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Record #: 1
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=008 690507t19691968nyufb\\\\b\\\\001\0\eng\\
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=041 1\$aeng$ager
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=090 \\$aE59.R38$bR413 1969
=100 1\$aKrickeberg, Walter,$d1885-1962.$0http://id.loc.gov/authorities/names/n87107304
=240 00$aDie Religionen des alten Amerika. English
=245 10$aPre-Columbian American religions /$c[by] Walter Krickeberg [and others] Translated by Stanley Davis.
=250 \\$a[1First ed.ition].
=2604 \\1$aNew York, :$bHolt, Rinehart and Winston,$c[1969,]
=264 \4$c[©1968]
=300 \\$a365 p.ages :$b13 plates, maps. ;$c25 cm.
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=490 01\$aHistory of religion series
=500 \\$aTranslation of Die Religionen des alten Amerika.
=504 \\$aBibliography: p.ages 331-358.
=650 \0$aIndians$xReligion.$0http://id.loc.gov/authorities/subjects/sh85065067
=650 \7$aIndians$xReligion.$2fast$0http://id.worldcat.org/fast/969400
=650 \0$aIndian mythology.$0http://id.loc.gov/authorities/subjects/sh94001033
=650 \7$aIndian mythology.$2fast$0http://id.worldcat.org/fast/969152
=830 \0$aHistory of religion (Phoenix Press (London, England))$0http://id.loc.gov/authorities/names/n2003104493
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Record #: 2
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=008 090827st2010\\\\2010nyua\\\\\\\\\\001\0\eng\\
=010 \\$a2009933866
=020 \\$a9781435493100
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=035 \\$a(OCoLC)437083338
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=090 \\$aNA2728$b.F69 2010
=100 1\$aFox, Lay Christopher.$0http://id.loc.gov/authorities/names/n2004008667
=245 10$aIntroducing and implementing Revit Architecture 2010 /$cLay Christopher Fox, James J. Balding.
=2604 \\1$aClifton Park, N.Y. :$bDelmar ;$aAndover :$bCengage Learning,$c[2010]
=264 \4$c©2010.
=300 \\$axiv, 529 p.ages :$bill.ustrations ;$c28 cm. +$eCD-ROM (4 3/4 in.)
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=347 \\$atext file$2rdaft$0http://rdaregistry.info/termList/fileType/1002
=500 \\$aIncludes index.
=500 \\$a"Back-of-book CD files provide video instruction"--P. [4] of cover.
=650 \0$aArchitectural drawing$xComputer-aided design.$0http://id.loc.gov/authorities/subjects/sh2009115366
=650 \7$aArchitectural drawing$xComputer-aided design.$2fast$0http://id.worldcat.org/fast/813232
=650 \0$aArchitectural design$xData processing.$0http://id.loc.gov/authorities/subjects/sh85006586
=650 \7$aArchitectural design$xData processing.$2fast$0http://id.worldcat.org/fast/813193
=700 1\$aBalding, James J.$0http://id.loc.gov/authorities/names/n2004008668
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Record #: 3
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=008 970310st1996\\\\1996pauzza\\\e\\\\\n\\\\\\\\d
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=028 32$a144-40277$bMerion Music
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=041 0\$geng
=045 0\$bd1995
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=041 0\$geng
=079 \\$aocm36312688
=090 \\$aM452.L385x no.4 1996
=100 1\$aLazarof, Henri.$0http://id.loc.gov/authorities/names/n82063900
=240 10$aQuartets,$mstrviolings (2), viola, cello,$nno. 4$0http://id.loc.gov/authorities/names/n00074799
=245 00$aFourth string quartet /$cHenri Lazarof.
=2604 \\1$aBryn Mawr, Penn. :$bMerion Music :$bT. Presser, sole representative,$c[1996]
=264 \4$c©1996.
=300 \\$a1 score (21 p.ages) + 4 parts ;$c28 cm.
=306 \\$a002100
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=500 \\$aFor 2 violins, viola, and violoncello.
=500 \\$aDuration: ca. 21:00.
=500 \\$aIncludes biographical notes of composer on back cover.
=500 \\$aThird movement titled: "Hommage à Mahler."
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Record #: 4
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=100 1\$aBach, Johann Sebastian,$d1685-1750.$0http://id.loc.gov/authorities/names/n79021425
=240 10$aConcertos,$mharpsichord, string orchestra,$nBWV 1052, $rD minor$0http://id.loc.gov/authorities/names/n81129545
=245 10$aKonzert D moll :$bfür Klavier mit Begleitung von 2 Violinen, Viola, Violoncell und Bass /$cvon Joh. Seb. Bach ; nach der Ausgabe der Bach-Gesellschaft, revidiert und mit Vorwort versehen von Arnold Schering.
=246 1\$iCover title:$aKlavier-Konzert
=2604 \\1$aLeipzig :$bE. Eulenburg,$c[1925]
=300 \\$a1 miniasturedy score (66 p.ages) ;$c19 cm.
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=490 1\0$aEulenburg's kleine Partitur-Ausgabe ;$vno. 744
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=700 1\$aSchering, Arnold,$d1877-1941,$0http://id.loc.gov/authorities/names/n86130321$4eeditor.
=830 \0$aEulenburgs kleine Partitur-Ausgabe ;$0http://id.loc.gov/authorities/names/n95053696$vno. 744.
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Record #: 5
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=008 020418st2002\\\\2002ctua\\\\\b\\\\001\0\eng\\
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=090 \\$aTX355.5$b.G65 2002
=100 1\$aGoldstein, Myrna Chandler,$d1948-$0http://id.loc.gov/authorities/names/n96800088
=245 10$aControversies in food and nutrition /$cMyrna Chandler Goldstein and Mark A. Goldstein.
=2604 \\1$aWestport, Conn. :$bGreenwood Press,$c[2002]
=264 \4$c©2002.
=300 \\$aviii, 260 p.ages :$bill.ustrations ;$c25 cm.
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=490 1\0$aContemporary controversies,$x1522-2047.
=504 \\$aIncludes bibliographical references and index.
=505 0\$aFood additives -- Food irradiation -- Vegetarian/vegan diets -- Animal growth hormones -- Imported food -- Life-enhancing/life-threatening foods -- Food labeling -- Hidden ingredients in food -- Large doses of vitamins -- Fast foods -- Antioxidants -- Organic foods -- High-protein diets -- Popular diets -- Genetically modified foods.
=650 \0$aFood.$0http://id.loc.gov/authorities/subjects/sh85050184
=650 \7$aFood.$2fast$0http://id.worldcat.org/fast/930458
=650 \0$aNutrition.$0http://id.loc.gov/authorities/subjects/sh85093451
=650 \7$aNutrition.$2fast$0http://id.worldcat.org/fast/1042187
=700 1\$aGoldstein, Mark A.$q(Mark Allan),$d1947-$0http://id.loc.gov/authorities/names/n96800087
=856 41$zAccess Table of contents.$uhttp://www.loc.gov/catdir/toc/fy035/2002069605.html
=830 \0$aContemporary controversies.$0http://id.loc.gov/authorities/names/n98065139$x1522-2047.
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Record #: 6
=LDR 01512182nam a2200409505 4500
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=100 10\$aRachewiltz, Igor de.$0http://id.loc.gov/authorities/names/n50054906
=245 10$aIndex to biographical material in Chin and Yüan literary works /$c[by] Igor de Rachewiltz and Miyoko Nakano.
=260 \\$aCanberra, :$bCentre of Oriental Studies in association with Australian National University Press,$c1970-
=300 \\$av.olumes ;$c25 cm.
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=490 1\$aAustralian National University, Canberra.$bCentre of Oriental Studies. ;$vno. 6
=500 \\$aEnglish and Chinese.
=500 \\$a"To be used in conjunction with, and as a supplement to, the Combined indices to thirty collections of Liao, Chin and Yüan biographies ..."
=650 \0$aAuthors, Chinese$x0http://id.loc.gov/authorities/subjects/sh85009839$vIndexes.$0http://id.loc.gov/authorities/subjects/sh99001477
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=700 1\$aNakano, Miyoko.$0http://id.loc.gov/authorities/names/n81022204
=730 0\1$aCombined indices to thirty collections of Liao, Chin and Yüan biographies.
=830 \0$aOriental monograph series, ;$0http://id.loc.gov/authorities/names/no2004060611$vno. 6.
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Record #: 7
=LDR 00196317ccm a2200313469Ia 4500
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=099 \\$aBoosey and Hawkes BH 578
=100 1\$aMahler, Gustav,$d1860-1911.$0http://id.loc.gov/authorities/names/n80067106
=240 10$aSymphonies,$nno. 1,$rD major$0http://id.loc.gov/authorities/names/n78080134
=245 10$aSymphony no. 1 D major /$cGustav Mahler.
=250 \\$aRev.ised edition.
=2604 \\1$aLondon ;$aNew York :$bBoosey & Hawkes,$c[1943]
=264 \4$c©1943.
=300 \\$a1 miniasturedy score (171 p.ages) ;$c27 cm.
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=384 0\$aD major
=490 1\$aHawkes pocket scores
=500 \\$aAnalysis in English and Spanish by F. Stiedry (6 p.) inserted.
