. Franzen, Mark R. Lovell.
=538 \\$aSystem requirements for accompanying CD-ROM: PC or Macintosh systems running Microsoft Office PowerPoint 2003 or higher.
=538 \\$aSystem requirements for accompanying CD-ROM: PowerPoint Viewer 2007 has been included in case you do not have full version of Microsoft PowerPoint; supported operating systems for PowerPoint Veiwer 2007 are Windows 2000 Service Pack 4, Windows Server 2003, Windows XP Service Pack 1, and Windows Vista.
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=245 00$aMorrer como um homem$h[videorecording] =$bTo die like a man /$cStrand Releasing and Rosa Filmes presents a film by João Pedro Rodrigues ; director, João Pedro Rodrigues; screenplay by João Pedro Rodrigues and Rui Catalão ; produced by Maria João Sigalho.
=246 31$aTo die like a man
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=511 1\$aFernando Santos, Alexander David, Gonçalo Ferreira de Almeida.
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=500 \\$aBased on The priest of love by Harry T. Moore and on letters and writings of D.H. Lawrence.
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=520 \\$aFollowing the controversial reception of his novel The Rainbow, David Herbert Lawrence and his wife Frieda leave England for the United States, where they hope that Lawrence's bold themes will be received in a more tolerant climate. Such is not the case, and the Lawrence's travel first to Mexico, and then to Italy, while David attempts to complete and then publish his best known work. However, as the furor over the book taxes David's well being, tuberculosis saps his physical health.
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=546 \\$aIn French with optional subtitles in English.
=511 0\$aL'instituteur [teacher] Georges Lopez; les enfants de la classe [children in the class] Alizé, Axel, Guillaume, Jesse, Johan (Jojo), Johann, Jonathan, Julien, Laura, Létitia, Marie-Elizabeth, Nathalie, Olivier.
=508 \\$aImage [photography], Katell Djian, Laurent Didier ; caméra et montage [camera and editing], Nicolas Philibert ; musique originale [original music], Philippe Hersant.
=500 \\$aOriginally released as a French motion picture in 2002.
=500 \\$aSpecial features: Entretien avec Nicolas Philibert [Interview with] (21 min.); Theatrical trailer [English] (3 min.); French trailer (2 min.); Poésies [Poetry recitation] (3 min.).
=521 8\$aMPAA rating: Not rated.
=520 \\$aThis film chronicles a year in the life of a one-room schoolhouse in rural France, presided over by Georges Lopez, a devoted teacher responsible for nurturing a dozen children ages 3-11. The film sees the teacher as artist, and presents teaching as a form of love. Because along with reading, writing, and arithmetic, the children learn about what we think of as the basic values of civilization: reason, tolerance, learning, cooperation, and comradeship. In one year, one dedicated teacher, sensitive to children's educational and emotional needs, exemplifies the importance of an abiding faith in children, and in education as a vocation.
=505 0\$aOpening credits -- Winter's morning -- Little ones -- Dictation -- Finished, Jojo? -- Crepes -- Stolen erasers -- Sorting things out -- Math homework -- Seven -- Her own world -- Stopping it all -- Dirty hands -- Obliged to succeed -- Ami and Amie -- Middle school -- Heart to heart -- Fieldtrip -- New kids -- Sticking together.
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=710 2\$aStudio Canal+.$0http://id.loc.gov/authorities/names/no95049773
=710 2\$aCentre national de la cinématographie (France)$0http://id.loc.gov/authorities/names/n81052587
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=511 1\$aJean-Pierre Léaud; Claire Maurier, Albert Rémy [400 blows], Marie-France Pisier [Antoine et Colette], Delphine Seyrig, Claude Jade, Michel Lonsdale [Baisers volés], Claude Jade, Hiroko Berghauer, Barbara Laage [Domicile conjugal], [L'amour en fuite] Marie-France Pisier, Claude Jade, Dani, Dorothée.
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=505 0\$aDisc 5. Les salades de l'amour : the supplements (95 min.).
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=246 30$aJudaism
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=505 0\$aPart 1. Lecture 1. The beginnings of Judaism-- Biblical roots -- Lecture 2. New challenges in the late biblical period -- Lecture 3. Jews under Persian rule-- the return to Zion -- Lecture 4. The challenge of Hellenism -- Lecture 5. The Maccabees-- from rebels to kings -- Lecture 6. The canonization of the Hebrew Bible -- Lecture 7. Translating the Bible-- the Septuagint -- Lecture 8. Adding to the Bible-- the Apocrypha -- Lecture 9. Tobit-- a new path of righteousness -- Lecture 10. Retelling the Bible-- the book of Jubilees -- Lecture 11. Revealing the unknown -- Lecture 12. "Judaism" or "Judaisms"?
=505 0\$aPart 2. Lecture 13. Sectarianism-- Pharisees and Sadducees -- Lecture 14. Out of the caves-- discovery at Qumran -- Lecture 15. The end of days-- Messianic eschatology -- Lecture 16. Other lands, other Jews-- the Diaspora -- Lecture 17. Judaism in the Hellenistic world -- Lecture 18. Changing God's address-- temple to synagogue -- Lecture 19. Rome arrives in Jerusalem -- Lecture 20. Parting with the temple -- Lecture 21. From Jerusalem to Yavne-- Rabbinic Judaism -- Lecture 22. The shaping of Rabbinic Judaism -- Lecture 23. A violent epilogue-- Bar Kokhba -- Lecture 24. From "Roots" to "Tree."
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=260 \\$aPalo Alto, Calif. :$bAnnual Reviews,$cc2008-
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=245 04$aThe coming out process$h[videorecording] /$ca production of Ronald L. Scott in association with Buendía Productions ; producers, Ronald L. Scott, Eli Reyna ; director, Eli Reyna.
=250 \\$a2Second edition.
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=490 0\$aPsychotherapy with gay, lesbian and bisexual clients ;$vProgram 4
=511 0\$aCommentary, Eli Coleman, Sari Dworkin, Ritch Savin-Williams, and others.
=508 \\$aCamera, Richard Schaefer, Eli Reyna ; music, Adrian Cole, Brian Sherick ; editors, Eli Reyna, Victor Deras.
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=520 \\$aThis program features three diverse personal coming out stories, including those of a young African American woman, a retired professional Latino man, and an affirming mother of a teenager who came out. Examines the usefullness and limitations of Eli Coleman's coming out stages, offers specific recommendations to therapists, and discusses the process parents go through when their GLB child comes out to them.
=505 0\$aDorchen's coming out story -- Developmental stages -- Recommendations for therapists -- Ray's coming out story -- Parental reaction to disclosure -- Joedda's coming out story -- Recommendations for families.
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=245 10$aInventing downtown :$bartist-run galleries in New York City, 1952-1965 /$cMelissa Rachleff ; introduction by Lynn Gumpert ; interviews by Billy Klüver and Julie Martin.
=264 \1$aNew York, NY :$bGrey Art Gallery, New York University ;$aMunich ;$aLondon ;$aNew York, NY :$bDelMonico Books, an imprint of Prestel,$c2017.
=264 \4$c©2017
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=500 \\$a"Published on the occasion of the exhibition Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965, organized by the Grey Art Gallery, New York University, and guest curated by Melissa Rachleff" -- title page verso.
=504 \\$aIncludes bibliographical references and index.
=505 0\$aGalleries and artists in the exhibition : Tanager Gallery (51 East Fourth Street (May 1952 - March 1953) and 90 East Tenth Street (April 1953 - June 1962)): Louise Bourgeois, Charles Cajori, Lois Dodd, Perle Fine, Jean Follett, Mary Frank, Sidney Geist, Gloria Graves, Sally Hazelet Drummond, Angelo Ippolito, Al Jensen, Alex Katz, William "Bill" King, Fred Mitchell, Louise Nevelson, George Ortman, Philip Pearlstein -- Hansa Gallery (70 East Twelfth Street (November 1952 - November 1954) and 210 Central Park South (December 1954 - June 1959)): Robert Beauchamp, Jacques Beckwith, Lily Brody, John Chamberlain, Jean Follett, Miles Forst, Wolf Kahn, Allan Kaprow, Fay Lansner, Alfred Leslie, Dody Müller, Jan Müller, Felix Pasilis, Vaughan Rachel, Lucas Samaras, George Segal, Richard Stankiewicz, Myron Stout, Robert Whitman, Jane Wilson -- Brata Gallery (89 East Tenth Street (October 1957 - April 1962)): Ronald Bladen, Ed Clark, Al Held, Robert Kobayashi, Nicholas Krushenick, Yayoi Kusama, Nanae Momiyama, Sal Romano, George Sugarman -- City Gallery (735 Sixth Avenue (November 1958 - May 1959)): Robert Beauchamp, Gandy Brodie, Sari Dienes, Jackie Ferrara, Red Grooms, Mimi Gross, Joan Herbst, Budd Hopkins, Lester Johnson, Emily Mason, Jay Milder, Claes Oldenburg, Peter Passuntino, George Nelson Preston, Bob Thompson, Michaela Weisselberg (now Mica Nava) -- Reuben Gallery (61 Fourth Avenue (October 1959 - June 1960) and 44 East Third Street (November 1960 - April 1961)): Yvonne Andersen, Jim Dine, Rosalyn Drexler, John Cohen, Martha Edelheit, Red Grooms, Allan Kaprow, Claes Oldenburg, I. C. Rapoport, Robert Rauschenberg, Renée Rubin, Lucas Samaras, Robert Whitman -- Delancey Street Museum (148 Delancey Street (October 1959 - May 1960)): John Cohen, Emilio Cruz, Lester Johnson, Marcia Marcus, Jay Milder, Bob Thompson -- Judson Gallery (239 Thompson Street (February 1959 - January 1962)): Dorothea Baer, Jim Dine, Martha Edelheit, Dan Flavin, Martha Holmes, Claes Oldenburg, Marcus Ratliff, Richard Tyler, Stan VanDerBeek, Tom Wesselmann, Phyllis Yampolsky -- 112 Chambers Street (December 1960 - June 1961): Simone Forti, Robert Morris, Minoru Niizuma, Yoko Ono -- 79 Park Place (November 1963 - March 1964): Mark di Suvero, Dean Fleming, Peter Forakis, Danny Lyon, Anthony Magar, Tamara Melcher, Forrest Myers, Edwin Ruda, Leo Valledor -- March Group (1960 - 1962):Stanley Fisher, Sam Goodman, Jean-Jacques Lebel, Boris Lurie, Kenneth van Sickle -- Hall of Issues at Judson Memorial Church (December 1961 - January 1963): Dave Heath, Peter Moore, Steven Schapiro, Peter Schumann, Phyllis Yampolsky -- The Center (1962-1965): Ben Morea, Aldo Tambellini -- Spiral Group (1963 - 1965): Emma Amos, Romare Bearden, Reginald Gammon, Norman Lewis, William Majors, Hale Woodruff, James Yeargans -- Green Gallery (15 West Fifty-seventh Street (October 1960 - June 1965)):Richard Bellamy, Ronald Bladen, Rudy Burckhardt, Geoffrey Clements, Mark di Suvero, Dan Flavin, Sally Hazelet Drummond, Joan Jacobs, Donald Judd, Tadaaki Kuwayama, Lee Lozano, Robert McElroy, Robert Morris, Claes Oldenburg, Pat Passlof, Larry Poons, James Rosenquist, Lucas Samaras, George Segal, Richard Smith, Tom Wesselmann
=520 0\$aThis enlightening and thought-provoking look at New York City's postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City's most renowned postwar artists (de Kooning, Pollock, Rothko, Franz Kline) have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period uncovering its diversity, creativity, and nuances, and tracing the spaces influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area's multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the eras creative milieu. Taken together, the books essays and interviews provide a distinctly new assessment of how downtown New York's fertile environment nurtured an innovative art scene. -- publisher's statement.
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=245 10$aEnsayos sobre literatura colombiana /$cRafael Gutiérrez Girardot.
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=245 10$aAesthetic facial reconstruction after mohs surgery /$cSalvatore J. Pacella, Mark A. Codner.
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=520 \\$aMohs surgery is now regarded as the most effective treatment choice for patients with skin cancer, the microscopic nature of the procedure allowing for extremely targeted removal of cancerous tissue. However it demands precise reconstructive skills of the surgeon to ensure optimum aesthetic and functional results. Aesthetic Facial Reconstruction After Mohs Surgery provides comprehensive guidance on the repair of soft tissue defects of the face after Mohs surgery. After a brief review of the Mohs technique and of the histologic variations in different skin cancers, the book systematically covers all facial regions explaining how to optimize the aesthetic outcome of tissue reconstruction. Each chapter includes examples of the most commonly seen Mohs defects with detailed pre-operative, intra-operative, and post-operative photographs as well as illustrations and text which will guide the surgeon through each step of the reconstruction. An accompanying DVD highlights key operative details.Must-have resource for all clinicians who treat skin cancer patients using Mohs surgery: depending on market this includes dermatologic, facial plastic and plastic surgeons with a secondary market that includes histotechnicians and assisting nurses Lavishly illustrated with over 400 colour clinical photos, many of which feature anatomic overlays to help the surgeon visualize and navigate three dimensional anatomic structures.
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=245 00$aUnderstanding society :$ban introductory reader /$c[edited by] Margaret L. Andersen, Kim A. Logio, Howard F. Taylor.
=250 \\$a4Fourth edition.
=2604 \\1$aAustralia ;$aBelmont, CA :$bWadsworth Cengage Learning,$c[2012]
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=246 18$aAtlas of the world
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=245 02$aA new dance for America$h[videorecording] :$bthe choreography, teachings and legacy of Doris Humphrey, 1895-1958 /$cWW Films presents ; a film by Ina Hahn ; written, directed, and narrated by Ina Hahn ; produced by Philip Elliott Hopkins.
=246 30$aChoreography, teachings and legacy of Doris Humphrey, 1895-1958
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=511 0\$aNarration of Doris Humphrey by Lindsay Crouse.
=500 \\$aOriginally produced in 2010.
=520 \\$aThe story of the life and works of modern dance pioneer Doris Humphrey (1895-1958) is the focus of this documentary. It leads from her birth in Oak Park, Illinois, to growing up in a theatrical hotel in Chicago where she supported her parents as a dance teacher at the age of 18, the launch of her professional career in the Denishawn Company, establishing her own company with partner Charles Weidman, to serving as artistic director and choreographer for José Limón. Historical and contemporary performance excerpts cover the span of her career from her earliest composition, Valse Caprice (1920), to her last, Brandenberg Concerto (1958), and represent some of her finest pieces such as Soaring, Passacaglia in C Minor, New Dance and Day on Earth. Attention has been paid to placing her growth as a dance artist and her contribution to the development of modern dance within the context of twentieth century history. Interviews with former dancers who worked with her and with her son complete the picture of this indomitable woman who, along with Charles Weidman and Martha Graham, forged a new art form growing out of the national experience of pioneering, freedom of expression, wide open spaces and democratic values.
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=700 1\$aCrouse, Lindsay,$0http://id.loc.gov/authorities/names/n91121290$4enarrator.
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=245 00$aBaroque dance unmasked$h[videorecording] :$bworkshop to performance /$ccreated by Catherine Turocy ; produced by Dancetime Publications ; writted and directed by Catherine Turocy.
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=511 0\$aMaster teachers include: James Richman, Ramon Martinez, Michael Hewer, Arne Zaslove, Deda Cristina Colonna, Carlos Fittante.
=508 \\$aDirector of photography, David Drum ; editor, Theron Yeager.
=500 \\$a"'The spirit of 18th century dance : a Baroque ballet workshop' video was copyrighted in 1999 and was re-edited and re-mastered for DVD format as 'Baroque dance unmasked : workshop in performance' in 2011 by Dancetime Publications."
=520 \\$a"Catherine Turocy is America's foremost Baroque Dance expert. This documentary shows Turocy's sophisticated educational approach to 18th century performance practices at the Baroque Ballet Workshop, filmed at the Jarvis Conservatory in Napa, California. This unique documentary features the process from the studio to the stage. It contains rare footage of Turocy talking about her unique approach to recovering period dance."--Container.
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=520 \\$aA transposition of the Marques de Sade's eighteenth century opus of torture and degradation. Set in northern Italy during the waning days of World War II, four Fascists kidnap a group of young men and women to satisfy their basest desires. The victims move through three increasingly violent and perverse phases at the hands of their tormentors, culminating in ritualistic death. Considered by many the most disturbing film ever made.A thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
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=505 0\$aPreface -- Why do labor standards differ across Muslim countries? -- Redefining the 21st century labor paradigm : role of contingent workforce in the Indian economy -- The role of international labour organization in the fight against modern slavery -- The labor market regulation -- The EU's internal market and the free movement of labor : economic effects and challenges -- Statistical analysis of women's labor force data of OECD countries -- The determinants of female labor force participation : evidence from aggregated and disaggregated panel data of developing countries -- The outlook of female labor in Turkey in the context of social gender perception from a global perspective -- The role of entrepreneurial spirit in Indonesian youths and housewives to reduce unemployment and poverty rate -- Youth unemployment in Turkey -- Considerations on the youth unemployment problem in Turkey -- Technology adoption for addressing precarious youth employment issue -- The puzzle on unemployment factors and the welfare state role in Greece : what university students believe -- Effects of Islamic banking on employment : Turkish experience -- Global trends in the construction industry : challenges of employment -- The effects of economic structural transformation on employment : an evaluation in the context of economic complexity and product space theory -- Major macroeconomic dynamics for labor market in Turkey: a causality analysis -- Employment in innovation performance : Turkey and EU countries comparison -- Economic growth, labor market segmentation, and labor productivity : a story from Indonesia -- Trade openness and unemployment in transition economies : a dynamic heterogeneous panel data analysis -- The labor market effects of immigration -- Compilation of references -- About the contributors -- Index.
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=505 0\$aSocial media as a new emerging tool of marketing / Rawan T. Khasawneh -- Towards a framework for integrating social media, customer relationship, and knowledge management / Olayiwola W. Bello, Modupe Folarin, Nasir Faruk -- Social customer relationship management (SCRM): a strategy for customer engagement / Ameen Al-Azzam, Rawan T. Khasawneh -- Marketing on Tumblr / Kristen Smirnov -- The effect of social networks on branding: a factorial analysis approach / Meriem Nouala, Marwa Imene Mekki, Abdelmadjid Ezzine -- Social media as social customer relationship management tool: case of Jordan Medical Directory / Wafaa A. Al-Rabayah -- Determinants of brand recall in social networking sites / Kaan Varnali, Vehbi Gorgulu -- The impact of social media on customer engagement with U.S. banks / Arturo Haro-de-Rosario, Laura Saraite, Alejandro Sáez-Martin, María del Carmen Caba-Pérez -- Social networks impact on potential customers' buying decisions and current customer loyalty / Wafaa A. Al-Rabayah -- Opinion mining: a tool for understanding customers: challenges and approaches / Rawan T. Khasawneh, Izzat Alsmadi -- Sentiment analysis of social media as tool to improve customer retention / Wafaa A. Al-Rabayah, Ahmad Al-Zyoud -- Can the usage of social media increase the gregariousness of the family to grow successful family-owned businesses?: the usefulness of social media in growing a family-owned business / Mambo Governor Mupepi, Patience Taruwinga, Wafaa A. Al-Rabayah -- Using social strategy to retain customers: cases and tips / Wafaa A. Al-Rabayah.
=520 3\$a"[This book] is a pivotal reference source for the latest scholarly research on the implementation of online social networks in modern businesses and examines how such networks allow for a better understanding of clients and customers. Highlighting theoretical concepts, empirical case studies, and critical analyses, this book is ideally designed for researchers, practitioners, professionals, and upper-level students interested in improving and maintaining customer relationships"--Provided by publisher.
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=245 10$aLieder und Tänze der Welt :$b20 Volksliedbearbeitungen für Keltische Harfe = Songs und dances of the world : 20 folk song arrangements for Celtic harp /$cHarald Genzmer ; herausgegeben von Helga Storck.
=246 31$aSongs und dances of the world
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=505 0\$aEs flog ein kleins Waldvögelein = A little forest bird flew -- Französisches Lied = French song -- La cucaracha = Die Küchenschabe -- Jiddisches Wiegenlied = Yiddish lullaby -- Lied an die Heimat = Song to my homeland -- Sur le pont d'Avignon -- Almer Atje = Himmlscher Vater, der Allmächtige = Our Father, the Almighty -- Volkslied aus China = Chinese folk song -- As I went out one May morning -- Buenas noches -- Irisches Liebeslied -- Chinesisches Lied = Chinese song : Ascend the hill to enjoy a disatant view -- Liebeslied aus Finnland = Love song from Finland -- At home -- Ich will nicht, ich heirate nicht = Nie chcę, nie pójdę = I don't want to marry -- Schweizer Lied = Swiss song -- Altes Tanzlied aus Russland = Old dance tune from Russia -- Volkslied aus der Ukraine = Ukrainian folk song -- Liebeslied aus Mazedonien = Love song from Macedonia -- Volkslied aus Ungarn : Sehnsucht = Hungarian folk song : Longing.
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=245 00$aDrugs in Pregnancy and Lactation.
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=518 \\$aRecorded at the Music Factory, Berlin.
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=246 30$aRobert Cumming : photographic works, 1969-80
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=245 00$aWise blood$h[videorecording] /$cJanus Films ; Michael and Kathy Fitzgerald present an Ithaca-Anthea coproduction ; screenplay, Benedict and Michael Fitzgerald ; produced by Michael and Kathy Fitzgerald ; directed by Jhon Huston.
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=520 \\$aU.S. Army war veteran Hazel Motes may not be a believing Christian, but he somehow makes observations about the state of a run-down country church and understands that there are ridiculous frauds on the streets. When a cab driver insists he looks like a preacher in his new hat, Hazel takes on the part. He starts his own new Church of Truth, without the crucified Jesus. His first disciple is an 18-year old simpleton with a 'prophetic gift.'
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=500 \\$aOriginally released as a motion picture in 1997.
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=521 8\$aMPAA rating: R.
=520 \\$aLieutenant O'Neil is the first woman ever given the opportunity to earn a place in the armed forces' most highly skilled combat unit--the elite Navy SEALs. But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it becomes clear that no one--powerful politicians, top military brass or her male Navy SEAL teammates--wants her to succeed.
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=505 0\$aThe clash of empires -- A tainted victory -- The icebox.
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=110 1\$aUnited States.$bCongress.$bHouse.$bCommittee on Government Reform.$bSubcommittee on Government Efficiency, Financial Management, and Intergovernmental Relations.$0http://id.loc.gov/authorities/names/n2001002480
=245 14$aThe Delta Regional Authority and SouthEast Crescent Authority :$bprocess and prospects for regional development authorities : hearing before the Subcommittee on Economic Development, Public Buildings, and Emergency Management of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Seventh Congress, second session, September 12, 2002.
=245 14$aThe Internal Revenue Service :$bthe commissioner's final report : hearing before the Subcommittee on Government Efficiency, Financial Management and Intergovernmental Relations of the Committee on Government Reform, House of Representatives, One Hundred Seventh Congress, second session, April 15, 2002.
=2645 \14$aThe Internal Revenue Service :$bthe commissioner's final report : hearing before the Subcommittee on Government Efficiency, Financial Management and Intergovernmental Relations of the Committee on Government Reform, House of Representatives, One Hundred Seventh Congress, second session, April 15, 2002.
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=500 \\$aShipping list no.: 2003-0172-P.
=504 \\$aIncludes bibliographical references.
=500 \\$a"Serial no. 107-169."
=530 \\$aAlso available via Internet from the GPO Access web site. Address as of 5/7/03: http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=107%5Fhouse%5Fhearings&docid=f:85483.pdf; current access is available via PURL.
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=245 10$aDecision making using game theory :$ban introduction for managers /$cAnthony Kelly.
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=650 \0$aGame theory.$0http://id.loc.gov/authorities/subjects/sh85052941
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=856 42$zAccess description provided by publisher.$uhttp://www.loc.gov/catdir/description/cam022/2002019217.html
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=2604 \\1$aNew York :$bHolt, Rinehart and Winston,$c[1981]
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=245 10$aThis side of Cooperstown :$ban oral history of major league baseball in the 1950s /$cLarry Moffi.
=2604 \\1$aIowa City :$bUniversity of Iowa Press,$c[1996]
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=650 \0$aBaseball$zUnited States$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2007101909
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=100 1\$aLevi, Maurice D.,$d1945-
=245 10$aInternational finance :$bthe markets and financial management of multinational business /$cMaurice D. Levi.
=250 \\$a3Third edition.
=2604 \\1$aNew York :$bMcGraw-Hill,$c[1996]
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=504 \\$aIncludes bibliographical references and indexes.
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=650 \7$aInternational finance.$2fast$0http://id.worldcat.org/fast/976945
=650 \0$aInternational business enterprises$xFinance.$0http://id.loc.gov/authorities/subjects/sh2008104823
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=830 \0$aMcGraw-Hill series in finance.$0http://id.loc.gov/authorities/names/n42029605
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=546 \\$aSung in Latin.
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=100 1\$aZoon, Jacques.$0http://id.loc.gov/authorities/names/no95004690
=245 00$aFin de siècle$h[sound recording] :$bFrench flute masterpieces /$cJacques Zoon.
=246 30$aFrench flute masterpieces
=2604 \\1$aDuxbury, Mass. :$bBoston Records,$c[2000]
=264 \4$c©2000.
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=380 \\$aFantasias (Music)$2lcgft
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=511 0\$aJacques Zoon, flute ; Bernd Brackman, piano.
=518 \\$aThe Franck sonata and Widor suite were recorded in the First Parish Church in Duxbury, Massachusetts on March 8th-10th, 1999 and the Fauré, Gaubert, and Zoon pieces were recorded at the "Studio" in Roslindale, Massachusetts on November 15th, 1999.
=500 \\$aCompact disc.
=505 0\$aSonata in A major / César Franck -- Fantaisie, Op. 79 ; Pièce ; Sicilienne, Op. 78 frm Pelléas and Mélisande / Gabriel Fauré -- Suite, Op. 34 for flute and piano / Charles Marie Widor -- Romance / Philippe Gaubert -- Piégonade / Jacques Zoon.
=6505 \07$aSonatas (F.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027099
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=650 ( \0$aFlute and piano) music.$0http://id.loc.gov/authorities/subjects/sh85049493
=650 \07$aFlute and piano music.$2fast$0http://id.worldcat.org/fast/928270
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=700 1\$aBrackman, Bernd,$d1960-$0http://id.loc.gov/authorities/names/nr96020383
=700 12$aFranck, César,$d1822-1890.$tSonatas,$mviolin, piano,$rA major;$oarranged.$0http://id.loc.gov/authorities/names/n81075844
=700 12$aFauré, Gabriel,$d1845-1924.$tFantaisies,$mflute, piano,$nop. 79.$0http://id.loc.gov/authorities/names/n81076986
=700 12$aFauré, Gabriel,$d1845-1924.$tPièces,$mflute, piano.
=700 12$aFauré, Gabriel,$d1845-1924.$tSicilianas,$mcello, piano,$nop. 78,$rG minor;$oarranged.$0http://id.loc.gov/authorities/names/n83176118
=700 12$aWidor, Charles -Marie,$d1844-1937.$tSuites,$mflute, piano,$nop. 34.
=700 12$aGaubert, Philippe,$d1879-1941.$tRomances,$mflute, piano$n(1905)$0http://id.loc.gov/authorities/names/no2002029839
=700 12$aZoon, Jacques.$tPiégonade,$nno. 1.̀$0http://id.loc.gov/authorities/names/no2003019876
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=090 \\$aM1582.R36C368x 1991
=100 1\$aRands, Bernard.
=245 10$aCanti d'amor :$bfor mixed voices a cappella /$cBernard Rands ; text by James Joyce from 'Chamber music.'
=2604 \\1$aValley Forge, Pa. :$bHelicon Music ; sole agent European American Music,$c1991.
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=600 17$aJoyce, James,$d1882-1941.$2fast$0http://id.worldcat.org/fast/35968
=650 \0$aChoruses, Secular (Mixed voices, 4 parts), Unaccompanied.$0http://id.loc.gov/authorities/subjects/sh85024894
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Record #: 923
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=090 \\$aBF432.5.W4$bL53 2009
=100 1\$aLichtenberger, Elizabeth O.
=245 10$aEssentials of WAIS-IV assessment /$cElizabeth O. Lichtenberger, Alan S. Kaufman.
=2604 \\1$aHoboken, N.J. :$bWiley,$c[2009]
=264 \4$c©2009.
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=490 1\$aEssentials of psychological assessment series
=504 \\$aIncludes bibliographical references and index.
=505 0\$aIntroduction and overview -- How to administer the WAIS-IV -- How to score the WAIS-IV -- How to interpret the WAIS-IV : conceptual and clinical foundations -- How to interpret the WAIS-IV : step-by-step -- Clinical applications I : a neuropsychological approach to interpretation of the WAIS-IV and the use of the WAIS-IV in learning disability assessments -- Clinical applications II : age and intelligence across the adult life span -- Clinical applications III : WAIS-IV use with special groups and practice effects in normal samples -- Strengths and weaknesses of the WAIS-IV -- Illustrative case reports.