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=700 1\$aStiedry, Fritz.,$0http://id.loc.gov/authorities/names/n84198895$ewriter of accompanying material.
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Record #: 8
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=100 1\$aCroce, Giovanni,$dapproximately 1557-1609.$0http://id.loc.gov/authorities/names/n82063691
=245 10$aTriaca musicale nella quale vi sono diversi capricci a 4, 5, 6, 7 voci miste :$b(1596) /$cGiovanni Croce ; trascrizione e interpretazione di Achille Schinelli ; [testo poetico riveduto da Guido Camillucci].
=2604 \\1$aRoma :$bEdizioni De Santis,$c[1964]
=300 \\$a1 score (vii, 80 p.ages) :$bfacsimiles. ;$c32 cm.
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=490 1\0$aCapolavori polifonici del secolo XVI ;$vv. 3
=500 \\$aMadrigal comedy.
=500 \\$aFor 4-7 mixed voices, unacc., in varying combinations.
=650 \0$aMadrigal comedies.$0http://id.loc.gov/authorities/subjects/sh85079545
=650 \7$aMadrigal comedies.$2fast$0http://id.worldcat.org/fast/1005354
=650 \0$aPart songs, Italian.$0http://id.loc.gov/authorities/subjects/sh85098324
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=700 1\$aSchinelli, Achille.$0http://id.loc.gov/authorities/names/nr89002506
=700 1\$aCamillucci, Guido.$0http://id.loc.gov/authorities/names/no91029762
=830 \0$aCapolavori polifonici del secolo XVI ;$0http://id.loc.gov/authorities/names/n84748252$vv. 3.
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Record #: 9
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=100 1\$aRühle, Otto,$d1874-1943.$0http://id.loc.gov/authorities/names/nr88003641
=245 10$aSchriften.$bPerspektiven e. Revolution in hochindustrialisierten Ländern. /$cHrsg. von Gottfried Mergner.
=2604 \\1$a(Reinbek ;$aHamburg) :$bRowohlt,$c(1971).
=300 \\$a219 p.ages ;$c19 cm.
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=490 0\$aRowohlts Klassikėr der Literatur und der Wissenschaft, 255-257. Philosophie der Neuzeit, Politik und Gesellschaft, ;$vBd. 21
=490 01\$aTexte des Sozialismus und Anarchismus
=490 01\$aRororo Klassiker
=504 \\$aIncludes bibliographical references.
=505 0\$aBrauner und roter Faschismus. -- Weltkrieg, Weltfaschismus, Weltrevolution. -- Briefe.
=650 \0$aTotalitarianism.$0http://id.loc.gov/authorities/subjects/sh85136217
=650 \7$aTotalitarianism.$2fast$0http://id.worldcat.org/fast/1153040
=650 \0$aRevolutions.$0http://id.loc.gov/authorities/subjects/sh85113507
=650 \7$aRevolutions.$2fast$0http://id.worldcat.org/fast/1096737
=700 1\$aRühle, Otto,$d1874-1943.$tWeltkrieg, Weltfaschismus, Weltrevolution.$f1971.
=830 \0$aRororo Klassiker.$0http://id.loc.gov/authorities/names/no2014036997
=830 \0$aTexte des Sozialismus und Anarchismus.$0http://id.loc.gov/authorities/names/n84743074
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Record #: 10
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=245 14$aThe cry of Anubis :$bfor tuba and orchestra /$cHarrison Birtwistle.
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=700 1\$aSilver, Joel.,$0http://id.loc.gov/authorities/names/n86858054$eproducer.
=700 1\$aWigram, Lionel,$0http://id.loc.gov/authorities/names/no2009175778$4eproducer.
=700 1\$aDowney, Susan,$d1974-$0http://id.loc.gov/authorities/names/no2006036470$eproducer.
=700 1\$aLin, Dan,$cf(Film producer.),$0http://id.loc.gov/authorities/names/no2010068740$eproducer.
=700 1\$aRitchie, Guy,$0http://id.loc.gov/authorities/names/nr99021758$4edirector.
=700 1\$aJohnson, Michael,$d1964-$0http://id.loc.gov/authorities/names/n2003044175$eauthor of screenplay.
=700 1\$aPeckham, Anthony,$0http://id.loc.gov/authorities/names/no2003110529$4eauthor of screenplay.
=700 1\$aKinberg, Simon,$0http://id.loc.$gov/authorities/names/n2004036471$eauthor of screenplay.
=700 1\$aDowney, Robert,$cJr.,$d1965-$0http://id.loc.gov/authorities/names/no96015422$eactor.
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=710 2\$aWarner Home Video (Firm)$0http://id.loc.gov/authorities/names/no95005960
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=245 00$aAlambrista and the U.S.-Mexico border :$bfilm, music, and stories of undocumented immigrants /$cedited and with an introduction by Nicholas J. Cull and Davíd Carrasco.
=246 3\$aAlambrista and the United States-Mexico border
=2604 \\1$aAlbuquerque :$bUniversity of New Mexico Press,$c[2004]
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=100 1\$aSosnowska, Monika,$d1972-$0http://id.loc.gov/authorities/names/no2007133469
=245 10$aMonika Sosnowska /$c[texts Maria Gough, Adam Szymczyk, and Heidi Zuckerman Jacobson ; editors Jacob Proctor and Ryan Shafer].
=250 \\$a1First edition.
=2604 \\1$aAspen, CO :$bAspen Art Museum,$c[2013]
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=520 8\$aThis publication offers a definitive, career-spanning exploration of Polish sculptor Monika Sosnowska (born 1972), known for manipulating ordinary forms and spaces into fascinating and often disorienting new configurations. Freed from their original functionality, her architectonic works and environments evoke a moment when, as she puts it, "architectural space begins to take on the characteristics of mental space." Optical illusions, shifts in scale, mazes, and other such techniques that challenge the intellect of the viewer are motifs throughout her oeuvre. Published for an exhibition at the Aspen Art Museum, this volume documents a decade's worth of Sosnowska's objects, installations and exhibitions and features new scholarship by Maria Gough, Adam Szymczyk and Heidi Zuckerman Jacobson. It is the most comprehensive book on the artist in English to date.
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=700 1\$aProctor, Jacob.$0http://id.loc.gov/authorities/names/no2008075170
=700 1\$aShafer, Ryan.$0http://id.loc.gov/authorities/names/nb2013015826
=700 1\$aGough, Maria.$0http://id.loc.gov/authorities/names/n2004011157
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=245 00$aPrehistoric hunter-gatherers of the Baikal region, Siberia :$bbioarchaeological studies of past life ways /$cedited by Andrzej W. Weber, M. Anne Katzenberg, Theodore G. Schurr.
=2604 \\1$aPhiladelphia :$bUniversity of Pennsylvania Museum of Archaeology and Anthropology,$c2010.
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=650 \7$aHuman remains (Archaeology)$2fast$0http://id.worldcat.org/fast/963213
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=700 1\$aWeber, Andrzej W.,$d1954-$0http://id.loc.gov/authorities/names/n2009068354
=700 1\$aKatzenberg, Mary Anne.$0http://id.loc.gov/authorities/names/n85059144
=700 1\$aSchurr, Theodore G.$q(Theodore George),$d1961-$0http://id.loc.gov/authorities/names/n2009068358
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=245 00$aRichard Wright :$ba documented chronology, 1908-1960 /$cToru Kiuchi and Yoshinobu Hakutani.
=264 \1$aJefferson, North Carolina :$bMcFarland & Company, Inc., Publishers,$c[2013]
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=520 \\$a"Part One covers Wright's life through the year 1946, the period in which he published his best-known work. Part Two covers the final two decades of his life, a prolific period that saw him publish travel writing, novels, and four works of nonfiction. Each part begins with a historical and critical introduction"--$cProvided by publisher.
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=700 1\$aKiuchi, Tōru,$d1953-$0http://id.loc.gov/authorities/names/nr00002993$eeditor.
=700 1\$aHakutani, Yoshinobu,$d1935-$0http://id.loc.gov/authorities/names/n79063046$eeditor.
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=245 00$aMicrobiology;$bincluding immunology and molecular genetics /$c[by] Bernard D. Davis [et al.nd others]
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=2604 \\1$aHagerstown, Md., :$bHarper & Row,$c[1973]
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=650 \7$aMolecular genetics.$2fast$0http://id.worldcat.org/fast/1024797
=650 \2$aMicrobiology.$0https://id.nlm.nih.gov/mesh/D008829
=650 \2$aImmunity.$0https://id.nlm.nih.gov/mesh/D007109
=700 1\$aDavis, Bernard D.,$d1916-1994.$0http://id.loc.gov/authorities/names/n80037759
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=111 2\$aCentre for Vision Research Conference on Cortical Mechanisms of Vision$d(2007)$0http://id.loc.gov/authorities/names/no2009171570
=245 10$aCortical mechanisms of vision /$cedited by Michael R.M. Jenkin, Laurence R. Harris.
=2604 \\1$aCambridge, UK ;$aNew York :$bCambridge University Press,$c2009.
=300 \\$axiv, 444 p.ages :$bill.ustrations ;$c26 cm. +$e1 CD-ROM (4 3/4 in.)
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=500 \\$a"[Based on] the Centre for Vision Research Conference on Cortical Mechanisms of Vision in June 2007"--P. 4.