=650 \0$aWechsler Adult Intelligence Scale.$0http://id.loc.gov/authorities/subjects/sh85145890
=650 \7$aWechsler Adult Intelligence Scale.$2fast$0http://id.worldcat.org/fast/1173294
=650 \0$aIntelligence tests.$0http://id.loc.gov/authorities/subjects/sh85067180
=650 \7$aIntelligence tests.$2fast$0http://id.worldcat.org/fast/975867
=700 1\$aKaufman, Alan S.,$d1944-$0http://id.loc.gov/authorities/names/n85093012
=830 \0$aEssentials of psychological assessment series.$0http://id.loc.gov/authorities/names/n98080598
=901 \\$aBNA
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Record #: 924
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=100 1\$aBartók, Béla,$d1881-1945.$0http://id.loc.gov/authorities/names/n79109330
=240 10$aPiano music.$kSelections$0http://id.loc.gov/authorities/names/n82020741
=245 10$a14 bagatelles$h[sound recording] /$cBartók.
=246 3\$aFourteen bagatelles
=2604 \\1$aTokyo :$bCamerata,$cp[1997]
=264 \4$c℗1997.
=300 \\$a1 soaundio disc (78 min.) :$bdigital ;$c4 3/4 in.
=380 \\$aSonatas$2lcgft
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=344 \\$c1.4 m/s
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=490 1\$aWorks for piano solo ;$vv. 1
=511 0\$aFerenc Bognár, piano.
=518 \\$aRecorded September 12-14, 1996 at Konservatoriumsaal, Feldkirch, Austria.
=500 \\$aCompact disc.
=500 \\$aProgram notes by András Wilheim in Japanese and English (6 p.) in container.
=505 0\$aSonatina -- Three Rondos on folk tunes (on Slovak folktunes) -- Three Hungarian folk songs from the Cśik -- 14 bagatelles op. 6 -- Suite op. 14 -- Seven sketches op. 9b -- Improvisations on Hungarian peasent songs op. 20.
=655 \7$aSonatas.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027099
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=650 \0$aFolk songs, Hungarian$xvInstrumental settings.$0http://id.loc.gov/authorities/subjects/sh2008103884
=650 \0$aPiano music.$0http://id.loc.gov/authorities/subjects/sh85101782
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=700 1\$aBognár, Ferenc.$0http://id.loc.gov/authorities/names/no2001007899
=700 12$aBartók, Béla,$d1881-1945.$tSonatinas,$mpiano$n(1915)$0http://id.loc.gov/authorities/names/no2005101430
=700 12$aBartók, Béla,$d1881-1945.$tRondo népi dallamokkal.
=700 12$aBartók, Béla,$d1881-1945.$tCsíkmegyei népdal.
=700 12$aBartók, Béla,$d1881-1945.$tBagatelles,$mpiano,$nop. 6.$0http://id.loc.gov/authorities/names/no97082815
=700 12$aBartók, Béla,$d1881-1945.$tSuites,$mpiano,$nop. 14.$0http://id.loc.gov/authorities/names/no96053198
=700 12$aBartók, Béla,$d1881-1945.$tVázlatok.$0http://id.loc.gov/authorities/names/n81018971
=700 12$aBartók, Béla,$d1881-1945.$tRögtönzések magyar parasztdalokra.$0http://id.loc.gov/authorities/names/n81147596
=800 1\$aBartók, Béla,$d1881-1945.$tPiano music ;$0http://id.loc.gov/authorities/names/n82001645$vv. 1.
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=028 22$aW2565$bC. Fischer
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=079 \\$aocm52432325
=090 \\$aM298.B83$bH545x 2003
=100 1\$aBresnick, Martin.
=245 10$aHigh art :$bfor piccolo solo with optional toy piano /$cMartin Bresnick ; [new edition by Patti Monson].
=2604 \\1$aNew York, N.Y. :$bC. Fischer,$c2003.
=300 \\$a1 score (8 [9] unnumbered p.ages) ;$c31 cm.
=306 \\$a000800
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=490 1\0$aCarl Fischer chamber music edition.
=500 \\$aDuration: 8:00.
=650 \0$aPiccolo and toy piano music$vScores.
=650 \0$aPiccolo music.$0http://id.loc.gov/authorities/subjects/sh85101947
=650 \7$aPiccolo music.$2fast$0http://id.worldcat.org/fast/1063646
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=700 1\$aMonson, Patti.$0http://id.loc.gov/authorities/names/no00054670
=830 \0$aCarl Fischer chamber music edition.$0http://id.loc.gov/authorities/names/no2003040431
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Record #: 926
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=040 \\$aCU$
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=090 \\$aPC2105.B423x 1994
=100 1\$aBéchade, Hervé D.$0http://id.loc.gov/authorities/names/n82094115
=245 10$aGrammaire française /$cHervé-D. Béchade.
=2604 \\1$aParis :$bPresses universitaires de France,$c[1994]
=264 \4$c©1994.
=300 \\$axviii, 314 p.ages :$bill.ustrations ;$c22 cm.
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=490 1\0$aCollection Premier cycle,$x1158-6028
=500 \\$aIncludes index.
=650 \0$aFrench language$xGrammar.$0http://id.loc.gov/authorities/subjects/sh85051846
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Record #: 927
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=100 1\$aBartók, Béla,$d1881-1945.$0http://id.loc.gov/authorities/names/n79109330
=240 10$aFából faragott királyfi$0http://id.loc.gov/authorities/names/n85279703
=245 14$aThe wooden prince =$bDer Holzgeschnitzte Prinz = Le Prince de bois ; Dance suite = Tanz-Suite = Suite de danses$h[sound recording] /$cBéla Bartók.
=2460 31$aDer Holzgeschnitzte Prinz
=246 31$aSuite de danses
=264 \\1$aNew York, N.Y. :$bCBS Records Masterworks,$c[1989?]
=264 \4$c[1989?], p1977.
=300 \\$a1 soaundio disc (71 min., 6 sec.) :$bdigital ;$c4 3/4 in.
=380 \\$aBallets (Music)$2lcgft
=380 \\$aSuites$2lcgft
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=344 \\$c1.4 m/s
=344 \\$hdigital recording
=511 0\$aNew York Philharmonic ; Pierre Boulez, conductor.
=518 \\$aRecorded 1972, Philharmonic Hall, New York (2nd work) and 1975, Manhattan Center, New York (1st work).
=500 \\$aCompact disc.
=500 \\$aAnalog recording.
=500 \\$aProgram notes by Bill Zakariasen and Robert Hurwitz in English, by Marcel Marnat in French and by Hans-Klaus Jungheinrich and H.-J. Winterhoff in German (10 p.) inserted in container.
=655 \7$aBallets (Music)$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026650
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=655 \7$aSound recordings.$2fast$0http://id.worldca)t.org/fast/1411639
=700 1\$aBoulez, Pierre,$d1925-2016,$0http://id.loc.gov/authorities/names/n50042119$econductor.
=700 12$aBartók, Béla,$d1881-1945.$tTʹáncszvit.$0http://id.loc.gov/authorities/names/n82099725
=710 2\$aNew York Philharmonic,$0http://id.loc.gov/authorities/names/n81139912$4econductor.
=740 42$aDer Holzgeschnitzte Prinz.
=740 32$aLe prince de bois.
=740 02$aDance suite.
=740 02$aTanz-Suite.
=740 02$aSuite de danses.
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Record #: 928
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=100 1\$aMusgrave, Thea.$0http://id.loc.gov/authorities/names/n81005191
=245 10$aThrenody :$bfor clarinet in B♭ and piano /$cThea Musgrave.
=2604 \\1$aLondon :$bNovello,$c[2000]
=264 \4$c©2000.
=300 \\$a1 score (11 p.ages) + 1 part (7 p.ages) ;$c30 cm.
=306 \\$a000800
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=500 \\$aPrefatory note by composer.
=500 \\$aDuration: ca. 8:00.
=650 \0$aClarinet and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008101113
=650 \7$aClarinet and piano music$xScores and parts.$2fast$0http://id.worldcat.org/fast/1905498
=655 \7$aScores.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027077
=655 \7$aScores.$2fast$0http://id.worldcat.org/fast/1692898
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Record #: 929
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=079 \\$aocm37305255
=090 \\$aM221.H38$bF554x 1996
=100 1\$aHarvey, Jonathan,$d1939-
=245 10$aFlight-elegy :$bfor violin and piano (1983/89) /$cJonathan Harvey.
=254 \\$aScore.
=2604 \\1$aLondon :$bFaber Music,$c[1996]
=264 \4$c©1996.
=300 \\$a1 score (6 p.ages) + 1 part (4 p.ages) ;$c30 cm.
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=500 \\$aDuration: ca. 9:00.
=500 \\$aIncludes performance instructions and program note by the composer.
=650 \0$aViolin and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008113256
=650 \7$aViolin and piano music$xScores and parts.$2fast$0http://id.worldcat.org/fast/1906636
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Record #: 930
=LDR 016612703cjm a220046973 a 4500
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=008 880614p19871985gw\mun\\\\\\\\\\\\\\\\\\\
=010 \\$a88752630
=024 1\$a028942306721
=028 02$a423 067-2$bDeutsche Grammophon
=033 0\$a1985----$b6524$cW3
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=040 \\$aDLC$beng$cDLC$dOCLCQ
=099 \\$aAA 1-3 DGG 423 067-2
=100 1\$aChopin, Frédéric,$d1810-1849.$0http://id.loc.gov/authorities/names/n79127769
=240 10$aPiano music.$kSelections$0http://id.loc.gov/authorities/names/n81144611
=245 10$aBallade, op. 52 ;$h[sound recording]$bNocturne, op. 15, no. 2 ; 4 mazurkas, op. 33 ; Grande valse brillante : op. 34, no. 3 ; Etudes, op. 10 no. 12, op. 25 no. 3 ; Sonate no. 3, op. 58 ; Polonaise, op. 53 /$cFrédéric Chopin.
=2604 \\1$aHamburg :$bDeutsche Grammophon,$cp[1987.]
=264 \4$c℗1987
=300 \\$a1 soaundio disc :$bdigital, stereo.phonic ;$c4 3/4 in.
=380 \\$aNocturnes (Music)$2lcgft
=380 \\$aDance forms
=380 \\$aWaltzes (Music)$2lcgft
=380 \\$aSonatas$2lcgft
=380 \\$aPolonaises$2lcgft
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=344 \\$hdigital recording
=511 0\$aStanislav Bunin, piano.
=518 \\$aRecorded during performances at the 1985 International Chopin Competition, Warsaw.
=500 \\$aCompact disc.
=500 \\$aAnalog recording.
=650 \0$aPiano music.$0http://id.loc.gov/authorities/subjects/sh85101782
=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=700 1\$aBunin, Stanislav,$d1966-$0http://id.loc.gov/authorities/names/n88643766$eperformer.
=740 02$aBallade, op. 52.
=740 02$aNocturne, op. 15, no. 2.
=740 02$a4 mazurkas, op. 33.
=740 02$aGrande valse brillante.
=740 02$aEtudes, op. 10 no. 12, op. 25 no. 3.
=740 02$aSonate no. 3, op. 58.
=740 02$aPolonaise, op. 53.
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Record #: 931
=LDR 03034237cjm a2200505649 a 4500
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=008 950424p19941987fr\uun\\\i\\\\\\\\\\rus\\
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=028 02$aMO 780518$bMontaigne Auvidis
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=099 \\$aBB 2-4 GLE 86B Montaigne MO 780518
=100 1\$aBoulez, Pierre,$d1925-2016,$0http://id.loc.gov/authorities/names/n50042119$econductor.
=245 10$aPasseport pour le XXe siècle$h[sound recording].
=246 3\$aPasseport pour le vingtième siècle
=246 3\$aPasseport pour le 20. siècle
=2604 \\1$aFrance :$bMontaigne Auvidis,$cp[1994.]
=264 \4$c℗1994
=300 \\$a1 soaundio disc :$bdigital ;$c4 3/4 in.
=336 \\$aperformed music$bprm$2rdacontent
=337 \\$aaudio$bs$2rdamedia
=338 \\$aaudio disc$bsd$2rdacarrier
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=344 \\$boptical$2rdarm$0http://rdaregistry.info/termList/recMedium/1003
=344 \\$hdigital recording
=500 \\$a"Based on the video series Boulez XXème siècle: six television programmes, with Pierre Boulez ... presents a selection of the works, or excerpts, which were recorded during the filming"--Booklet, p. 2 of cover.
=500 \\$aThe 1st work with instrumental ensemble acc. (originally piano acc.); 2nd for percussion ensemble (13 players); 4th originally for string quartet; 5th for 10 wind instruments and 4 percussion groups; 6th for violin, 2 horns, and string orchestra; 8th for oboe, bass clarinet, and percussion (3 players); 9th for instrumental ensemble.
=500 \\$aSung in Russian (1st work).
=511 0\$aChristine Whittlesey, soprano (1st work) ; Ensemble intercontemporain ; Pierre Boulez, conductor.
=518 \\$aRecorded Sep. and Dec. 1987, Feb. 1988, Centre Georges Pompidou, Paris.
=500 \\$aCompact disc.
=500 \\$aProgram notes in English and French (32 p.) inserted.
=505 0\$aTrois poésies de la lyrique japonaise = Three Japanese lyrics / Igor Stravinsky -- Ionisation / Edgar Varèse -- Cinq pièces opus 10 = Five pieces for orchestra, opus 10 / Anton Webern -- Concertino pour douze instruments = for twelve instruments / Igor Stravinsky -- Intégrales : extrait = excerpt / Edgar Varèse -- Corale : extrait = excerpt / Luciano Berio -- Concerto de chambre : extrait = Chamber concerto : for 13 players : excerpt / György Ligeti -- Kreuzspiel : extrait = excerpt / Karlheinz Stockhausen -- Eclat : commentaires et extraits = commentary and excerpts / Pierre Boulez.
=650 \0$aInstrumental music$0http://id.loc.gov/authorities/subjects/sh85066774$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002012476
=650 \0$aSongs (High voice) with instrumental ensemble.$0http://id.loc.gov/authorities/subjects/sh85125142
=650 \7$aSongs (High voice) with instrumental ensemble.$2fast$0http://id.worldcat.org/fast/1126144
=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=700 1\$aWhittlesey, Christine,$0http://id.loc.gov/authorities/names/n81077591$4eperformer.