=500 \\$aContents of CD-ROM: video clips and ill. (some col.) associated with the text.
=504 \\$aIncludes bibliographical references and indexes.
=505 0\$aDorsal stream -- The lateral intrapariental area : a priority map in posterior parietal cortex -- Left-to-right reversal of hemispatial neglect symptoms following adaptation to reversing prisms -- Sensorimotor aspects of reach deficits in optic ataxia -- When what you see isn't where you get : cortical mechanisms of vision for complex action -- Neural mechanisms of self-movement : perception for navigation and spatial orientation -- Ventral stream -- Differential development of the human ventral stream -- Clarifying the functional neuroanatomy of face perception by single case neuroimaging studies of acquired prosopagnosia -- An integrative approach towards understanding the psychological and neural basis of congenital prosopagnosia -- Object ontology in temporal lobe ensembles -- Frontal cortex -- How the prefrontal cortex is thought to be involved in response suppression -- Prefrontal cortex and the neurophysiology of visual knowledge : perception, action, attention, memory, strategies, and goals -- Saccade target selection in unconstrained visual search -- Oculomotor control of spatial attention -- Neural mechanisms of attentional selection in visual search : evidence from electromagnetic recordings -- Attention and consciousness -- Two visual systems : separate pathways for perception and action in the human cerebral cortex -- Requirements for conscious visual processing.
=650 \0$aVisual cortex$0http://id.loc.gov/authorities/subjects/sh85143918$vCongresses.$0http://id.loc.gov/authorities/subjects/sh99001533
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=650 \0$aVisual perception$vCongresses.$0http://id.loc.gov/authorities/subjects/sh2008113281
=650 12$aVisual Cortex$xphysiology.$0https://id.nlm.nih.gov/mesh/D014793Q000502
=650 22$aVisual Perception$xphysiology.$0https://id.nlm.nih.gov/mesh/D014796Q000502
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=245 00$aFlaps and reconstructive surgery /$cedited by Fu-Chan Wei, Samir Mardini.
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=100 1\$aMarías, Fernando,$d1949-$0http://id.loc.gov/authorities/names/n81058620$eauthor.
=240 00$aEl Greco, historia de un pintor extravagante.$lEnglish$0http://id.loc.gov/authorities/names/no2014021166
=245 103$aEl Greco, life and work, a new history /$cFernando Marías ; [translated from the Spanish by Paul Edson and Sander Berg].
=2604 \\1$aLondon ;$aNew York :$bThames & Hudson,$c2013.
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=504 \\$aIncludes bibliographical references (p.ages 308-329) and index.
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=511 1\$aMichael York, Jenny Agutter, Richard Jordan, Roscoe Lee Browne, Farrah Fawcett-Majors, Peter Ustinov.
=508 \\$aDirector of photography, Ernest Laszlo; editor, Bob Wyman; music, Jerry Goldsmith.
=500 \\$aVideodisc release of the motion picture produced in 1976.
=500 \\$aBased on the novel Logan's run / by William F. Nolan and George Clayton Johnson.
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=505 0\$a[Side A] Standard version -- [side B] Widescreen version.
=520 \\$aIn the 23rd century, humans forsake the ravaged outer environment by living in a vast, bubbled metropolis. There, computerized servo-mechanisms provide all needs and everyone can pursue endless hedonism. Endless, that is, until Lastday. That's when anyone who's 30 must submit to Carrousel, a soaring, spinning trip to eternity and supposed rebirth. Logan 5, a Sandman authorized to terminate Runners fleeing Carrousel, decides to become a Runner himself once he finds out the horrible truth about Lastday.
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=586 \\$aSpecial Achievement Academy Award for Visual Effects.
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=520 \\$aThe average American family today carries 10 credit cards. Credit card debt and personal bankruptcies are now at an all time high. With no legal limit on the amount of interest or fees that can be charged, credit cards have become the most profitable sector of the American banking industry: more than {dollar}30 billion in profits last year alone. Frontline and the New York times join forces to investigate how an industry few Americans understand how became so pervasive, so lucrative, and so powerful.
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=700 1\$aBergman, Lowell.$0http://id.loc.gov/authorities/names/no99035918
=700 1\$aKheyfets, Nelli.$0http://id.loc.gov/authorities/names/no2008152518
=700 1\$aLyman, Will,$d1948-$0http://id.loc.gov/authorities/names/n85226294
=710 2\$aNew York Times Company.$0http://id.loc.gov/authorities/names/n81050013
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=100 10\$aJeffery, C. Ray$q(Clarence Ray),$d1921-$0http://id.loc.gov/authorities/names/n79081619
=245 00$aCRIMINAL RESPONSIBILITY AND MENTAL DISEASE
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=100 10\$aProust, Marcel,$d1871-1922.$0http://id.loc.gov/authorities/names/n79021736
=245 14$aTHE GUERMANTES WAY
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=245 00$aINTRODUCTION TO KNOT THEORY
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=2604 \\1$aNew York :$bAcademic Press,$c1976.
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=504 \\$aIncludes bibliographies and index.
=650 \0$aMicroorganisms$xPhysiology$xvCongresses.$0http://id.loc.gov/authorities/subjects/sh2010101651
=650 \0$aAdaptation (Physiology)$xvCongresses.$0http://id.loc.gov/authorities/subjects/sh2007100582
=650 \0$aMicrobial ecology$xvCongresses.$0http://id.loc.gov/authorities/subjects/sh2010101650
=650 \2$aAdaptation, Physiological.$xc0https://id.nlm.nih.gov/mesh/D000222
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=100 1\$aRasmussen, Terje.$0http://id.loc.gov/authorities/names/n97085158
=245 10$aPersonal media and everyday life :$ba networked lifeworld /$cTerje Rasmussen.
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=100 1\$aRowlandson, Mary White,$dapproximately 1635-1711.$0http://id.loc.gov/authorities/names/n50022304
=240 00$aSoveraignty & goodness of God$0http://id.loc.gov/authorities/names/n85355541
=245 14$aThe sovereignty and goodness of God :$btogether with the faithfulness of his promises displayed : being a narrative of the captivity and restoration of Mrs. Mary Rowlandson and related documents /$cedited with an introduction by Neal Salisbury.
=2604 \\1$aBoston :$bBedford Books,$c[1997]
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=490 1\$aThe Bedford series in history and culture
=500 \\$aOriginally published: Cambridge : Printed by Samuel Green, 1682.
=504 \\$aIncludes bibliographical references (p.ages 173-176) and index.
=505 0\$aIntroduction : Mary Rowlandson and her removes. The setting: Metacom's War (1675-1676) -- Mary Rowlandson and her narrative -- The great migration -- The Anglo-Indian frontier -- A world upended -- Reordering and remembering -- Part 2 : The document. The preface to the reader -- A Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson -- Part 3 : Related documents. Metacom on the causes of Anglo-Indian War -- The redemption of Mary Rowlandson -- Postwar justice -- Joseph Rowlandson's final sermon -- The captivity of Hannah Dustin -- Appendices. A Rowlandson chronology -- Questions for consideration.
=520 \\$aMary Rowlandson's The Sovereignty and Goodness of God, first published in 1682, is an English Puritan woman's account of her captivity among Native Americans during Metacom's War (1675-76) in southeastern New England. In this volume, 17 related documents support Rowlandson's text, which is reprinted from the earliest surviving edition of the narrative. - Publisher.
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=650 \0$aIndians of North America$zMassachusetts$0http://id.loc.gov/authorities/subjects/sh85065473$vBiography.$0http://id.loc.gov/authorities/subjects/sh99001237
=650 \0$aIndians of North America$zMassachusetts$0http://id.loc.gov/authorities/subjects/sh85065473$xHistory$0http://id.loc.gov/authorities/subjects/sh99005024$yColonial period, ca. 1600-1775.
=650 \0$aKing Philip's War, 1675-1676.$0http://id.loc.gov/authorities/subjects/sh85072401
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=655 \7$aTelevision mini-series.$2fast$0http://id.worldcat.org/fast/1726179
=655 \7$aThrillers (Television programs)$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026694
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=100 1\$aBennett, Alan,$d1934-$0http://id.loc.gov/authorities/names/n82070229
=245 10$aWriting home /$cAlan Bennett.
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=130 0\$aThief of Bagdad (Motion picture)
=245 14$aThe thief of Bagdad$h[videorecording] :$ban Arabian fantasy /$cAlexander Korda presents ; screen play and dialogue by Miles Malleson ; scenario by Lajos Biro ; chief photographer, George Perinal ; directed by Ludwig Berger, Michael Powell and Tim Whelan ; produced by Alexander Korda ; United Artists.
=250 \\$aSpecial ed.ition, full screen.
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=538 \\$aDVD; region 1, NTSC; full screen (1.33:1) presentation; Dolby digital mono.
=546 \\$aIn English with optional English SDH subtitles.
=511 1\$aConrad Veidt, Sabu, June Duprez, John Justin, Rex Ingram, Miles Malleson, Morton Selten, Mary Morris, Bruce Winston, Hay Petrie, Adelaide Hall, Roy Emerton, Allan Jeayes.