=700 12$aStravinsky, Igor,$d1882-1971.$tStikhotvorenii︠aa iz i︠͡a︡ponskoĭ liriki.$0http://id.loc.gov/authorities/names/no89011555
=700 12$aVarèse, Edgard,$d1883-1965.$tIonisation.$0http://id.loc.gov/authorities/names/n78049208
=700 12$aWebern, Anton,$d1883-1945.$tStücke,$morchestra,$nop. 10.$0http://id.loc.gov/authorities/names/no97074881
=700 12$aStravinsky, Igor,$d1882-1971.$tConcertino,$mstrviolings (2), quviolart, cetllo;$oarranged.$0http://id.loc.gov/authorities/names/n81085824
=710 2\$aEnsemble intercontemporain,$0http://id.loc.gov/authorities/names/n83042583$4eperformer.
=902 \\$a160211
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Record #: 932
=LDR 02324658cjm a2200481637Ia 4500
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=028 02$a92.126$bHänssler
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=100 1\$aBach, Johann Sebastian,$d1685-1750.$0http://id.loc.gov/authorities/names/n79021425
=240 10$aBrandenburgische Konzerte$0http://id.loc.gov/authorities/names/n81022346
=245 10$aBrandenburg concertos, BWV 1064-1051$h[sound recording] =$bBrandenburgische Konzerte = Concertos brandebourgeois = Conciertos de Brandemburgo /$cJohann Sebastian Bach.
=246 31$aBrandenburgische Konzerte
=246 31$aConcertos brandebourgeois
=246 31$aConciertos de Brandemburgo
=2604 \\1$aHolzgerlingen, Germany :$bHänssler,$cp[1999.]
=264 \4$c℗1999
=300 \\$a2 soaundio discs (ca.pproximately 96 min.) :$bdigital ;$c4 3/4 in.
=306 \\$a002031$a001132$a001137$a001510$a002041$a001612
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=344 \\$c1.4 m/s
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=490 1\$aHänssler Edition Backakademie ;$vv. 126
=511 0\$aOregon Bach Festival Chamber Orchestra; Helmuth Rilling, conductor.
=518 \\$aRecorded July 11-12, 1994 at the Hult Center for the Performing Arts, Eugene, Oregon.
=500 \\$aCompact disc (DDD).
=500 \\$aProgram notes by Andreas Bomba in German with English, French, and Spanish translations (53 p : ill.) inserted in container.
=505 0\$aNo. 1 in F major, BWV 1046 (20:31) -- No. 2 in F major, BWV 1047 (11:32) -- No. 3 in G major, BWV 1048 (11:37) -- No. 4 in G major, BWV 1049 (15:10) -- No. 5 in D major, BWV 1050 (20:41) -- No. 6 in B flat major, BWV 1051 (16:12).
=6505 \07$aConcerti grossi.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026724
=6505 \07$aConcerti gros (Hsi.$2farpst$0http://ichd.world, cat.org/fluaste,/1920076
=655 vi \7$aColin wicerth os.$2lcgftr$0http://ind.loc.g ov/authorchitiest/genreFora)ms/gf2014026725
=6505 \07$aConcertos (H.$2farpst$0http://ichd.world wicath .org/fast/1726450
=655 \7$aSound recording s.$2lcgft$0http://id.lorc.gov/authoritiest/genreFora)ms/gf2011026594
=6505 \07$aCSounced rtecordings (H.$2farst$0https://id.worldchat.ord)g/fast/1411639
=700 1\$aRilling, Helmuth,$0http://id.loc.gov/authorities/names/n82096229$4econductor.
=711 2\$aOregon Bach Festival.$eOrchestra,$0http://id.loc.gov/authorities/names/no99010267$4jperformer.
=800 1\$aBach, Johann Sebastian,$d1685-1750.$tWorks.$f1998 ;$0http://id.loc.gov/authorities/names/no2001032892$vv. 126.
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Record #: 933
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=100 1\$aMa, Yo-Yo,$d1955-$40http://id.loc.gov/authorities/names/n80016911$eperformer.
=245 10$aSimply baroque$h[sound recording].
=2604 \\1$aNew York :$bSony Classical,$cp[1999.]
=264 \4$c℗1999
=300 \\$a1 soaundio disc (ca.pproximately 69 min.) :$bdigital ;$c4 3/4 in.
=306 \\$a010906
=380 \\$aCantatas$2lcgft
=380 \\$aChorale preludes$2lcgft
=380 \\$aConcertos$2lcgft
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=344 \\$c1.4 m/s
=344 \\$hdigital recording
=500 \\$aThe Bach works arranged for violoncello and chamber ensembles by Ton Koopman.
=511 0\$aYo-Yo Ma, baroque cello; The Amsterdam Baroque Orchestra; Ton Koopman, conductor, organ, harpsichord.
=518 \\$aRecorded Aug. 16-21, 1998, De Stadsgeboorzaal, Leiden, Holland.
=500 \\$aCompact disc.
=500 \\$aProgram and biographical notes and complete credits (15 p. : ill.) inserted in container.
=505 00$tSei Lob und Preis mit Ehren, BWV 167 ;$tErbarme dich (from St. Matthew passion), BWV 244 ;$tJesu, joy of man's desiring, BWV 147 ;$tErtöt' uns durch dein' Güte, BWV 22 ;$tIch ruf' zu dir, Herr Jesu Christ, BWV 639 ;$tKommst du nun, Jesu, vom Himmel herunter, BWV 650 ;$tLass mein Herz die Münze sein, BWV 163 ;$tDein Blut, der edle Saft, BWV 136 ;$tAir on a G string (from Suite III), BWV 1068 /$rJohann Sebastian Bach --$tConcerto in G major for cello and string orchestra, G. 480 ;$tConcerto in D major for cello and orchestra, G. 478 /$rLuigi Boccherini ; cadenzas, Ton Koopman.
=650 \0$aCantatas, Sacred$vExcerpts, Arranged.$0http://id.loc.gov/authorities/subjects/sh85019784
=650 \7$aCantatas, Sacred$xExcerpts, Arranged.$2fast$0http://id.worldcat.org/fast/846090
=650 \0$aChorale preludes (Instrumental ensemble), Arranged.
=650 \0$aInstrumental ensembles, Arranged.$0http://id.loc.gov/authorities/subjects/sh85066773
=650 \7$aInstrumental ensembles, Arranged.$2fast$0http://id.worldcat.org/fast/974413
=650 \0$aCello with instrumental ensemble, Arranged.
=6505 \07$aConcertos.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026725
=655 (\7$aConcertos.$2fast$0http://id.worlldcat.org/fast/1726450
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=655 \7$aSound recordings.$2fast$0hesttp://id.worldcat.org/fa)st/1411639
=6505 \07$aCExcerpts.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026097
=655 \7$aExcerpts.$2fast$0http://id.worldcat.org/fast/1692837
=655 \7$aArrangements (CeMusic)$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027203
=655 \7$aArrangements (Music)$2fast$0http://id.worldcat.org/fast/1920435
=700 1\$aKoopman, Ton,$d1944-$40http://id.loc.gov/authorities/names/n78018976$4einstrumentalist,$econductor,$4earranger.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tIhr Menschen, rühmet Gottes Liebe.$pSei Lob und Preis mit Ehren;$0http://id.loc.gov/authorities/names/no99062280$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tMatthäuspassion.$pErbarme dich, erbarme dich, mein Gott;$0http://id.loc.gov/authorities/names/n85367784$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tHerz und Mund und Tat und Leben,$nBWV 147.$pJesus bleibet meine Freude;$0http://id.loc.gov/authorities/names/n82039522$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tJesus nahm zu sich die Zwölfe.$pErtöt' uns durch dein' Güte;$0http://id.loc.gov/authorities/names/n81004713$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tOrgelbüchlein.$pIch ruf' zu dir, Herr Jesu Christ;$oarranged.$0http://id.loc.gov/authorities/names/n95023678
=700 12$aBach, Johann Sebastian,$d1685-1750.$tChoräle von verschiedener Art,$nBWV 645-650.$pKommst du nun, Jesu, vom Himmel herunter;$0http://id.loc.gov/authorities/names/n78045370$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tNur jedem das Seine.$pLass mein Herz die Münze sein;$0http://id.loc.gov/authorities/names/no99062277$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tErforsche mich, Gott, und erfahre mein Herz.$0http://id.loc.gov/authorities/names/n82163655$pDein Blut, der edle Saft;$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tSuites,$morchestra,$nBWV 1068,$rD major.$pAir;$oarranged.$0http://id.loc.gov/authorities/names/n83133694
=700 12$aBoccherini, Luigi,$d1743-1805.$tConcertos,$mvioloncello, string orchestra,$nG. 480,$rG major.$0http://id.loc.gov/authorities/names/n81032676
=700 12$aBoccherini, Luigi,$d1743-1805.$tConcertos,$mvioloncello, orchestra,$nG. 478,$rD major.$0http://id.loc.gov/authorities/names/n81024403
=710 2\$aAmsterdam Baroque Orchestra,$0http://id.$loc.gov/authorities/names/n84028918$eperformer.
=902 \\$a160622
=902 \\$aMARCIVE-BF 20190204
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Record #: 934
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=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tQuartets,$mviolins (2), viola, cello,$nno. 2,$rD major.$pNotturno;$oarranged.$0http://id.loc.gov/authorities/names/n85023044
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tV sredneĭ Azii.$0http://id.loc.gov/authorities/names/n81059075
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=740 02$aPrince Igor.$pOverture.
=740 02$aPrince Igor.$pPolovtsian dances.
=740 02$aNotturno.
=740 02$aIn the steppes of Central Asia.
=740 02$aPetite suite.
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=250 \\$a3Third edition.
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=500 \\$aShipping list no.: 98-0378-M.
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=530 \\$aAlso available via Internet from the EPA Office of Research and Development web site. Address as of 8/12/2003: http://www.epa.gov/ORD/WebPubs/endocrine/endocrine.pdf; current access available via PURL.
=650 \0$aEndocrine glands$xDiseases$0http://id.loc.gov/authorities/subjects/sh85043061$xEnvironmental aspects.$0http://id.loc.gov/authorities/subjects/sh99005383
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=500 \\$aShipping list no.: 1997-0048-P.
=530 \\$aAlso available via Internet from the EPA Office of Research and Development web site. Address as of 8/12/2003: http://www.epa.gov/ORD/NRMRL/Pubs/600R96103/600R96103.pdf; current access available via PURL.
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=100 1\$aStravinsky, Igor,$d1882-1971.$0http://id.loc.gov/authorities/names/n79070061
=240 10$aVocal music.$kSelections$0http://id.loc.gov/authorities/names/n82234843
=245 10$aFive bridal folk songs from the Voronezh district;$h[sound recording] Svadebka = Les noces ; Four Russian peasant songs ; Three motets ; Tres sacrae cantiones ; The dove descending breaks the air ; T.S. Eliot in memoriam / Stravinsky.
=2604 \\1$aLondon, England :$bHyperion,$cp[1991]
=264 \4$c℗1991.
=300 \\$a1 soaundio disc :$bdigital, stereophonic ;$c4 3/4 in.
=380 \\$aFolk music$2lcgft
=380 \\$aBallets (Music)$2lcgft
=380 \\$aMotets$2lcgft
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=344 \\$hdigital recording
=500 \\$aThe 1st Stravinsky work is a ballet, for solo voices (SATB), chorus, 4 pianos and 6 percussionists. The Russian peasant songs are performed twice, in the original version for unacc. women's voices, and in the 1954 version with 4 horns. The motets and the 5th work are for chorus (SATB), unacc.; the 6th work is for male voices and instrumental ensemble. Tres sacrae cantiones, for unacc. chorus, is a completion by Stravinsky of 3 Gesualdo motets.
=546 \\$aSung in Russian, Latin, and English; the motets sung in the original Church Slavic text.
=511 0\$aNew London Chamber Choir and ensemble ; James Wood, conductor ; Voronezh Chamber Choir (Institute of the Arts) ; Oleg Shepel, conductor.
=518 \\$aRecorded in the Royal College of Music, London, Oct. 13-14, 1990.
=500 \\$aCompact disc.
=500 \\$aProgram notes by Lorraine Gwynne, in English with French and German translations, and vocal texts (transliterated) with English, French and German translations (39 p. : ill.) inserted in container.
=505 0\$aFive bridal folk songs from the Voronezh district / traditional (9:29) -- Svadebka = Les noces = The wedding (23:21) ; Podblyudnye = Four Russian peasant songs : 1914/17 (2:48) ; Podblyudnye = Four Russian peasant songs : 1954 (4:04) ; Otshe nash = Our Father = Pater noster : 1926 Slavonic version (1:54) ; Bogoroditse Devo = Blessed Virgin = Ave Maria : 1934 Slavonic version (1:00) ; Simvol very = Symbol of faith = Credo : 1964 Slavonic version (2:07) / Stravinsky -- Tres sacrae cantiones. Da pacem Domine ; Assumpta est Maria ; Illumina nos / Carlo Gesualdo ; completed by Stravinsky (9:33) -- The dove descending breaks the air (2:35) ; Introitus : T.S. Eliot in memoriam (5:18) / Stravinsky.
=546 \\$aSung in Russian, Latin, and English; the motets sung in the original Church Slavic text.
=650 \0$aFolk songs, Russian$zRussia.$0http://id.loc.gov/authorities/subjects/sh2009124476
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=650 \0$aChoruses, Secular (Women's voices), Unaccompanied.$0http://id.loc.gov/authorities/subjects/sh85024949
=650 \7$aChoruses, Secular (Women's voices), Unaccompanied.$2fast$0http://id.worldcat.org/fast/858851
=650 \0$aChoruses, Secular (Women's voices) with instrumental ensemble.$0http://id.loc.gov/authorities/subjects/sh85024954
=650 \7$aChoruses, Secular (Women's voices) with instrumental ensemble.$2fast$0http://id.worldcat.org/fast/858845
=650 \0$aChoruses, Sacred (Mixed voices), Unaccompanied.$0http://id.loc.gov/authorities/subjects/sh85024806
=650 \7$aChoruses, Sacred (Mixed voices), Unaccompanied.$2fast$0http://id.worldcat.org/fast/858730
=650 \0$aChoruses, Sacred (Men's voices) with instrumental ensemble.$0http://id.loc.gov/authorities/subjects/sh85024787
=650 \7$aChoruses, Sacred (Men's voices) with instrumental ensemble.$2fast$0http://id.worldcat.org/fast/858699
=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=700 1\$aWood, James,$d1953-$0http://id.loc.gov/authorities/names/nr95041375$econductor.
=700 1\$aShepelʹ, Oleg Aleksandrovich,$d1938-$0http://id.loc.gov/authorities/names/n94039517$econductor.
=700 12$aStravinsky, Igor,$d1882-1971.$tSvadebka.$0http://id.loc.gov/authorities/names/n85289742
=700 12$aStravinsky, Igor,$d1882-1971.$tPodbli︠uudnyi︠aa.$0http://id.loc.gov/authorities/names/n84098325
=700 12$aStravinsky, Igor,$d1882-1971.$tOtche nash.$0http://id.loc.gov/authorities/names/no96053347
=700 12$aStravinsky, Igor,$d1882-1971.$tBogorodit︠͡s︡e Děvo.$0http://id.loc.gov/authorities/names/no96053342
=700 12$aStravinsky, Igor,$d1882-1971.$tSimvol věry.$0http://id.loc.gov/authorities/names/no96053349
=700 1\$aGesualdo, Carlo,$cprincipe di Venosa,$dapproximately 1560-1613.$tSacrae cantiones,$mvoices (6-7).$kSelections.$0http://id.loc.gov/authorities/names/no00059210
=700 12$aStravinsky, Igor,$d1882-1971.$tDove descending breaks the air.$0http://id.loc.gov/authorities/names/no96053345
=700 12$aStravinsky, Igor,$d1882-1971.$tIntroit.$0http://id.loc.gov/authorities./names/no96053346
=710 2\$aNew London Chamber Choir,$0http://id.loc.gov/authorities/names/n88607298$4eperformer.
=710 2\$aVoronezhskiĭ kamernyĭ khor.,$0http://id.loc.gov/authorities/names/n94039486$eperformer.
=740 02$aNoces and other choral music.
=740 02$aNoces, peasant songs, motets, etc.
=740 02$a5 bridal folk songs from the Voronezh district.
=740 02$aBridal folk songs from the Voronezh district.
=740 02$aSvadebka.
=740 02$aRussian peasant songs.
=740 02$aSacrae cantiones.
=740 02$aT.S. Eliot in memoriam.
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=100 1\$aHaydn, Joseph,$d1732-1809.$0http://id.loc.gov/authorities/names/n79091193
=245 14$aDie Schöpfung$h[sound recording] :$bHob. XXI:2 = The Creation /$cJoseph Haydn.
=246 31$aCreation
=2604 \\1$aHamburg :$bDeutsche Grammophon,$cp[1983.]
=264 \4$c℗1983
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=500 \\$aOratorio.
=546 \\$aSung in German.
=500 \\$aText by Gottfried van Swieten, after Milton's Paradise lost.
=511 0\$aEdith Mathis, soprano ; Ann Murray, alto (in final chorus) ; Francisco Araiza, tenor ; José van Dam, bass ; Wiener Singverein ; Wiener Philharmoniker ; Herbert von Karajan, conductor.
=518 \\$a"Recording of a concert from the 1982 Salzburg Festival"--Container.
=500 \\$a"Previously released as [analog disc] 2741 017 and [cassette] 3382 017"--Insert, p. 60.
=500 \\$aCompact disc.
=500 \\$aProgram notes by Reinhard Schulz, in German with French and Italian translations, and by Nicholas Kenyon in English, and libretto with English, French, and Italian translations (60 p. : ports.) in container.
=546 \\$aSung in German.
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=655 \7$aMusic.$2fast$0http://id.worldcat.org/fast/1423855
=700 1\$aSwieten, Gottfried van,$d1733-1803,$0http://id.loc.gov/authorities/names/n81018892$4elibrettist.
=700 1\$aMathis, Edith,$0http://id.$loc.gov/authorities/names/n81042603$eperformer.
=700 1\$aMurray, Ann,$d1949-$40http://id.loc.gov/authorities/names/n82096223$eperformer.
=700 1\$aAraiza, Francisco,$0http://id.$loc.gov/authorities/names/n81004885$eperformer.
=700 1\$aDam, José van,$0http://id.loc.gov/authorities/names/n80158410$4eperformer.
=700 1\$aKarajan, Herbert von,$0http://id.loc.gov/authorities/names/n81015297$4econductor.
=700 1\$aMilton, John,$d1608-1674.$tParadise lost.$0http://id.loc.gov/authorities/names/n85227530
=710 2\$aWiener Singverein,$0http://id.loc.gov/authorities/names/n82119509$4eperformer.
=710 2\$aWiener Philharmoniker,$0http://id.loc.gov/authorities/names/n81032093$4eperformer.
=711 2\$aSalzburger Festspiele$0http://id.loc.gov/authorities/names/n50048717$d(1982)
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Record #: 943
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=028 22$aM.R. 1135$bMusica Rara
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=090 \\$aM322.H85$bA43 1968
=100 1\$aHummel, Johann Nepomuk,$d1778-1837.$0http://id.loc.gov/authorities/names/n79150265
=240 10$aAdagio, Variazionen und Rondo über ein russisches Thema$0http://id.loc.gov/authorities/names/n96098606
=245 10$aTrio, op. 78, for pianoforte, violoncello, and flute.
=2604 \\1$aLondon :$bMusica Rara,$c[1968]
=264 \4$c©1968.
=300 \\$a1 score (30 p.ages) + 2 parts ;$c31 cm
=380 \\$aVariations (Music)$2lcgft
=380 \\$aRondos$2lcgft
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=500 \\$aIntrod. by N. Delius.
=650 \0$aTrios (Piano, flute, cello)$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008113014
=650 \7$aTrios (Piano, flute, cello)$xScores and parts.$2fast$0http://id.worldcat.org/fast/1906603
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=700 1\$aDelius, Nikolaus.$0http://id.loc.gov/authorities/names/n81055683
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Record #: 944
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=100 1\$aSchroepfer, Helen Daley.
=245 10$aSelf and other :$bjustice in Derrida and Piaget /$cby Helen Daley Schroepfer.
=2604 \\0$c2003.
=300 \\$ax, 181 leaves ;$c28 cm
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=500 \\$aAbstract.
=502 \\$aThesis (Ph.D.)--Temple University, 2003.
=504 \\$aIncludes bibliographical references (leaves: 164-181).
=600 10$aDerrida, Jacques.$0http://id.loc.gov/authorities/names/n79092610
=600 17$aDerrida, Jacques.$2fast$0http://id.worldcat.org/fast/41147
=600 10$aPiaget, Jean,$d1896-1980.$0http://id.loc.gov/authorities/names/n78093533
=600 17$aPiaget, Jean,$d1896-1980.$2fast$0http://id.worldcat.org/fast/28859
=650 \0$aJustice in literature.$0http://id.loc.gov/authorities/subjects/sh85071139
=650 \7$aJustice in literature.$2fast$0http://id.worldcat.org/fast/985152
=690 \4$aReligion$xTemple University theses.
=690 \4$aTemple University$xTheses.
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Record #: 945
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=028 30$a2411$bG. Schirmer
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=245 00$aSolos for the flute player :$bwith piano accompaniment /$cselected and edited by Louis Moyse.
=2604 \\1$aNew York :$bG. Schirmer,$c[1961]
=264 \4$c©1961.
=300 \\$a1 score (v, 70 p.ages) + 1 part (31 p.ages) ;$c31 cm
=380 \\$aMinuets (Music)$2lcgft
=380 \\$aDance forms
=380 \\$aPolonaises$2lcgft
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=500 \\$aOriginal works and arrangements.
=505 0\$aAllegro (from Sonata for flute and piano) / Jean Baptiste Loeillet -- Allegretto (from Menuetto in F) (12 little pieces for piano) / Joseph Haydn -- Song without words : op. 62, no. 25 / Felix Mendelssohn -- Two menuets (from Sonata for flute and piano) / Jean-Jacques Naudot -- Gavotte (from Sonata for flute and piano) / George Frideric Handel -- Andante and allegretto (from Sonata for flute and piano) / John Reid -- Two arias in rondeau (from Sonata for flute and piano) / Jean-Jacques Naudot -- Rosamunde. (Ballet music) / Franz Schubert -- Air : (from L'apothéose de Lulli) / François Couperin -- Polonaise (from Sonata for flute and piano) / Ludwig van Beethoven -- May, sweet May : (from Album for the young : op. 68) / Robert Schumann -- Trio des Ismaëlites : (from The childhood of Christ) / Hector Berlioz --
=505 0\$a(cont.): Nocturne, op. 32, no. 1 / Frédéric Chopin -- Entr'acte (from Carmen) / Georges Bizet -- Adagio (from Flute quartet, K. 285) / Wolfgang Amadeus Mozart -- Two passepieds (from Partita in B minor for piano) / Johann Sebastian Bach -- Scherzando (from Trio sonata for flute, violin and piano) / Georg Philipp Telemann -- Adagio (from Symphony no. 24) / Joseph Haydn -- Valse-menuet : (from L'Arlésienne : suite no. 1) / Georges Bizet -- Rondo (from Piano sonata, K. 279) / Wolfgang Amadeus Mozart -- Allegro (from Sonata for flute and piano) / Leonardo Vinci.
=500 \\$aPublisher's no.: Ed. 2411.
=650 \0$aFlute and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008103871
=650 \7$aFlute and piano music$xScores and parts.$2fast$0http://id.worldcat.org/fast/1905696
=650 \0$aFlute and piano music, Arranged$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008103868
=650 \7$aFlute and piano music, Arranged$xScores and parts.$2fast$0http://id.worldcat.org/fast/1905694
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=700 1\$aMoyse, Louis,$d1912-2007.$0http://id.loc.gov/authorities/names/n81149131
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=240 10$aUnicorn, the gorgon, and the manticore$0http://id.loc.gov/authorities/names/n96060852
=245 14$aThe unicorn$h[sound recording] /$cMenotti. Parson Weems & the cherry tree / Thomson.
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=500 \\$aThe 1st work is a madrigal fable, the 2nd work a ballet.
=511 0\$aBoston Cecilia Chorus & Chamber Ensemble ; Donald Teeters, conductor.
=518 \\$aRecorded at the Campion Center, Weston, Mass., Jan. 24-25, 1997.
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=500 \\$aDurations: 41:53; 22:18.
=500 \\$aProgram notes by Donald Teeters and libretto of the 1st work (15 p.) inserted in container.
=650 \0$aMasques with music.$0http://id.loc.gov/authorities/subjects/sh85081843
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=700 1\$aTeeters, Donald,$0http://id.$loc.gov/authorities/names/nr94006716$econductor.
=700 12$aThomson, Virgil,$d1896-1989.$tParson Weems and the cherry tree.$0http://id.loc.gov/authorities/names/no97050228
=710 2\$aBoston Cecilia (Musical group),$0http://id.loc.gov/authorities/names/nr94006706$eperformer.
=740 02$aParson Weems & the cherry tree.
=740 02$aParson Weems and the cherry tree.
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=100 1\$aUhler, John Earle,$d1891-1962.$0http://id.loc.gov/authorities/names/n87847324
=245 10$aMorley's Canzonets for three voices.
=2604 \\1$aBaton Rouge, :$bLouisiana State University Press,$c1957.
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=100 1\$aBori, Lucrezia,$d1887-1960,$0http://id.loc.gov/authorities/names/n82139132$4eperformer.
=245 10$aLucrezia Bori$h[sound recording] :$bthe Victor recordings (1925-37).
=246 3\$aVictor recordings (1925-37)
=2604 \\1$a[London?] :$bRomophone,$c[p]1995.
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=511 0\$aLucrezia Bori, soprano ; with other soloists ; Victor Orchestra.
=518 \\$aRecorded 1925-1937.
=538 \\$aCompact disc.
=500 \\$aProgram notes (13 p.) inserted into container.
=505 0\$aCD 1. Louise. Depuis le jour / Charpentier -- La primavera d'or / Glazunov ; arr. La Forge -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Cruz de majo / Valverde -- Patotero sentimetal / Joves -- Simonetta / Rumbold -- Into the woods (Unterm Fenster) op. 34 no. 3 / Schumann -- Night hymn at sea (Sur le grande mer) / Goring-Thomas -- Night hymn at sea (Sur le grande mer) / Goring-Thomas -- La bohème. Sì. Mi chiamano Mimì / Puccini -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Il bacio / Arditi -- Il
=505 0\$abacio / Arditi -- Ciribiribin / Pestalozza -- Calm as the night / Götze -- Les contes d'Hoffmann. Barcarolle / Offenbach -- Clavelitos / Valverde -- Armour mouilé. Valse d'oiseau / Varney -- La bohème. quando me'n vo / Puccini -- La traviata. Ah, fors'è lui ; Follie, follie ... sempre libera / Verdi -- CD 2. Madama Butterfly. Un bel dì / Puccini -- Malagueña / Pagans -- Mignon. Connais-tu le pays? ; Me voici dans son boudoir 'Gavotte' / Thomas -- La violetera / Goetz-Padilla -- Seguidilla / arr. Riemann -- Don Giovanni. Batti, batti o bel Masetto ; Vedrai, carino / Mozart -- Le nozze de figaro.
=505 0\$aDeh vieni non tardar / Mozart -- Manon. Obéissons quand leur voix appelle 'Gavotte' ; Adieu, notre petite table / Massenet -- La rondine. Ore dolci e divine / Puccini -- La vida breve. Vivan los que rien / De Falla -- Il segreto di Susanna. O gioia, la nube leggera / Wolf-Ferrari -- Jota / De Falla -- Acis y Galatea. Confiando jilguerillo / Literes ; arr. Nin -- Amantes chasqueaos. Jilguerito con pico de oro / Laserna ; arr. Nin -- Don Quijote de la Mancha. Consejo / Orbrados -- Malagueña / Nin -- Seguidilla murciana / De Falla -- Jota tortosina ; Copias de curro dulce ; Canto
=505 0\$aandaluza / Nin.
=546 \\$aSung in Italian, English, French, and Spanish.
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=500 \\$aCompact disc.
=500 \\$aProgram notes (5 p.) inserted.
=505 0\$aAllegro, from Organ symphony no. 6 in G minor, opus 42, no. 2 / Widor (7:52) -- Toccata in B minor / Gigout (2:35) -- Carillon on "Tu es petra" / Mulet (4:12) -- Sonata on Psalm 94 / Reubke (17:46) -- Ave Maria / Liszt (5:34) -- Toccata, from Organ symphony no. 5 in F minor, opus 42, no. 1 / Widor (4:33) -- Westminster carillon / Vierne (5:41) -- Andante (4:18) ; Fantasia and fugue on "Ad nos, ad salutarem undam" (20:53) / Liszt.