=508 \\$aAssociate producers, Zoltan Korda and William Cameron Menzies ; production designed by Vincent Korda ; special effects directed by Lawrence Butler ; musical score and songs by Miklos Rozsa ; production manager, David B. Cunynghame ; supervising editor, William Hornbeck ; costumes designed by Oliver Messel, John Armstrong, Marcel Vertes ; film editor, Charles Chrichton.
=520 \\$aWhen Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.
=500 \\$aSpecial features (disc 1): optional audio commentary by filmmakers Francis Ford Coppola & Martin Scorsese; optional audio commentary by film historian Bruce Eder; optional music and effects track; theatrical trailer (3 min.); color bars.
=500 \\$aSpecial features (disc 2): "Visual effects" documentary (c2008, 31 min.); Blue screen demo (2 min.); Powell reminisces about the making of the film (1987?, audio only); excerpts from a radio interview with Rózsa (1976, audio only); production and publicity stills gallery; Dufaycolor stills gallery; "The lion has wings" (c1940, 76 min., b&w), a propaganda film for the English war effort produced by Korda.
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=546 \\$aIn English with optional English SDH subtitles.
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=508 \\$aScore, Dmitri Tiomkin ; directors of photography, Joseph Walker and Joseph Biroc ; editor, William Hornbeck.
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=100 1\$aWillson, Meredith,$d1902-1984.$0http://id.loc.gov/authorities/names/n83042585
=240 10$aUnsinkable Molly Brown.$sVocal score.$kSelections
=245 10$aVocal selections from "The unsinkable Molly Brown" /$cby Meredith Willson.
=246 30$aUnsinkable Molly Brown
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=505 0\$aBea-u-ti-ful people of Denver -- Belly up to the bar, boys -- Dolce far niente -- Keep-a-hoppin' -- I ain't down yet -- If I knew -- I'll never say no -- I've already started in.
=650 \0$aMotion picture music$vExcerpts$vVocal scores with piano.$0http://id.loc.gov/authorities/subjects/sh85088059
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=245 10$aPhysical therapy for children /$cSuzann K. Campbell, Robert J. Palisano, Margo N. Orlin.
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=650 22$aAdolescent.$0https://id.nlm.nih.gov/mesh/D000293
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=254 \\$aPartitur.
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=546 \\$aJapanese words.
=650 \0$aMonologues with music (Instrumental ensemble)$vScores.$0http://id.loc.gov/authorities/subjects/sh2008107932
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=245 00$aCognitive process analyses of aptitude /$cedited by Richard E. Snow, Pat-Anthony Federico, William E. Montague.
=2604 \\1$aHillsdale, N.J. :$bL. Erlbaum Associates,$cc[1980.]
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=500 \\$aProceedings of a conference sponsored by the Office of Naval Research and the Navy Personnel Research and Development Center, held Mar. 6-9, 1978 in San Diego, Calif.
=500 \\$aIncludes indexes.
=504 \\$aBibliography: p.age
=650 \0$aAbility$x0http://id.loc.gov/authorities/subjects/sh85000155$vCongresses.$0http://id.loc.gov/authorities/subjects/sh99001533
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=710 20\$aNavy Personnel Research and Development Center (U.S.)$0http://id.loc.gov/authorities/names/n80068467
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=100 1\$aSkořepa, Michal.$0http://id.loc.gov/authorities/names/no2010199743
=245 10$aDecision making :$ba behavioral economic approach /$cMichal Skořepa.
=2604 \\1$aBasingstoke ;$aNew York :$bPalgrave Macmillan,$c2011.
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=504 \\$aIncludes bibliographical references (p.ages 343-362) and index.
=505 0\$aNote continued: Expected Value Maximization -- Terminology of attitudes towards risk -- Utility function -- Expected Utility Maximization -- Marschak triangle -- Selected empirical evidence -- Early evidence -- Recent evidence: "Fourfold Pattern" -- Cumulative Prospect Theory -- Value function, losses, gains -- Formal apparatus of Cumulative Prospect Theory -- Explanation of the evidence: fourfold pattern -- Cumulative Prospect Theory's evaluation of the four types of actions -- Explanation provided by value function -- Explanation provided by probability transformation -- The dominant explanatory role of probability transformation -- Numerical example -- Explanation of the evidence: common consequence effect -- Phenomena that Cumulative Prospect Theory cannot explain -- Competing models -- The case of ambiguity -- Summary -- Review questions -- Exercises -- Hints to review questions -- Hints to exercises -- 13.Comparing II -- Multiple Periods -- Concepts and notation -- Expressing location of outcomes in the future -- Independent Additively Separable Intertemporal Utility Maximization -- Two basic types of weighting of future periods -- Discount factor, discount rate -- Reasons for time discounting -- Do people discount the future? -- Exponential discounting -- Time consistency -- Empirical evidence: time inconsistency -- Casual versus scientific observations of time inconsistency -- Fighting time inconsistency: commitment -- Commitment through restraint -- Commitment through punishment -- Internal commitment -- Willpower -- Policy implications concerning commitment -- Explanation of the evidence -- Growing discount factors -- Further evidence -- "Discounting in Denmark" -- Quasi-hyperbolic Discounting -- Economic applications of Quasi-hyperbolic Discounting -- Hyperbolic Discounting -- Summary -- Review questions -- Hints to review questions.
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=100 1\$aDavidson, Henry A.$q(Henry Alexander),$d1905-1973.$0http://id.loc.gov/authorities/names/n85005654
=245 10$aForensic psychiatry /$cHenry A. Davidson.
=250 \\$a2Second edition.
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=245 14$aThe Cambridge introduction to Shakespeare's poetry /$cMichael Schoenfeldt.
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=245 10$aUrban assimilation in post-conquest Wales :$bethnicity, gender and economy in Ruthin, 1282-1348 /$cby Matthew Frank Stevens.
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=505 0\$aPopulation, property and wealth -- Status and dominance -- Curial representation, brewsters and women with high levels of investment capital -- Bakeresses and other skilled workers: women with access to moderate levels of investment capital -- Cloth workers, forestallers, service women: women with little or no investment capital -- Male occupation and mobility.
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=245 00$aAntidepressants :$bneurochemical, behavioral, and clinical perspectives /$ceditors, S.J. Enna, Jeffrey B. Malick, Elliott Richelson.
=2604 \\1$aNew York :$bRaven Press,$c[1981]
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=505 0\$aEnhancement of monoaminergic neurotransmission by antidepressant drugs / Ray W. Fuller -- Chronic antidepressant administration and adaptive changes in central monoaminergic systems / Michael F. Sugrue -- Down-regulation of the centralnoradrenergic receptor system by antidepressant therapies / Philip L. Mobley and Fridolin Sulser -- Tricyclin antidepressants / Elliott Richelson -- Interactions of antidepressants with neurotransmitter receptor sites / Stephen J. Peroutka and Solmon H. Snyder -- Effect of chronic antidepressant administration on brain neurotransmitter receptor binding / S.J. Enna ... [et al.] -- Empirical behavioral models of depression, with emphasis on tetrabenazine antagonism / James L. Howard, Francis E. Soroko, and Barrett R. Cooper -- Behavioral despair / R.D. Porsolt -- Yohimbine potentiation as a predictor of antidepressant action / Jeffrey B. Malick -- Neurophysiologic techniques and antidepressive activity / Ronald G. Babington -- Lithium ion as an antidepressant / T. Alan Ramsey and Joe Mendels -- Plasma levels of tricyclic antidepressants and clinic efficacy / S. Craig Risch, David S. Janowsky, and Leighton Y. Huey -- An overview of new "second generation" antidepressant compounds / B. Shopsin, G.B. Cassano, and L. Conti.
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=245 00$aSocial history of nineteenth century mathematics :$bpapers from a workshop, Technische Universität Berlin, July 5-8, 1979 /$cHerbert Mehrtens, Henk Bos, Ivo Schneider, editors.
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=505 0\$aIntroduction / Lionel Bovier -- Avant-garde composers. Karlheinz Stockhausen ; Elliott Carter ; Pierre Boulez -- The birth of electroacoustic music. Iannis Xenakis ; Robert Ashley ; Franc̦ois Bayle ; Pauline Oliveros ; Peter Zinovieff -- Minimalism & Fluxus. Terry Riley ; Tony Conrad ; Steve Reich ; Yoko Ono ; Phil Niblock -- Modern masters. Brian Eno ; Arto Lindsay ; Kraftwerk ; Caetano Veloso.
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=245 14$aThe criminal law handbook :$bknow your rights, survive the system /$cPaul Bergman, J.D. & Sara J. Berman, J.D.
=246 3\$aKnow your rights, survive the system
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=505 0\$aYour legal companion -- Introduction: A walk-through of the case of State v. 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=520 \\$aThe criminal justice system becomes increasingly complex each year with new laws affecting legal processes. This handbook explains every part of a criminal case including arrests, booking, preliminary hearings, charges, bail, arraignment, search and seizure, plea bargains, sentencing, and juveniles. It explains how the system works, why police, lawyers, and judges do what they do and, most important, the options for defendants, witness, and victims. The revised edition covers the latest changes in criminal law, including U.S Supreme Court cases.
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=245 00$aPainting the modern garden :$bMonet to Matisse /$c[exhibition curators: Ann Dumas, William H. Robinson ; authors: William H. Robinson, Clare A. P. Willsdon, Ann Dumas, Monty Don, James Priest, Heather Lemonedes, Lucy I. Zimmerman].