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=700 12$aGigout, Eugène,$d1844-1925.$tPièces e,$morgan recueil$n(1890).$pToccata.$0http://id.loc.gov/authorities/names/n85064867
=700 12$aMulet, Henri.$tEsquisses byzantines.$pTu es petra et portae inferi non praevalebunt adversus te.$0http://id.loc.gov/authorities/names/n82100073
=700 12$aReubke, Julius,$d1834-1858.$tSonatas,$morgan,$rC minor.$0http://id.loc.gov/authorities/names/n81028032
=700 12$aLiszt, Franz,$d1811-1886.$tAve Maria von Arcadelt.$0http://id.loc.gov/authorities/names/n87119419
=700 12$aWidor, Charles -Marie,$d1844-1937.$tSymphonies,$morgan,$nno. 5, op. 42, no. 1,$rF minor.$pToccata.$0http://id.loc.gov/authorities/names/n84105377
=700 12$aVierne, Louis,$d1870-1937.$tPièces de fantaisie.$nSuite 3.$pCarillon de Westminster.$0http://id.loc.gov/authorities/names/n85064869
=700 12$aLiszt, Franz,$d1811-1886.$tÉvocation à la cChapelle Sixtine.$0http://id.loc.gov/authorities/names/no97082834$pAve verum corpus.
=700 12$aLiszt, Franz,$d1811-1886.$tFantasie und Fuge über den Choral Ad nos, ad salutarem undam.$0http://id.loc.gov/authorities/names/n81022353
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=100 1\$aWhitten, Jeffrey L.$0http://id.loc.gov/authorities/names/n85213635
=245 10$aSystems analysis and design methods /$cJeffery [i.e.Jeffrey] L. Whitten, Lonnie D. Bentley, Kevin C. Dittman.
=250 \\$a6Sixth edition.
=2604 \\1$aBoston :$bMcGraw-Hill Irwin,$c[2004]
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=504 \\$aIncludes bibliographical references and index.
=505 8\$aCD-ROM contents: Two case projects -- Templates for completing the projects -- Lecture PowerPoint slides.
=538 \\$aSystem requirements for accompanying CD-ROM: IBM-Compatible with a Pentium, 400 MHz processor ; 128 MB of RAM ; 4x CD-ROM drive ; Windows 98 or higher.
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=504 \\$aBibliography: p.ages 671-697.
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=245 10$aDoctrine and power :$btheological controversy and Christian leadership in the later Roman Empire /$cCarlos R. Galvão-Sobrinho.
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=100 1\$aSpeck, Christian.
=245 14$aDas italienische Oratorium 1625-1665 :$bMusik und Dichtung /$cChristian Speck.
=2604 \\1$aTurnhout :$bBrepols,$c2003.
=300 \\$axxxviii, 524 p.ages :$bill.ustrations, music ;$c27 cm. +$e1 computer laser optical disc (4 3/4 in.)
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=504 \\$aIncludes bibliographical references (p.ages [483]-513) and index.
=500 \\$aOriginally presented as the author's thesis (doctoral)--Universität Tübingen, 2002.
=500 \\$aAccompanying CD-ROM contains 99 libretti.
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=245 10$aIntroduction to radiation chemistry /$c[by] I.V. Vereshchinskii and A.K. Pikaev.
=2604 \\1$aJerusalem, :$bIsrael Program for Scientific Translations,$c1964.
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=710 2\$aMifʻal tirgume ha-madaʻ ha-Yiśreʼeli.$0http://id.loc.gov/authorities/names/n81018577
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=245 14$aThe chemical basis of virus structure, dissociation and reassembly.
=2604 \\1$aAmsterdam, :$bNorth-Holland Pub. Co.; New York, American Elsevier Pub. Co.,$c1975.
=300 \\$axiv, 485 pages :$billustrations ;$c25 cm.
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=490 1\$aFrontiers of biology ;$vv. 39
=500 \\$aISBN 0-444-10698-7 (American Elsevier).
=504 \\$aIncludes bibliographical references (pages 427-467).
=650 \0$aViruses.
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=830 \0$aFrontiers of biology ;$0http://id.loc.gov/authorities/names/n90716033$vv. 39.
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=100 1\$aElwood, J. Mark,$0http://id.loc.gov/authorities/names/n79111273$eauthor.
=245 10$aCritical appraisal of epidemiological studies and clinical trials /$cMark Elwood (Professor of Cancer Epidemiology, University of Auckland, New Zealand).
=246 30$aEpidemiological studies and clinical trials
=250 \\$aFourth edition.
=264 \1$aOxford, United Kingdom :$bOxford University Press,$c2017.
=264 \4$c©2017
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=520 8\$aCritical appraisal is now accepted as central to the development of rational health care and evidence-based medicine, by applying it to questions of aetiology, clinical therapy, and health care management. The reader will learn how to assess the strengths and weaknesses of new studies, and how to conduct their own studies.
=650 \0$aClinical trials$0http://id.loc.gov/authorities/subjects/sh85027069$xEvaluation.$0http://id.loc.gov/authorities/subjects/sh00005674
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=130 0\$aRebecca (Motion picture)$0http://id.loc.gov/authorities/names/n95085863
=245 10$aRebecca /$ca Selznick International Picture ; produced by David O. Selznik ; screenplay by Robert E. Sherwood and Joan Harrison ; directed by Alfred Hitchcock.
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=546 \\$aIn English with optional English subtitles for the deaf and hard-of-hearing (SDH).
=511 1\$aLaurence Olivier, Joan Fontaine, George Sanders, Judith Anderson, Florence Bates, Nigel Bruce, Reginald Denny, C. Aubrey Smith, Melville Cooper, Leo G. Carroll, Leonard Carey, Lumsden Hare, Edward Fielding, Philip Winter.
=508 \\$aPhotographer, George Barnes ; editor, Hal C. Kern, James Newcom ; music, Franz Waxman ; adaptation by Philip MacDonald and Michael Hogan.
=500 \\$aBased on the novel by Daphne du Maurier.
=500 \\$aOriginally released as a motion picture in 1940.
=500 \\$aFull screen (1.33:1).
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=586 8\$aAcademy Award, 1941: Best cinematography, black-and-white; Best picture
=520 \\$aA young woman who believes she has found her heart's desire when she marries the dashing aristocratic widower Maxim de Winter. But upon moving to Manderley, her groom's baroque ancestral mansion, she soon learns that his deceased wife's memory haunts not only the home but the temperamental, brooding Maxim as well.
=500 \\$aSpecial features: Commentary from 1990 by film scholar Leonard J. Leff; isolated music and effects track; new conversation between film critic and author Molly Haskell and scholar Patricia White; new interview with film historian Craig Barron on Rebecca's visual effects; Daphne du Maurier: in the footsteps of Rebecca, a 2016 French television documentary; Making-of-documentary from 2007; Footage of screen, hair, makeup, and costume tests for actors Joan Fontaine, Anne Baxter, Vivien Leigh, Margaret Sullivan, and Loretta Young; Casting gallery with notes by director Alfred Hitchcock and producer David O. Selznick; Hitchcock interviewed by Tom Snyder on a 1973 episode of NBC's Tomorrow; Tomorrow interview with Fontaine from 1980; Audio interviews from 1986 with actor Judith Anderson and Fontaine; Three radio versions of Rebecca, from 1938, 1944, and 1950, including Orson Welles's adaptation of the novel for the Mercury Theater; Theatrical release trailer. Container booklet includes an essay "Welcome to the Haunted House" by critic and Selznick biographer David Thompson and selected Selznick production correspondence, including with Hitchcock.
=505 0\$adisc 1. Feature film, bonus features -- disc 2. Bonus materials.
=546 \\$aIn English with optional English subtitles for the deaf and hard-of-hearing (SDH).
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=245 10$aNonprofit law :$bthe life cycle of a charitable organization /$cBetsy Schmidt.
=2604 \\1$aNew York :$bWolters Kluwer Law & Business,$c[2011]
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=300 \\$axxxi, 723 pages :$billustrations ;$c26 cm +$eteacher's manual.
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=490 1\$aAspen elective series
=504 \\$aIncludes bibliographical references and index.
=505 0\$aIntroduction to the law of charitable organizations -- Starting the organization at the state level -- The board of directors and their governance role -- Tax exempt purposes of [Section] 501(c)(3) organizations -- Charitable contributions -- Charitable solicitations -- Private foundations and their alternatives -- Raising funds from commercial activities -- Inurement, private benefit, and excess benefit transactions -- Complex commercial transactions -- Lobbying and political campaign activities -- Accountability -- Ending the nonprofit organization : dissolution, merger, and conversion.
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=245 00$aClinical handbook of complex and atypical eating disorders /$cedited by Leslie K. Anderson, Stuart B. Murray, Walter H. Kaye.
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=505 8\$aMachine generated contents note:-- Foreword by Ivan Eisler About the Editors Contributors Introduction 1. Evidence-Based Treatments and the Atypical/Complex Conundrum Jenna Schlein, Gina Dimitropoulos, Katharine Loeb, & Daniel Le Grange Part I: Psychiatric Comorbidities 2. Clinical Guidelines for the Treatment of Anxiety in Eating DisordersStephanie Knatz Peck, Stuart B. Murray, & Walter H. Kaye3. Treating ED-PTSD patients: A synthesis of the literature and new treatment directions Julie G. Trim, Tara Galovski, Amy Wagner, & Timothy D. Brewerton 4. The Complex Relationship between Eating Disorders and Substance Use Disorders: Clinical Implications Amy Baker Dennis & Tamara Pryor 5. Suicidality, Self-Injurious Behavior, and Eating Disorders Leslie K. Anderson, April Smith & Scott Crow 6. Eating Disorders and Borderline Personality Disorder: Strategies for Managing Life Threatening and Therapy Interfering Behaviors Lucene Wisniewski & Leslie K. Anderson 7. Body Dysmorphic Disorder and Eating Disorders Danyale McCurdy-McKinnon & Jamie D. Feusner 8. Food Selectivity in Autism Spectrum Disorder William G. Sharp & Valentina Postorino Part II: Atypical Symptom Presentations 9. Avoidant-Restrictive Food Intake Disorder: Assessment and Treatment Jessie Menzel Anorexia Nervosa with a history of Obesity or Overweight Jocelyn Lebow & Leslie Sim 11. Purging disorder Pamela K. Keel, K. Jean Forney, & Grace Kennedy 12. Evidence-based Treatment Approaches for Night Eating Disorders Kelly C. Allison & Laura A. Berner 13. Diabetes and Eating Disorders Liana Abascal, & Ann Goebel-Fabbri 14. Muscle Dysmorphia: Clinical Presentation and Treatment Strategies Scott Griffiths & Stuart B. Murray 15. Rumination Disorder in Adults: Cognitive Behavioral Formulation and Treatment Helen B. Murray & Jennifer J. Thomas 16. Atypical Eating Disorders and Specific Phobia of Vomiting (SPOV): Clinical Presentation and Treatment Approaches Alexandra Keyes & David Veale Part III: Atypical Populations 17. Pediatric Eating Disorders Emily K . Gray & Kamryn T. Eddy 18. Eating Disorders in Males Tiffany A. Brown, Scott Griffiths & Stuart B. Murray 19. Eating Disorders and Disordered Eating in the LGBTQ Population Jon Arcelus, Fernando Fernandez-Aranda, & Walter Pierre Bouman 20. Considerations in the Treatment of Eating Disorders among Ethnic Minorities Ana L. Ramirez, Eva Trujillo-ChiVacuan, Marisol Perez 21. Midlife onset Eating Disorders Cristin Runfola, Jessica H. Baker, & Cynthia M. Bulik 22. Eating Disorders in Athletes: Detection, Diagnosis, and Treatment Carolyn R. Plateau & Jon Arcelus.
=520 \\$a"Treating patients with eating disorders (ED) is a notoriously challenging undertaking. Patients tend to be medically compromised and have a deep ambivalence towards their symptoms, and treatment dropout and relapse rates are high. Further complicating matters, a sizable number of patients present with additional characteristics that set them apart from the patients for whom empirically supported treatments were developed. Up to 50% of current ED diagnoses are classified as atypical and do not fit into existing diagnostic categories, and many more present with complex comorbidities. Clinical Handbook of Complex and Atypical Eating Disorders brings together into one comprehensive resource what is known about an array of complicating factors for patients with ED, serving as an accessible introduction to each of the comorbidities and symptom presentations highlighted in the volume. The first section of the book focuses on the treatment of ED in the presence of various comorbidities, and the second section explores the treatment of ED with atypical symptom presentations. The third section focuses on how to adapt ED treatments for diverse populations typically neglected in controlled treatment trials: LGBT, pediatric, male, ethnically diverse, and older adult populations. Each chapter includes a review of clinical presentation, prevalence, treatment approaches, resources, conclusions, and future directions."--Provided by publisher.
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=245 14$aThe creative wealth of nations :$bcan the arts advance development? /$cPatrick Kabanda ; foreword by Amartya Sen.
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=505 0\$aOverture. From sustainable development to meaningful development: The role of the arts -- Part I. The Arts, the Economy, and Development: 1. An untapped and unmeasured economy: on the value of the arts ; 2. Arts in education: cultivating creative minds for development ; 3. The arts and environmental stewardship -- Part II. Trade in Services: A Three-Part Suite: 4. International trade in cultural services ; 5. Artists without borders in the digital age ; 6. On cultural tourism -- Part III. Variations on a Theme: 7. The unsettled question of women in the performing arts ; 8. The arts in mental health, social healing, and urban renewal -- Part IV. Rondo: A Round-Up of Data; 9. Creative data collection -- Finale: On imagination and choice.
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=245 14$aThe great fall :$ba story /$cPeter Handke ; translated by Krishna Winston.
=264 \1$aLondon ;$aNew York :$bSeagull Books,$c2018.
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=245 02$aA Thousand Plateaus and philosophy /$cedited by Henry Somers-Hall, Jeffrey A. Bell and James Williams.
=264 \1$aEdinburgh :$bEdinburgh University Press,$c[2018]
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=300 \\$aix, 293 pages :$billustrations ;$c25 cm
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=504 \\$aIncludes bibliographical references (pages 280-290) and index.
=505 0\$aIntroduction / Henry Somers-Hall, Jeffrey A. Bell and James Williams -- 'A book? what book?' or Deleuze and Guattari on the Rhizome / Miguel de Beistegui -- One or several wolves : the wolf-man's pass-words / Brent Adkins -- Who the earth thinks it is / Ronald Bogue -- Postulates of linguistics / Jeffrey A. Bell -- 587 BC - AD 70 : on several regimes of signs / Audrey Wasser -- November 28, 1947 : how do you make yourself a body without organs? / John Protevi -- Year zero : faciality / Nathan Widder -- 'What happened next?' : Hjelmslev's Net, Arachne's Web and the figure of the line / Helen Palmer -- Micropolitics and Segmentarity / Eugene W. Holland -- Memories of a Deleuzian : to think is always to follow the witches flight / Simon O'Sullivan -- Of the refrain (the Ritornello) / Emma Ingala -- 1227 A.D. : treatise on nomadology - the war machine / Paul Patton -- 7000 B.C. : apparatus of capture / Daniel W. Smith -- The smooth and the striated / Henry Somers-Hall -- Concrete rules and abstract machines : form and function in a thousand Plateaus / Ray Brassier.
=520 8\$a"This volume brings together a team of international specialists on Deleuze and Guattari to provide in-depth critical studies of each plateau of their major work, A Thousand Plateaus. It combines an overview of the text with deep scholarship and brings a renewed focus on the philosophical significance of their project.'A Thousand Plateaus' represents a whole new way of doing philosophy. This collection supports the critical reception of Deleuze and Guattari's text as one of the most important and influential works of modern theory. Key Features : emphasises the philosophical nature of A Thousand Plateaus, provides detailed coverage of the text as a whole, brings together cutting edge research from some of the leading lights in scholarship on Deleuze and Guattari, an ideal companion to a plateau-by-plateau reading of Deleuze and Guattari's work."--Back cover.
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=245 00$aAperture conversations :$b1985 to the present /$ceditors: Melissa Harris, Michael Famighetti.
=250 \\$aFirst edition.
=264 \1$aNew York, N.Y. :$bAperture Foundation,$c2018.
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=520 8\$aWhy did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer?s 'The Concert'? And what is Susan Meiselas?s take on Instagram and the future of online storytelling? 'Aperture Conversations' presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from Aperture magazine with selections from Aperture?s booklist and online platform, 'Aperture Conversations' celebrates the artist?s voice, collaborations, and the photography community at large.
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=504 \\$aIncludes bibliographical references and index.
=505 0\$aUnderstanding depression among Asian Americans : a cognitive-behavioral approach / Wei-Chin Hwang, Leslie C. Ho, Courtney P. Chan, & Kristyne K. Hong -- CBMMTs for DDs in Latin Americans / Victoria K. Ngo and Jeanne Miranda -- Cognitive-behavioral models, measures and treatments for treating depressive disorders in African Americans / Enrique W. Neblett Jr., Effua E. Sosoo, Henry A. Willis, Donte L. Bernard, and Jiwoon Bae -- Cognitive behavioral therapy for depression with American Indians / J. Douglas McDonald, Royleen Ross, Tess Kilwien, Emily Sargent -- Cognitive-behavioral models, measures, and treatments for anxiety disorders in Asian Americans / Janie J. Hong -- CBT for Latino and Latina adults with anxiety : a systematic review / Guillermo Bernal, Cristina Adames, Kelvin Mariani, Jeralys Morales -- Cognitive-behavioral models, measures, and treatments for anxiety disorders in African Americans / Michele M. Carter, Tracy Sbrocco -- Cognitive-behavioral models, measures, and treatments for anxiety disorders in American Indians and Alaska Natives / John McCullagh & Jacque Gray -- Cognitive-behavioral models, measures, and treatments for stress disorders in Asian Americans / Joyce Chu, Holly Batchelder, and Gabrielle Poon -- CBMMTs for stress in Latinos / Esteban V. Cardemil, Lisa Edwards, Tamara Nelson, & Karina Loyo, Frances L. Hiatt -- Cognitive behavioral models, measures, and treatments for stress in African Americans / Tawanda M. Greer, Elizabeth Brondolo, Elom Amuzu, and Amandeep Kaur -- Cognitive-behavioral models, measures, and treatments : stress in American Indians and Alaska Natives / Beth Boyd and Ryan Hunsaker -- Developing an inclusive path for applying cognitive-behavioral models, measures, and treatments to everyone / Christina A. Downey, Edward C. Chang, Jameson K. Hirsch, Elizabeth A. Yu.
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=650 22$aStress, Psychological$xethnology.$0https://id.nlm.nih.gov/mesh/D013315Q000208
=650 22$aDepressive Disorder$xethnology.$0https://id.nlm.nih.gov/mesh/D003866Q000208
=650 22$aAnxiety Disorders$xethnology.$0https://id.nlm.nih.gov/mesh/D001008Q000208
=650 22$aCultural Competency.$0https://id.nlm.nih.gov/mesh/D054521
=700 1\$aChang, Edward C.$q(Edward Chin-Ho),$0http://id.loc.gov/authorities/names/n00095145$eeditor.
=700 1\$aDowney, Christina A.,$0http://id.loc.gov/authorities/names/no2011167508$eeditor.
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=245 10$aSmiley's dream book /$cby Jeff Smith ; color by Tom Gaadt.
=250 \\$aFirst edition.
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=245 00$aForest family :$bAustralian culture, art, and trees /$cedited by John C. Ryan and Rod Giblett.
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=490 1\$aCritical plant studies : philosophy, literature, culture ;$vvolume 4
=504 \\$aIncludes bibliographical references and index.
=505 0\$aIntroducing Forest family / John C. Ryan and Rod Giblett -- From understory to overstory: critical studies of old-growth trees and forests / John C. Ryan -- Forest giants: locating Southwest Australian old-growth country / John C. Ryan -- Family trees: jarrah, karri, and the Gibletts of the Balbarrup-Dingup area / Rod Giblett -- Built in the forest: a hamlet history of Giblett cultural heritage / Rod Giblett -- Photographic essay: let no man put asunder/ Juha Tolonen -- From burls to blockades: artistic interpretations of karri trees and forests / John C. Ryan -- Sing the karri, sculpt the jarrah: sustaining old-growth forest through the arts / Robin Ryan -- Old-growth activism: the Giblett forest rescue of 1994 and 1997 / Nandi Chinna.
=520 \\$a"Forest Family highlights the importance of the old-growth forests of Southwest Australia to art, culture, history, politics, and community identity. The volume weaves together the natural and cultural histories of Southwest eucalypt forests, spanning pre-settlement, colonial, and contemporary periods. The contributors critique a range of content including historical documents, music, novels, paintings, performances, photography, poetry, and sculpture representing ancient Australian forests. Forest Family centers on the relationship between old-growth nature and human culture through the narrative strand of the Giblett family of Western Australia and the forests in which they settled during the nineteenth century. The volume will be of interest to general readers of environmental history, as well as scholars in critical plant studies and the environmental humanities."--$cProvided by publisher.
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=100 1\$aHutchinson, Alex,
=245 10$aEndure :$bmind, body, and the curiously elastic limits of human performance /$cAlex Hutchinson ; foreword by Malcolm Gladwell.
=250 \\$aFirst edition.
=264 \1$aNew York, NY :$bWilliam Morrow, an imprint of HarperCollinsPublishers,$c[2018]
=300 \\$axi, 306 pages :$billustrations ;$c24 cm
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=504 \\$aIncludes bibliographical references and index.
=505 0\$aMind and muscle. The unforgiving minute ; The human machine ; The central governor ; The conscious quitter ; Two hours: November 30, 2016 -- Limits. Pain ; Muscle ; Oxygen ; Heat ; Thirst ; Fuel ; Two hours: March 6, 2017 -- Limit breakers. Training the brain ; Zapping the brain ; Belief ; Two hours: May 6, 2017.
=520 \\$a"The capacity to endure is the key trait that underlies great performance in virtually every field--from a 100-meter sprint to a 100-mile ultramarathon, from summiting Everest to acing final exams or completing any difficult project. But what if we all can go farther, push harder, and achieve more than we think we're capable of? Blending cutting-edge science and gripping storytelling in the spirit of Malcolm Gladwell--who contributes the book's foreword--award-winning journalist Alex Hutchinson reveals that a wave of paradigm-altering research over the past decade suggests the seemingly physical barriers you encounter as set as much by your brain as by your body. This means the mind is the new frontier of endurance--and that the horizons of performance are much more elastic than we once thought. But, of course, it's not "all in your head." For each of the physical limits that Hutchinson explores--pain, muscle, oxygen, heat, thirst, fuel--he carefully disentangles the delicate interplay of mind and body by telling the riveting stories of men and women who've pushed their own limits in extraordinary ways. The longtime "Sweat Science" columnist for Outside and Runner's World, Hutchinson, a former national-team long-distance runner and Cambridge-trained physicist, was one of only two reporters granted access to Nike's top-secret training project to break the two-hour marathon barrier, an extreme quest he traces throughout the book. But the lessons he draws from shadowing elite athletes and from traveling to high-tech labs around the world are surprisingly universal. Endurance, Hutchinson writes, is "the struggle to continue against a mounting desire to stop"--And we're always capable of pushing a little farther."--Publisher's description.
=520 \\$a"From the National Magazine Award-winning Runner's World columnist, frequent NewYorker.com contributor, and Cambridge-trained physicist: a fascinating and definitive exploration of the science of endurance and peak performance"--$cProvided by publisher.
=520 \\$aHutchinson provides a fascinating and definitive exploration of the revolutionary new science of endurance and the secrets of human performance. He reveals why our individual limits may be determined as much by our head and heart, as by our muscles.
=650 \0$aSports$xPhysiological aspects.$0http://id.loc.gov/authorities/subjects/sh85126898
=650 \7$aSports$xPhysiological aspects.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/1130485
=650 12$aAthletic Performance$xphysiology.$0https://id.nlm.nih.gov/mesh/D054874Q000502
=650 22$aAthletic Performance$xpsychology.$0https://id.nlm.nih.gov/mesh/D054874Q000523
=650 22$aPsychology, Sports.$0https://id.nlm.nih.gov/mesh/D000067450
=650 22$aPsychophysiology$xmethods.$0https://id.nlm.nih.gov/mesh/D011603Q000379
=700 1\$aGladwell, Malcolm,$d1963-$0http://id.loc.gov/authorities/names/n99276127$ewriter of foreword.
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=100 1\$aPfenninger, Simone E.,$0http://id.loc.gov/authorities/names/n2009013694$eauthor.
=245 10$aBeyond age effects in instructional L2 learning :$brevisiting the age factor /$cSimone E. Pfenninger and David Singleton.
=264 \1$aBristol ;$aBlue Ridge Summit, PA :$bMultilingual Matters,$c[2017]
=300 \\$aix, 271 pages ;$c24 cm.
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=504 \\$aIncludes bibliographical references and index.
=650 \0$aLanguage acquisition$xAge factors.$0http://id.loc.gov/authorities/subjects/sh85074512
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=650 \0$aClassroom environment.
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=700 1\$aSingleton, D. M.$q(David Michael),$0http://id.loc.gov/authorities/names/n83006730$eauthor.
=830 \0$aSecond language acquisition (Clevedon, England) ;$0http://id.loc.gov/authorities/names/n2001045489$v113.
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=100 1\$aDevota, Dot,$0http://id.loc.gov/authorities/names/n2014030323$eauthor.
=245 10$aDept. of posthumous letters /$cDot Devota & Caitie Moore.
=246 3\$aDepartment of posthumous letters
=250 \\$aFirst printing.
=264 \1$a[Place of publication not identified] :$bArgos Books,$c2017.
=264 \4$c©2017
=300 \\$a2 volumes (39, 41 pages) ;$c17 cm
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=500 \\$aDouble-volume set issued with paper band wrapper.
=500 \\$aLine drawings by Brandon Shimoda.
=505 0\$aVolume [1]. Dot Devota -- volume [2]. Caitie Moore.
=520 \\$a"In Dept of Posthumous Letters, Dot Devota and Caitie Moore conduct an epistolary exchange that subverts the logic of the dialogic. "In a letter you cannot listen. You must always be speaking," writes Devota, as her letters to Moore narrate anecdotes that read like overheard myths-webs of observation, reversal and misunderstanding that signal the presence of an attentive listener. Line drawings by Brandon Shimoda intensify the enchantment that unfolds out of Moore and Devota's voices. "Have you ever played this game: Horse/Muffin/Bird?" Moore asks Devota. Intelligently-framed questions ranging from philosophical to purely affectionate interlace these poems like veins of honey. "It's a proportion thing, an order thing. I am, certainly, no part Muffin."--Publisher's website.
=650 \0$aProse poems, American$0http://id.loc.gov/authorities/subjects/sh85107567$y21st century.$0http://id.loc.gov/authorities/subjects/sh2002012478
=650 \7$aProse poems, American.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1079317
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=655 \7$aProse poems.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026488
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=655 \7$aPoetry.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026481
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=700 1\$aMoore, Caitie,$0http://id.loc.gov/authorities/names/no2018105565$eauthor.
=700 1\$aShimoda, Brandon,$0http://id.loc.gov/authorities/names/no2009155325$eillustrator.
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=100 1\$aHoffmann-Curtius, Kathrin,$0http://id.loc.gov/authorities/names/n86069150$eauthor.
=240 10$aBilder zum Judenmord.$lEnglish$0http://id.loc.gov/authorities/names/no2018120487
=245 10$aJudenmord :$bart and the Holocaust in post-war Germany /$cKathrin Hoffman-Curtius with Sigrid Philipps.
=264 \1$aLondon, UK :$bReaktion Books,$c2018.
=300 \\$a407 pages :$billustrations (some color) ;$c26 cm
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=500 \\$aOriginally published by Jonas Verlag, Marburg, 2014 in German as Bilder zum Judenmord.
=504 \\$aIncludes bibliographical references (page 355-380) and index.
=505 0\$aPrequel Images -- The Human figure, 1945-9 -- Early Series -- Captured in One Picture -- A Confession -- Remembering in the 1950s -- Remembering Again: The Early 1960s -- The Past in the Present: Commenting on the Auschwitz Trial
=520 8\$aIn remembering the murder of the Jews during the period of National Socialism in Germany, the contribution made by artists in the first twenty years after the end of the war has been largely ignored. But how did artists deal with their own experiences and relate these to what they saw, heard and read about the Holocaust? What images of the Jews were presented to the Germans after the end of the brutal regime? And did works of art in Germany contribute to a re-education process, new ways of thinking in both East and West Germany, and the culture of memory? 0Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust. It presents paintings, drawings and etchings that bring to light the persecution of the Jews, and examines how artists reacted to injustice in a social situation where the majority stayed silent. Featuring an unfamiliar array of works, by artists such as Otto Pankok, Lea Grundig, Ludwig Meidner, Werner Tubke, Wolf Vostell, Joseph Beuys and Gerhard Richter, and including those by former camp inmates, this is essential reading for all those interested in the history of art and the Holocaust.
=546 \\$aIn English; translated from the original German.
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=650 \0$aHolocaust, Jewish (1939-1945), in art.
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=264 \1$a[Place of publication not identified] :$bTurner Entertainment Co. ;$bWarner Bros. Entertaintment Inc.,$c[2014]
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=511 1\$aConstance Bennett, Lowell Sherman, Neil Hamilton.
=500 \\$aOrigianlly released as a motion picture in 1932.
=500 \\$aFull-screen 4x3 (1.37:1).
=521 8\$aRating: Not rated.