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=505 0\$aAkash madhur batas madhur -- Alpa kathar manush ami -- Amal dhabal pal tuleche -- Amare jadi baso bhalo -- Amare karo ma shunya -- Ami ananta asima akasha pratim -- Ami jagibona ami kandibona -- Ami tomar lagiya -- Andhar guhai parbona -- Asha bihanga -- Bhagaban -- Bharater rabi -- Bhulera anta nai je amar -- Bhulite diyona prabhu -- Chalre rabi bhai -- Charan tale asan pele -- Chokher jale pujle tomai -- Chokher kanna -- Debata esechhe -- Dhyane tanamoy -- Dukhero rajani pohabena jani -- E jibane shudhu dao go amare -- Ei jibaner mahanander -- Eso eso mor jiban majhare -- Hiya pakhi egiye chalo -- Kabi karo shilpi karo -- Kata gan ami geyechhi dharai -- Ke jabi go nadir opar -- Ke jai ke jai charana parashe -- Khama karo -- Khunjite chahigo tomar nayan -- Madhurata jetha nai -- Mama prabhu/My Lord -- Nai nai nai ami ar nai -- Namichhe aj ananda plaban -- Nijhum rate ghum bhenge jai -- Nirab amare karo go bibhola -- Nrityer tale tale tumi aso -- Phule phule dule dule -- Shok tap jetha nai -- Shunya bakkhe biraje purna -- Sundara madhumoy -- Swapan tari swapan tari -- Swapan tari tumi amar -- Swapane asiya -- Swapane aso swapane haso -- Tamasa rate -- Tomare rakhibo -- Tomari name -- Turiyer nandana ranjana --
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=505 8\$acd 3 (sampler of recordings arranged and performed by music students of Sri Chinmoy): Charan tale (Arthada and friends) -- Chokher kanna (Blue Flower) -- Dhyane tanamoy (Silence and Sound) -- Dukhero rajani pohabena jani (Mountain-Silence) -- Eso eso mor jiban majhare (Shindhu) -- Hiya pakhi egiye chalo (Spiritual Renaissance Choir of Moscow) -- Bharater rabi (Minati's Group) -- Khama karo (Sangit Tarangini) -- Ke jai ke jai charana parashe (Adarsha) -- Nai nai nai ami ar nai (Blue-Gold Shore of the Beyond) -- Swapane Asiya (Sankeertan and family) -- Tomare rakhibo (Mountain-Silence) -- Turiyer nandana ranjana (Sri Chinmoy Bhajan Singers).
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=100 1\$aWalsh, David,$d1950-$0http://id.loc.gov/authorities/names/n83005640$eauthor.
=245 10$aPolitics of the person as the politics of being /$cDavid Walsh.
=264 \1$aNotre Dame, Indiana :$bUniversity of Notre Dame Press,$c[2016]
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=505 0\$aA personalist account of persons -- Persons as beyond good and evil -- Reality transcends itself in persons -- God as the seal of the personal -- Art as the radiance of persons in reality -- History as the memory of persons -- Politics of the person.
=650 \0$aPhilosophical anthropology.
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=245 10$aNumerical computation of internal and external flows :$bfundamentals of computational fluid dynamics /$cCharles Hirsch.
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=520 \\$aUsing political cartoons, animations, documentary film and excerpts from diaries, examines American imperialism, expansionist policies and wars at the beginning of the 20th century. Special focus on the American annexation of the Philippine Islands and racial attitudes portrayed in the World's Fairs of 1893, 1901 and 1904.
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=505 0\$aIntroduction: telling secrets -- Printing secrets -- Roger Bacon, Robert Greene's Friar Bacon, and the secrets of art and nature -- Structuring secrets for sale -- Secrets gendered : femininity and feminine knowledge in books of secrets -- Secrets bridled, gentlemen trained -- Conclusion: A secret by any other name.
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=490 0\$aPaul Robeson, portraits of the artist ;$v[v.3]
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=511 1\$aSanders of the river: Paul Robeson, Leslie Banks, Nina Mae McKinney, Tony Wane.
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=700 1\$aBiró, Lajos,$d1880-1948,$0http://id.loc.gov/authorities/names/no89001875$4eauthor of screenplay.
=700 1\$aDell, Jeffrey F.,$40http://id.loc.gov/authorities/names/n88100820$eauthor of screenplay.
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=505 0\$aKinderszenen, Easy Pieces for Piano, Op. 15 -- Kreisleriana. Fantasies for Piano, Op. 16 -- Fantasie for Piano, Op. 17 -- Arabeske for Piano, Op. 18 -- Blumenstück for Piano, Op. 19 -- Humoreske for Piano, Op. 20 -- Novelletten for Piano, Op. 21.
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=245 00$aEasy songs for the beginning mezzo-soprano/alto /$ccompiled by Joan Frey Boytim.
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=500 \\$aPublisher's no.: HL50483757 (score); HL63003813 (compact disc).
=505 0\$aAt parting / James H. Rogers -- If no one ever marries me / Liza Lehmann -- Early one morning : English folksong / arranged by Gerrard Williams -- Ev'ry time I feel the spirit : African-American spiritual / arranged by Cynthia Jackson -- The first primrose = Mit einer Primula veris / Edvard Grieg -- Gently, Johnny, my Jingalo : English folksong / arranged by Cecil J. Sharp -- It was a lover and his lass / Thomas Morley -- Last night / Halfdan Kjerulf -- Little wild rose = Heidenröslein / Franz Schubert -- Long, long ago / Thomas Haynes Bayly -- The lotus flower = Die Lotosblume / Robert Schumann -- The maiden's wish = Mädchens Wunsch / Fryderyk Chopin -- Now is the month of Maying / Thomas Morley -- Mother, oh sing me to rest = Mutter, O sing much zur Ruh' / Robert Franz -- Oh, come again beautiful spring = Venez, agréable printemps / Jean-Baptiste Weckerlin -- Shepherd, play a little air! / William Stickles -- Sing me to sleep / Edwin Greene -- That's an Irish lullaby : Too-ra-loo-ra-loo-ral / James
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=245 10$aSeven bassoon duets /$cWilliam Presser.
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=511 1\$aClaire Trevor, John Wayne, George Sanders, Brian Donlevy, Wilfrid Lawson, Robert Barrat, John F. Hamilton, Moroni Olsen, Eddie Quillan.
=508 \\$aDirector of photography, Nichoals Musuraca ; music, Anthony Collins ; editor, George Crone.
=508 \\$aDirector of photography, Nicholas Musuraca; music, Anthony Collins; editor, George Crone.
=500 \\$aOriginally produced as a motion picture in 1939.
=500 \\$aSpecial features: vintage short "The Bill of Rights"; classic cartoon "Land of the Midnight fun."
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=520 \\$aAmerica's Revolutionary War is more than a decade away, but storm clouds of rebellion are gathering in Pennsylvania. There, colonial man of action James Smith does what England's provincial command won't: stop the trading of weapons to Indian tribes. Joined by like-minded frontiersmen, Smith intercepts trade shipments, besieges forts and risks the certain-death charge of treason against the king.
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=945 \\$lhkjst$aWB 100 L23$uv.v.346&s&i OCT-DEC 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.346 JL-SE 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.345&i 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.345 JA-MR 1995$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.344&i 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.344 JL-SE 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.343 AP-JN 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.343&i JA-MR 1994$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.342 OC-DE 1993$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 JA-MR 1993$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.340 OC-DE 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.340 JL-SE 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.339&i 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.339 JA-MR 1992$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.338&i OC-DE 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.338 JL-SE 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.337&i AP-JN 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.337 JA-MR 1991$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.336 OC-DE 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.336 JL-SE 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.335 AP-JN 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.335 JA-MR 1990$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1989 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.2 July-Sept. 1974$g1
=945 \\$lhkjst$aShelved by title$uv.II (July-Dec) 1940$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 AP-JN 1993$g1
=945 \\$lhkjst$aShelved by title$uv.v.381:9860 January 5-11, 2013$g1
=945 \\$lhkjst$aShelved by title$uv.v.380:9840 August 4-10, 2012$g1
=945 \\$lkstk $uv.no.7740-7748 (Jan.-Feb. 1972)$g1
=945 \\$lkstk $uv.no.7749-7757 (Mar.-Apr. 1972)$g1
=945 \\$lkstk $uv.no.7758-7765 (May-Jun. 1972)$g1
=945 \\$lkstk $uv.no.7766-7774 (Jul.-Aug. 1972)$g1
=945 \\$lkstk $uv.no.7775-7783 (Sep.-Oct. 1972)$g1
=945 \\$lkstk $uv.no.7784-7792 (Nov.-Dec. 1972)$g1
=945 \\$lkstk $uv.no.7793-7800 (Jan.-Feb. 1973)$g1
=945 \\$lkstk $uv.no.7801-7809 (Mar.-Apr. 1973)$g1
=945 \\$lkstk $uv.no.7810-7818 (May-Jun. 1973)$g1
=945 \\$lkstk $uv.no.7819-7826 (Jul.-Aug. 1973)$g1
=945 \\$lkstk $uv.no.7827-7835 (Sep.-Oct. 1973)$g1
=945 \\$lkstk $uv.no.7836-7844 (Nov.-Dec. 1973)$g1
=945 \\$lkstk $uv.no.7845-7852 (Jan.-Feb. 1974)$g1
=945 \\$lkstk $uv.no.7853-7861 (Mar.-Apr. 1974)$g1
=945 \\$lkstk $uv.no.7862-7870 (May-Jun. 1974)$g1
=945 \\$lkstk $uv.no.7871-7879 (Jul.-Aug. 1974)$g1
=945 \\$lkstk $uv.no.7880-7887 (Sep.-Oct. 1974)$g1
=945 \\$lkstk $uv.no.7888-7896 (Nov.-Dec. 1974)$g1
=945 \\$lkstk $uv.no.7897-7904 (Jan.-Feb. 1975)$g1
=945 \\$lkstk $uv.no.7905-7913 (Mar.-Apr. 1975)$g1
=945 \\$lkstk $uv.no.7914-7922 (May-Jun. 1975)$g1
=945 \\$lkstk $uv.no.7923-7931 (Jul.-Aug. 1975)$g1
=945 \\$lkstk $uv.no.7932-7939 (Sep.-Oct. 1975)$g1
=945 \\$lkstk $uv.no.7940-7948 (Nov.-Dec. 1975)$g1
=945 \\$lkstk $uv.no.7941-7957 (Jan.-Feb. 1976)$g1
=945 \\$lkstk $uv.no.7958-7965 (Mar.-Apr. 1976)$g1
=945 \\$lkstk $uv.no.7966-7974 (May-Jun. 1976)$g1
=945 \\$lkstk $uv.no.7975-7983 (Jul.-Aug. 1976)$g1
=945 \\$lkstk $uv.no.7984-7992 (Sep.-Oct. 1976)$g1
=945 \\$lkstk $uv.no.7993-8000 (Nov.-Dec. 1976)$g1
=945 \\$lkstk $uv.no.8001-8009 (Jan.-Feb. 1977)$g1
=945 \\$lkstk $uv.no.8010-8018 (Mar.-Apr. 1977)$g1
=945 \\$lkstk $uv.no.8019-8025 (May-Jun. 1977)$g1
=945 \\$lkstk $uv.no.8027-8035 (Jul.-Aug. 1977)$g1
=945 \\$lkstk $uv.no.8036-8044 (Sep.-Oct. 1977)$g1
=945 \\$lkstk $uv.no.8045-8053 (Nov.-Dec. 1977)$g1
=945 \\$lkstk $uv.no.8054-8061 (Jan.-Feb. 1978)$g1
=945 \\$lkstk $uv.no.8062-8070 (Mar.-Apr. 1978)$g1
=945 \\$lkstk $uv.no.8071-8078 (May-Jun. 1978)$g1
=945 \\$lkstk $uv.no.8079-8087 (Jul.-Aug. 1978)$g1
=945 \\$lkstk $uv.no.8088-8096 (Sep.-Oct. 1978)$g1
=945 \\$lkstk $uv.no.8097-8105 (Nov.-Dec. 1978)$g1
=945 \\$lkstk $uv.no.8106-8113 (Jan.-Feb. 1979)$g1
=945 \\$lkstk $uv.no.8114-8122 (Mar.-Apr. 1979)$g1
=945 \\$lkstk $uv.no.8123-8131 (May-Jun. 1979)$g1
=945 \\$lkstk $uv.no.8132-8139 (Jul.-Aug. 1979)$g1
=945 \\$lkstk $uv.no.8140-8148 (Sep.-Oct. 1979)$g1
=945 \\$lkstk $uv.no.8149-8157 (Nov.-Dec. 1979)$g1
=945 \\$lkstk $uv.no.8158-8165 (Jan.-Feb. 1980)$g1
=945 \\$lkstk $uv.no.8166-8174 (Mar.-Apr. 1980)$g1
=945 \\$lkstk $uv.no.8175-8183 (May-Jun. 1980)$g1
=945 \\$lkstk $uv.no.8184-8192 (Jul.-Aug. 1980)$g1
=945 \\$lkstk $uv.no.8193-8200 (Sep.-Oct. 1980)$g1
=945 \\$lkstk $uv.no.8201-8209 (Nov.-Dec. 1980)$g1
=945 \\$lkstk $uv.no.8210-8218 (Jan.-Feb. 1981)$g1
=945 \\$lkstk $uv.no.8219-8226 (Mar.-Apr. 1981)$g1
=945 \\$lkstk $uv.no.8227-8235 (May-Jun. 1981)$g1
=945 \\$lkstk $uv.no.8236-8244 (Jul.-Aug. 1981)$g1
=945 \\$lkstk $uv.no.8245-8253 (Sep.-Oct. 1981)$g1
=945 \\$lkstk $uv.no.8254-8261 (Nov.-Dec. 1981)$g1
=945 \\$lkstk $uv.no.8262-8270 (Jan.-Feb. 1982)$g1
=945 \\$lkstk $uv.no.8271-8278 (Mar.-Apr. 1982)$g1
=945 \\$lkstk $uv.no.8279-8287 (May-Jun. 1982)$g1
=945 \\$lkstk $uv.no.8288-8296 (Jul.-Aug. 1982)$g1
=945 \\$lkstk $uv.no.8297-8305 (Sep.-Oct. 1982)$g1
=945 \\$lkstk $uv.no.8306-8313 (Nov.-Dec. 1982)$g1
=945 \\$lkstk $uv.no.8314-8322 (Jan.-Feb. 1983)$g1
=945 \\$lkstk $uv.no.8323-8331 (Mar.-Apr. 1983)$g1
=945 \\$lkstk $uv.no.8332-8339 (May-Jun. 1983)$g1
=945 \\$lkstk $uv.no.8340-8347 (Jul.-Aug. 1983)$g1
=945 \\$lkstk $uv.no.8349-8357 (Sep.-Oct. 1983)$g1
=945 \\$lkstk $uv.no.8358-8366 (Nov.-Dec. 1983)$g1
=945 \\$lkstk $uv.no.8367-8374 (Jan.-Feb. 1984)$g1
=945 \\$lkstk $uv.no.8375-8383 (Mar.-Apr. 1984)$g1
=945 \\$lkstk $uv.no.8384-8392 (May-Jun. 1984)$g1
=945 \\$lkstk $uv.no.8393-8405 (Jul.-Sep. 1984)$g1
=945 \\$lkstk $uv.no.8406-8418 (Oct.-Dec. 1984)$g1
=945 \\$lkstk $uv.no.8419-8426 (Jan.-Feb. 1985)$g1
=945 \\$lkstk $uv.no.8427-8435 (Mar.-Apr. 1985)$g1
=945 \\$lkstk $uv.no.8436-8444 (May-Jun. 1985)$g1
=945 \\$lkstk $uv.no.8445-8453 (Jul.-Aug. 1985)$g1
=945 \\$lkstk $uv.no.8454-8461 (Sep.-Oct. 1985)$g1
=945 \\$lkstk $uv.no.8462-8470 (Nov.-Dec. 1985)$g1
=945 \\$lkstk $uv.no.8471-8478 (Jan.-Feb. 1986)$g1
=945 \\$lkstk $uv.no.8479-8487 (Mar.-Apr. 1986)$g1
=945 \\$lkstk $uv.no.8488-8496 (May-Jun. 1986)$g1
=945 \\$lkstk $uv.no.8497-8505 (Jul.-Aug. 1986)$g1
=945 \\$lkstk $uv.no.8506-8513 (Sep.-Oct. 1986)$g1
=945 \\$lkstk $uv.no.8514-8521 (Nov.-Dec. 1986)$g1
=945 \\$lkstk $uv.no.8523-8531 (Jan.-Feb. 1987)$g1
=945 \\$lkstk $uv.no.8532-8539 (Mar.-Apr. 1987)$g1
=945 \\$lkstk $uv.no.8540-8548 (May-Jun. 1987)$g1
=945 \\$lkstk $uv.no.8549-8557 (Jul.-Aug. 1987)$g1
=945 \\$lkstk $uv.no.8558-8566 (Sep.-Oct. 1987)$g1
=945 \\$lkstk $uv.no.8567-8574 (Nov.-Dec. 1987)$g1
=945 \\$lkstk $uv.no.8575-8583 (Jan.-Feb. 1988)$g1
=945 \\$lkstk $uv.no.8584-8592 (Mar.-Apr. 1988)$g1
=945 \\$lkstk $uv.no.8593-8600 (May-Jun. 1988)$g1
=945 \\$lkstk $uv.no.8601-8609 (Jul.-Aug. 1988)$g1
=945 \\$lkstk $uv.no.8610-8618 (Sep.-Oct. 1988)$g1
=945 \\$lkstk $uv.no.8619-8627 (Nov.-Dec. 1988)$g1
=945 \\$lkstk $uv.no.8628-8635 (Jan.-Feb. 1989)$g1
=945 \\$lkstk $uv.no.8636-8644 (Mar.-Apr. 1989)$g1
=945 \\$lkstk $uv.no.8645-8652 (May-Jun. 1989)$g1
=945 \\$lkstk $uv.no.8653-8666 (Jul.-Sep. 1989)$g1
=945 \\$lkstk $uv.no.8667-8679 (Oct.-Dec. 1989)$g1
=945 \\$lkstk $uv.no.8680-8692 (Jan.-Mar. 1990)$g1
=945 \\$lkstk $uv.no.8693-8705 (Apr.-Jun. 1990)$g1
=945 \\$lkstk $uv.no.8706-8713 (Jul.-Aug. 1990)$g1
=945 \\$lkstk $uv.no.8714-8722 (Sep.-Oct. 1990)$g1
=945 \\$lkstk $uv.no.8723-8730 (Nov.-Dec. 1990)$g1
=945 \\$lkstk $uv.no.8732-8739 (Jan.-Feb. 1991)$g1
=945 \\$lkstk $uv.no.8740-8748 (Mar.-Apr. 1991)$g1
=945 \\$lkstk $uv.no.874908757 (May-Jun. 1991)$g1