=520 \\$a"Sassy and ambitious waitress Mary Evans amuses and befriends seldom-sober director Max Carey , who stumbles into her restaurant. Max invites Mary to his film premiere and, after a night of drinking and carousing, Mary charms her way into a screen test and then a contract with a movie studio. Just as Mary finds her dreams coming true and her career on the upswing, Carey's life and career begins its descent." -- Container.
=508 \\$aExecutive producer, David O. Selznick ; photography, Charles Rosher ; original music, Max Steiner.
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=700 1\$aSherman, Lowell,$d1888-1934,$0http://id.loc.gov/authorities/names/n87911961$eactor.
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=245 00$aMachine project :$bthe platinum collection (live by special request) /$cedited by Mark Allen, Rachel Seligman ; with contributions by Mark Allen [and thirteen others].
=264 \1$aSaratoga Springs, New York :$bFrances Young Tang Teaching Museum and Art Gallery at Skidmore College ;$aMunich ;$aNew York :$bDelMonico Books-Prestel,$c2017.
=300 \\$a311 pages :$billustrations (chiefly color), charts, map ;$c32 cm
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=500 \\$aAccompanies an exhibition organized by Rachel Seligman, held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, September 19, 2015-January 3, 2016.
=504 \\$aIncludes bibliographical references (page 304).
=505 0\$aIntroduction : Dear friends / Machine Project -- Curiosity is the main energy / Ian Berry -- Live by special request / Rachel Seligman -- Hello, have you been here before? / Mark Allen -- Artist projects : "Reading" affinity atlas / Krystal Krunch -- Mr. Akita / Asher Hartman and Cliff Hengst -- A readers chorus : readers Rajio Taiso / Haruko Tanaka -- October poem 2015: a mechanical poem to be read aloud / Joshua Beckman -- themed nomad no plastic form / Kamau Amu Patton -- EVERYTHING / Dawn Kasper -- Massagem Sonora and ReVerberancias / Carmina Escobar -- Music for mineral springs / Chris Kallmyer -- deepdeepbodygl!tter / Hana van der Kolk -- Archives + history : Field guide to Machine Project / Charlotte Cotton -- Every poetry project ever / as remembered by Joshua Beckman and Mark Allen -- Every machine event 2003-2015 / compiled by Zut Lorz and Sarah Miller -- The last section : Poster designers -- Exhibition checklist -- Machine Project exhibition history and selected bibliography -- Future emails : Machine Project / compiled by Simon Pinkas.
=520 8\$aNew essays and images capture the quirky essence of Machine Project, where vacations for plants, concerts for dentists, and operas for dogs are a few of the typical offerings produced at the informal, non-profit, educational institution in Los Angeles. Designed in collaboration with Kimberly Varella, this book reflects on Machine Project's ongoing artistic practice, featuring an extensive selection of photographs of past projects and documentation of new performance projects at the Tang Museum by Haruko Tanaka, Krystal Krunch, Hana van der Kolk, Carmina Escobar, Kamau Patton, Dawn Kasper, Joshua Beckman, Asher Hartman, and Chris Kallmyer among others.
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=110 2\$aChurch of England.$tPsalter.
=245 10$aOur prayer book psalter :$bcontaining Coverdale's version from his 1535 Bible and the prayer book version by Coverdale from the Great Bible, 1539-41, printed side by side /$cwith an introduction and notes on the sources of Coverdale's renderings by Ernest Clapton ; with a foreword by the Rev. G.C. Richards.
=2604 \\1$aLondon :$bSociety for Promoting Christian Knowledge,$c1934.
=300 \\$a375 pages ;$c22 cm
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=504 \\$aBooks on the Psalms that have been consulted̋: page xxx.
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=700 1\$aClapton, Ernest,$ewriter of supplementary textual content.
=776 08$iOnline version:$aChurch of England. Psalter.$tOur prayer book psalter.$dLondon, Society for promoting Christian knowledge, 1934$w(OCoLC)702018462
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=245 10$aStory-telling lessons, /$cby Henry Edward Tralle.
=2604 \\1$aPhiladelphia, ;$aBoston :$bThe Judson Press,$c[©1921]
=300 \\$a4 preliminary leaves, 104 pages ;$c19 cm.
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=490 1\$aJudson training manuals for the school of the church
=530 \\$aAlso available in digital form on the Internet Archive Web site.
=650 \0$aStorytelling.$0http://id.loc.gov/authorities/subjects/sh85128407
=650 \7$aStorytelling.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/1134169
=776 08$iOnline version:$aTralle, Henry E. (Henry Edward), 1867-$tStory-telling lessons.$dPhiladelphia, Boston [etc.] The Judson press [©1921]$w(OCoLC)654453074
=830 \0$aJudson training manuals for the school of the church.$0http://id.loc.gov/authorities/names/no2004004593
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=050 \4$aPN1997.2$b.B58 v.2
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=099 \\$aDVD 18 258
=245 00$aDon Hertzfeldt.$nVolume 2,$p2006-2011 /$ca film by Don Hertzfeldt.
=246 14$aBitter films.$nVolume 2,$p2006-2011
=264 \1$a[Santa Barbara, Calif.] :$b[Bitter Films],$c[2012]
=264 \4$c©2012
=300 \\$a1 videodisc (102 min.) :$bsound, color & black ;$c4 3/4 in. +$e1 booklet ([24] pages : color illustrations ; 19 cm) laid inside container
=336 \\$atwo-dimensional moving image$btdi$2rdacontent
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=538 \\$aDVD; NTSC; all regions.
=508 \\$aDirected, produced, animated, and written by Don Hertzfeldt.
=500 \\$aTitle from container.
=520 \\$aThe completed animated trilogy, joined together for the first time as a seamless feature film. Also Wisdom Teeth ; over 40 min of interviews from the Evening with Don Hertzfeldt tour. A Deleted scene.
=505 00$tEverything will be ok (2006 ; 17 min.) --$tI am so proud of you (2008 ; 22 min.) --$tIt's such a beautiful day (2001 ; 23 min.) --$tWisdom teeth (2010 ; 40 min.).
=650 \0$aMental illness$0http://id.loc.gov/authorities/subjects/sh85083643$vDrama.$0http://id.loc.gov/authorities/subjects/sh99001612
=650 \7$aMental illness.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1016547
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=700 1\$aHertzfeldt, Don,$d1976-$0http://id.loc.gov/authorities/names/no2009016266$edirector,$eproducer,$eanimator.
=710 2\$aBitter Films (Firm)
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Record #: 996
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=082 04$a770
=245 04$aThe hobbyist /$ccurators of the exhibition, Pierre Hourquet, Anna Planas, Thomas Seelig ; editors, Olivia Baeriswyl [and four others] ; translations, Gareth Davies, Ishbel Flett, Kevin Kennedy.
=250 \\$aFirst edition.
=264 \1$aWinterthur :$bFotomuseum Winterthur ;$aLeipzig :$bSpector Books,$c[2017]
=264 \4$c©2017
=300 \\$a102 pages :$billustrations (some color), facsimiles, portraits ;$c28 cm
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=500 \\$aPublished on the occasion of the exhibition held at Fotomuseum Winterthur, Winterthur, Switzerland, 9 September 2017-28 January 2018.
=504 \\$aIncludes bibliographical references.
=520 8\$aWhat happens when photographers and artists incorporate hobbies into their work as a means of challenging artistic practices and hierarchies? How do hobbyists describe their passions photographically, not least today in our era of digital communication? The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, both in connection to photography of hobbies and also photography as a hobby. Both hobby and photographic practices similarly find themselves in between leisure and labour, ideology and consumerism, between amateur culture and professionalism. From the hippy and avant-garde cultures of the 1960s, to 1980s do-it-yourself, to today's maker movement, The Hobbyist explores photography's engagement with a wide variety of lively, often quirky amateur obsessions.
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=650 \0$aHobbyies$0http://id.loc.gov/authorities/subjects/sh85061308$vPictorial works$0http://id.loc.gov/authorities/subjects/sh99001272$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh99001275
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=650 \7$aPhotography, Artistic.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1061964
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=655 \7$aExhibition, picatorial wogrks.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/142402187
=655 \7$aExhibition, catalogs.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026098
=655 \7$aIllustrated works.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026111
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=700 1\$aHourquet, Pierre,$eorganizer.
=700 1\$aPlanas, Anna,$0http://id.loc.gov/authorities/names/nr99021101$eorganizer.
=700 1\$aSeelig, Thomas,$d1964-$0http://id.loc.gov/authorities/names/no2003081777$eorganizer.
=700 1\$aBaeriswyl, Olivia,$eeditor.
=710 2\$aFotomuseum Winterthur,$0http://id.loc.gov/authorities/names/n94040620$ehost institution,$eissuing body.
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=050 \4$aB809.8$b.M475
=245 00$6880-01$aMetodicheskoe posobie k izuchenii͡u kursa "Marksistsko-Leninskai͡a filosofii͡a" :$bDli͡a slushateleĭ ZVPSH pri T͡SK KPSS i un-tov Marksizma-Leninizma /$c[Pod. rek. D.I. Danilenko].
=260 \\$6880-02$aMoskva :$b"Mysl',",$c1968-
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=546 \\$bCyrillic alphabet.
=650 \0$aDialectical materialism.$0http://id.loc.gov/authorities/subjects/sh85037522
=650 \7$aDialectical materialism.$2fast$0http://id.worldcat.org/fast/892465
=650 \0$aHistorical materialism.$0http://id.loc.gov/authorities/subjects/sh85061196
=650 \7$aHistorical materialism.$2fast$0http://id.worldcat.org/fast/958141
=700 1\$aDanilenko, Dmitriĭ Ivanovich,$0http://id.loc.gov/authorities/names/n79087858$eeditor.
=880 00$6245-01/(N$aМетодическое пособие к изучению "Марксистско-Ленинская философия" :$bдля слушателей ЗБПШ при ЦК КПСС и ухиверситетов Марксизма-Ленинизма /$c[Под рек. Д.И. Далиленко].
=260 \\$6880-02$aMoskva :$b"Mysl',"$c1968-
=880 \\$6260-02/(N$aМосква :$b"Мысль,"$c1968-
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=880 00$6505-03/(N$gЧасть I.$tДиалектический материализм --$gЧасть II.$tИсторическуий материализм.
=546 \\$bCyrillic alphabet.
=65902 \0$aDialectical materialism.
=650 \0$aHistorical materialism.
=650 \7$aDialecticalMARCIVE-BF materialism.$2fast$0(OCoLC)fst1900892465
=700 1\$aDanilenko, Dmitriĭ Ivanovich,$eeditor.4
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Record #: 998
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=050 \4$aNE675.5.E7$bL45
=100 1\$aEpifanov, G. D.,$
=240 10$aWorks.$kSelections
=245 10$6880-01$aDvadt͡sat' gravi͡ur na dereve /$cGennadiĭ Dmitrievich Epifanov ; [redaktor, G.K. Leont'eva]
=880 10$6245-01/(N$aДвадцать гравюр на дереве /$cГеннадий Дмитриевич Епифанов ; [редактор Г.К. Леонтьева]
=2604 \\1$6880-02$aLeningrad :$bKhudozhnik RSFSR,$c1970.
=880 \\$6260-02/(N$aЛенинград :$bХудожник РСФСР,$c1970.
=300 \\$a1 portfolio (5, [5] unnumbered pages, 20 leaves of plates) :$bcolor illustrations ;$c29 cm
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=600 10$aEpifanov, G. D.$0http://id.loc.gov/authorities/names/n83007075
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=650 \0$aWood-engraving, Russian.$0http://id.loc.gov/authorities/subjects/sh85147871
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=700 1\$aLeontʹeva, G. K.$q(Galina Konstantinovna),$0http://id.loc.gov/authorities/names/n82263272$eeditor.
=880 10$6245-01/(N$aДвадцать гравюр на дереве /$cГеннадий Дмитриевич Епифанов ; [редактор Г.К. Леонтьева]
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=050 14$aSB61$b.E39 2017
=082 04$a635.092241$223
=100 1\$aEdwards, Ambra,$0http://id.loc.gov/authorities/names/no2011128185$eauthor.
=245 10$aHead gardeners /$cAmbra Edwards ; photographs by Charlie Hopkinson.
=264 \1$aLondon :$bPimpernel Press,$c[2017]
=264 \4$c©2017
=300 \\$a240 pages :$billustrations (some color) ;$c24 cm
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=500 \\$aIncludes index.
=505 0\$aIntroduction: On behalf of gardeners -- The naturalist: Ned Price, The Weir, Herefordshire -- The generous gardener: Fergus Garrett, Great Dixter, East Sussex -- A survivor's tale: Paul Pulford, Queen Elizabeth Hall, London -- But is it art?: Mick Evans, Packwood House, Warwickshire -- Gardening like a cow: Beatrice Krehl, Waltham Place, Berkshire -- Is a man up to the job?: Troy Scott Smith, Sissinghurst Castle, Kent -- Space for thought: Lucille Savin, Merton College, Oxford -- What's the big idea?: Alistair Clark, Garden of Cosmic Speculation, Dumfries -- Mending what is broken: Carol Sales, Headley Court, Surrey -- Planting for posterity: Andrew Woodall, Broughton Grange, Oxfordshire -- The show must go on: Michael Walker, Trentham Gardens, Staffordshire -- Mission impossible: Martin Ogle, Lowther Castle, Cumbria -- Partners in perfectionism: Jim Buckland & Sarah Wain, West Dean Gardens, West Sussex -- Visitor information.
=520 \\$aAmbra Edwards and Charlie Hopkinson explore, in words and pictures, the lives, visions and achievements of fourteen very different head gardeners.
=650 \0$aGardeners$0http://id.loc.gov/authorities/subjects/sh85053087$zGreat Britain.$0http://id.loc.gov/authorities/names/n79023147
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=700 1\$aHopkinson, Charlie,$ephotographer.
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=100 1\$aDrnaso, Nick,$
=245 10$aSabrina /$cby Nick Drnaso.
=250 \\$aFirst edition.
=264 \1$a[New York, New York]:$bpublished in the USA by Drawn & Quarterly, a client publisher of Farrar, Straus and Giroux :$a[Montréal, Quebec] :$bpublished in Canada by Drawn & Quarterly, a client publisher of Raincoast Books,$c2018.
=264 \4$c©2018
=300 \\$a203 pages :$bchiefly color illustrations ;$c25 cm
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=520 \\$a"When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate."--$cProvided by publisher.
=610 10$aUnited States.$bAir Force$xAirmen$0http://id.loc.gov/authorities/subjects/sh85140568$vComic books, strips, etc.$0http://id.loc.gov/authorities/subjects/sh99001401
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=650 \7$aFake news.$2fast$0http://id.worldcat.org/fast/1985391
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