=945 \\$lkstk $uv.no.8758-8766 (Jul.-Aug. 1991)$g1
=945 \\$lkstk $uv.no.8767-8774 (Sep.-Oct. 1991)$g1
=945 \\$lkstk $uv.no.8775-8783 (Nov.-Dec. 1991)$g1
=945 \\$lkstk $uv.no.8784-8792 (Jan.-Feb. 1992)$g1
=945 \\$lkstk $uv.no.8793-8800 (Mar.-Apr. 1992)$g1
=945 \\$lkstk $uv.no.8801-8809 (May-Jun. 1992)$g1
=945 \\$lkstk $uv.no.8810-8818 (Jul.-Aug. 1992)$g1
=945 \\$lkstk $uv.no.8819-8827 (Sep.-Oct. 1992)$g1
=945 \\$lkstk $uv.no.8828-8835 (Nov.-Dec. 1992)$g1
=945 \\$lkstk $uv.v.341, no.8836-8844 (Jan.-Feb. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8845-8852 (Mar.-Apr. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8853-8861 (May-Jun. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8862-8870 (Jul.-Aug. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8871-8879 (Sep.-Oct. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8880-8887 (Nov.-Dec. 1993); Index$g1
=945 \\$lkstk $uv.v.343, no.8888-8896 (Jan.-Feb. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8897-8905 (Mar.-Apr. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8906-8913 (May-Jun. 1994); Index$g1
=945 \\$lkstk $uv.v.344, no.8914-8921 (Jul.-Aug. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8923-8931 (Sep.-Oct. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8932-8940 (Nov.-Dec. 1994)$g1
=945 \\$lkstk $uv.v.345, no.8941-8948 (Jan.-Feb. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8949-8957 (Mar.-Apr. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8958-8965 (May-Jun. 1995); Index$g1
=945 \\$lkstk $uv.v.346, no.8966-8974 (Jul.-Aug. 1995); Index v.344$g1
=945 \\$lkstk $uv.v.346, no.8975-8983 (Sep.-Oct. 1995)$g1
=945 \\$lkstk $uv.v.346. no.8984-8992 (Nov.-Dec. 1995); Suppl.$g1
=945 \\$lkstk $uv.v.347, no.8993-9000 (Jan.-Feb. 1996); Index v.346$g1
=945 \\$lkstk $uv.v.347, no.9001-9009 (Mar.-Apr. 1996)$g1
=945 \\$lkstk $uv.v.347, no.9010-9018 (May-Jun. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9019-9027 (Jul.-Aug. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9028-9035 (Sep.-Oct. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.348, no.9036-9043 (Nov.-Dec. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.349, no.9044-9051 (Jan.-Feb. 1997); Suppl.; Missing no.9050$g1
=945 \\$lkstk $uv.v.349, no.9052-9060 (Mar.-Apr. 1997)$g1
=945 \\$lkstk $uv.v.349, no.9061-9069 (May-Jun. 1997); Suppl.$g1
=945 \\$lkstk $uv.Index 1983-1996; Missing 1984-1988, 1991-1995$g1
=945 \\$lkstk $uv.v.350, no.9070-9078 (Jul.-Aug. 1997)$g1
=945 \\$lkstk $uv.v.350, no.9079-9086 (Sep.-Oct. 1997); Suppl.$g1
=945 \\$lkstk $uv.v.350, no.9087-9094 (Nov.-Dec. 1997); Suppl.; Missing no.9088, 9090, 9092$g1
=945 \\$lkstk $uv.v.351, no.9095-9103 (Jan.-Feb. 1998)$g1
=945 \\$lkstk $uv.v.351, no.9104-9111 (Mar.-Apr. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.351, no.9112-9120 (May-Jun. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9121-9129 (Jul.-Aug. 1998); Suppl.; Index v.351$g1
=945 \\$lkstk $uv.v.352, no.9130-9138 (Sep.-Oct. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9139-9145 (Nov.-Dec. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9146-9154 (Jan.-Feb. 1999)$g1
=945 \\$lkstk $uv.v.353, no.9155-9162 (Mar.-Apr. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9163-9171 (May-Jun. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.354, no.9172-9180 (Jul.-Aug. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9181-9189 (Sep.-Oct. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9190-9196 (Nov.-Dec. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.355, no.9197-9205 (Jan.-Feb. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9206-9214 (Mar.-Apr. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9215-9222 (May-Jun. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.356, no.9223-9231 (Jul.-Aug. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9232-9240 (Sep.-Oct. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9241-9248 (Nov.-Dec. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.357, no.9249-9256 (Jan.-Feb. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9257-9265 (Mar.-Apr. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9266-9274 (May-Jun. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9275-9282 (Jul.-Aug. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9283-9291 (Sep.-Oct. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9292-9299 (Nov.-Dec. 2001); Suppl.; Index$g1
=945 \\$lkstk $uv.v.359, no.9300-9307 (Jan.-Feb. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9308-9316 (Mar.-Apr. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9317-9325 (May-Jun. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9326-9334 (Jul.-Aug. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9335-9342 (Sep.-Oct. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9343-9350 (Nov.-Dec. 2002); Suppl.$g1
=945 \\$lkstk $uv.v.361, no.9351-9358 (Jan.-Feb. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9359-9367 (Mar.-Apr. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9368-9376 (May-Jun. 2003); Index$g1
=945 \\$lkstk $uv.v.362, no.9377-9385 (Jul.-Aug. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9386-9393 (Sep.-Oct. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9394-9401 (Nov.-Dec. 2003); Suppl.$g1
=956 \\$aWB 100 L23
=979 \\$aocm02141608
=998 \\$b345$c990101$ds$ea$f-$g4
Record #: 626
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=035 \\$a(OCoLC)ocn471943091$9ExL
=035 \\$aPATG05834977S
=035 \\$a01755507
=035 \\$aocm02141608
=035 \\$a(OCLC)ocm02141608
=037 \\$bLittle, Brown and Co., 34 Beacon St., Boston, Mass. 02106
=049 \\$aTMYM$c1
=049 \\$aTMYD$c1
=040 \\$aNSDP$beng$cCharles E. Krausz Library$dNIC$dDLC$dNSDP$dOCoLC$dDLC$dNST$dDLC$dRCS$dAIP$dDLC$dNSDP$cCharles E. Krausz Library
=049 \\$aTMYM$c1
=049 \\$aTMYD$c1
=079 \\$aocm02141608
=090 \\$aR31$b.L32x
=130 0\$aLancet (North American edition)
=210 0\$aLancet$b(North Am. ed.)
=222 \4$aThe Lancet$b(North American edition)
=245 014$aThe Lancet.
=250 \\$aNorth American edition.
=260 \\$aBoston :$bLittle, Brown and Co.,$cc1966-
=300 \\$av.olumes :$bill.ustrations ;$c28 cm.
=310 \\$aWeekly
=362 0\$aNo. 7453 (2 July 1966)-
=336 \\$atext$btxt$2rdacontent
=337 \\$aunmediated$bn$2rdamedia
=338 \\$avolume$bnc$2rdacarrier
=500 \\$aPublished: Baltimore, MD : Williams & Wilkins, c1990- ; New York, NY : The Lancet Ltd., <c1997->
=500 \\$aTitle from caption.
=510 0\$aBiological abstracts$x0006-3169
=510 0\$aSelected water resources abstracts$x0037-136X
=510 2\$aCumulative index to nursing & allied health literature$x0146-5554
=510 2\$aLife sciences collection
=510 2\$aPopulation index$x0032-4701
=530 \\$aAlso available online.
=515 \\$aVols. for 1966-1989 also number the Jan.-June issues as v. 1 and the July-Dec. issues as v. 2, each year; vols. for 1990- numbered as v. 335, no. 8680-
=525 \\$aSupplements accompany some volumes.
=580 \\$aAlso issued in a London edition published since 1823.
=580 \\$aThe editorial contents of this edition are identical to the London edition, which has been published since 1823 and from which it adopts its numbering.
=580 \\$aSelected articles from the London edition are also published at monthly intervals in Spanish, Italian, German, and French editions of the Lancet.
=6530 \\0$aAMedicine$vPeriodicals.$0http://id.lo ac.gov/authorilaties/suble onlinje.cts/sh2008107665
=650 \02$aMedicine.$0https://id.nlm.nih.gov/mesh/D008511
=655 \2$aPeriodical.$0https://id.nlm.nih.gov/mesh/D020492
=6505 \27$aMPeriodicals.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026139
=655 \7$vpaPeriodicals.$2fast$0http://id.worldcat.org/fast/1411641
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=775 1\$tLancet (Deutsche Ausg.)
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=945 \\$lhkjst$aWB 100 L23$uv.v.342 OC-DE 1993$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 JA-MR 1993$g1
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=945 \\$lhkjst$aWB 100 L23$uv.1989 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1988 JL-SE$g1
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=945 \\$lhkjst$aWB 100 L23$uv.1987 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1987 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1986 OC-DE$g1
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=945 \\$lhkjst$aWB 100 L23$uv.1985 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1985 JL-SE$g1
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=945 \\$lhkjst$aWB 100 L23$uv.1985JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1984 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1983 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 OC-DE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JL-SE$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 AP-JN$g1
=945 \\$lhkjst$aWB 100 L23$uv.1982 JA-MR$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.2 July-Sept. 1974$g1
=945 \\$lhkjst$aShelved by title$uv.II (July-Dec) 1940$g1
=945 \\$lhkjst$aWB 100 L23$uv.v.341 AP-JN 1993$g1
=945 \\$lhkjst$aShelved by title$uv.v.381:9860 January 5-11, 2013$g1
=945 \\$lhkjst$aShelved by title$uv.v.380:9840 August 4-10, 2012$g1
=945 \\$lkstk $uv.no.7740-7748 (Jan.-Feb. 1972)$g1
=945 \\$lkstk $uv.no.7749-7757 (Mar.-Apr. 1972)$g1
=945 \\$lkstk $uv.no.7758-7765 (May-Jun. 1972)$g1
=945 \\$lkstk $uv.no.7766-7774 (Jul.-Aug. 1972)$g1
=945 \\$lkstk $uv.no.7775-7783 (Sep.-Oct. 1972)$g1
=945 \\$lkstk $uv.no.7784-7792 (Nov.-Dec. 1972)$g1
=945 \\$lkstk $uv.no.7793-7800 (Jan.-Feb. 1973)$g1
=945 \\$lkstk $uv.no.7801-7809 (Mar.-Apr. 1973)$g1
=945 \\$lkstk $uv.no.7810-7818 (May-Jun. 1973)$g1
=945 \\$lkstk $uv.no.7819-7826 (Jul.-Aug. 1973)$g1
=945 \\$lkstk $uv.no.7827-7835 (Sep.-Oct. 1973)$g1
=945 \\$lkstk $uv.no.7836-7844 (Nov.-Dec. 1973)$g1
=945 \\$lkstk $uv.no.7845-7852 (Jan.-Feb. 1974)$g1
=945 \\$lkstk $uv.no.7853-7861 (Mar.-Apr. 1974)$g1
=945 \\$lkstk $uv.no.7862-7870 (May-Jun. 1974)$g1
=945 \\$lkstk $uv.no.7871-7879 (Jul.-Aug. 1974)$g1
=945 \\$lkstk $uv.no.7880-7887 (Sep.-Oct. 1974)$g1
=945 \\$lkstk $uv.no.7888-7896 (Nov.-Dec. 1974)$g1
=945 \\$lkstk $uv.no.7897-7904 (Jan.-Feb. 1975)$g1
=945 \\$lkstk $uv.no.7905-7913 (Mar.-Apr. 1975)$g1
=945 \\$lkstk $uv.no.7914-7922 (May-Jun. 1975)$g1
=945 \\$lkstk $uv.no.7923-7931 (Jul.-Aug. 1975)$g1
=945 \\$lkstk $uv.no.7932-7939 (Sep.-Oct. 1975)$g1
=945 \\$lkstk $uv.no.7940-7948 (Nov.-Dec. 1975)$g1
=945 \\$lkstk $uv.no.7941-7957 (Jan.-Feb. 1976)$g1
=945 \\$lkstk $uv.no.7958-7965 (Mar.-Apr. 1976)$g1
=945 \\$lkstk $uv.no.7966-7974 (May-Jun. 1976)$g1
=945 \\$lkstk $uv.no.7975-7983 (Jul.-Aug. 1976)$g1
=945 \\$lkstk $uv.no.7984-7992 (Sep.-Oct. 1976)$g1
=945 \\$lkstk $uv.no.7993-8000 (Nov.-Dec. 1976)$g1
=945 \\$lkstk $uv.no.8001-8009 (Jan.-Feb. 1977)$g1
=945 \\$lkstk $uv.no.8010-8018 (Mar.-Apr. 1977)$g1
=945 \\$lkstk $uv.no.8019-8025 (May-Jun. 1977)$g1
=945 \\$lkstk $uv.no.8027-8035 (Jul.-Aug. 1977)$g1
=945 \\$lkstk $uv.no.8036-8044 (Sep.-Oct. 1977)$g1
=945 \\$lkstk $uv.no.8045-8053 (Nov.-Dec. 1977)$g1
=945 \\$lkstk $uv.no.8054-8061 (Jan.-Feb. 1978)$g1
=945 \\$lkstk $uv.no.8062-8070 (Mar.-Apr. 1978)$g1
=945 \\$lkstk $uv.no.8071-8078 (May-Jun. 1978)$g1
=945 \\$lkstk $uv.no.8079-8087 (Jul.-Aug. 1978)$g1
=945 \\$lkstk $uv.no.8088-8096 (Sep.-Oct. 1978)$g1
=945 \\$lkstk $uv.no.8097-8105 (Nov.-Dec. 1978)$g1
=945 \\$lkstk $uv.no.8106-8113 (Jan.-Feb. 1979)$g1
=945 \\$lkstk $uv.no.8114-8122 (Mar.-Apr. 1979)$g1
=945 \\$lkstk $uv.no.8123-8131 (May-Jun. 1979)$g1
=945 \\$lkstk $uv.no.8132-8139 (Jul.-Aug. 1979)$g1
=945 \\$lkstk $uv.no.8140-8148 (Sep.-Oct. 1979)$g1
=945 \\$lkstk $uv.no.8149-8157 (Nov.-Dec. 1979)$g1
=945 \\$lkstk $uv.no.8158-8165 (Jan.-Feb. 1980)$g1
=945 \\$lkstk $uv.no.8166-8174 (Mar.-Apr. 1980)$g1
=945 \\$lkstk $uv.no.8175-8183 (May-Jun. 1980)$g1
=945 \\$lkstk $uv.no.8184-8192 (Jul.-Aug. 1980)$g1
=945 \\$lkstk $uv.no.8193-8200 (Sep.-Oct. 1980)$g1
=945 \\$lkstk $uv.no.8201-8209 (Nov.-Dec. 1980)$g1
=945 \\$lkstk $uv.no.8210-8218 (Jan.-Feb. 1981)$g1
=945 \\$lkstk $uv.no.8219-8226 (Mar.-Apr. 1981)$g1
=945 \\$lkstk $uv.no.8227-8235 (May-Jun. 1981)$g1
=945 \\$lkstk $uv.no.8236-8244 (Jul.-Aug. 1981)$g1
=945 \\$lkstk $uv.no.8245-8253 (Sep.-Oct. 1981)$g1
=945 \\$lkstk $uv.no.8254-8261 (Nov.-Dec. 1981)$g1
=945 \\$lkstk $uv.no.8262-8270 (Jan.-Feb. 1982)$g1
=945 \\$lkstk $uv.no.8271-8278 (Mar.-Apr. 1982)$g1
=945 \\$lkstk $uv.no.8279-8287 (May-Jun. 1982)$g1
=945 \\$lkstk $uv.no.8288-8296 (Jul.-Aug. 1982)$g1
=945 \\$lkstk $uv.no.8297-8305 (Sep.-Oct. 1982)$g1
=945 \\$lkstk $uv.no.8306-8313 (Nov.-Dec. 1982)$g1
=945 \\$lkstk $uv.no.8314-8322 (Jan.-Feb. 1983)$g1
=945 \\$lkstk $uv.no.8323-8331 (Mar.-Apr. 1983)$g1
=945 \\$lkstk $uv.no.8332-8339 (May-Jun. 1983)$g1
=945 \\$lkstk $uv.no.8340-8347 (Jul.-Aug. 1983)$g1
=945 \\$lkstk $uv.no.8349-8357 (Sep.-Oct. 1983)$g1
=945 \\$lkstk $uv.no.8358-8366 (Nov.-Dec. 1983)$g1
=945 \\$lkstk $uv.no.8367-8374 (Jan.-Feb. 1984)$g1
=945 \\$lkstk $uv.no.8375-8383 (Mar.-Apr. 1984)$g1
=945 \\$lkstk $uv.no.8384-8392 (May-Jun. 1984)$g1
=945 \\$lkstk $uv.no.8393-8405 (Jul.-Sep. 1984)$g1
=945 \\$lkstk $uv.no.8406-8418 (Oct.-Dec. 1984)$g1
=945 \\$lkstk $uv.no.8419-8426 (Jan.-Feb. 1985)$g1
=945 \\$lkstk $uv.no.8427-8435 (Mar.-Apr. 1985)$g1
=945 \\$lkstk $uv.no.8436-8444 (May-Jun. 1985)$g1
=945 \\$lkstk $uv.no.8445-8453 (Jul.-Aug. 1985)$g1
=945 \\$lkstk $uv.no.8454-8461 (Sep.-Oct. 1985)$g1
=945 \\$lkstk $uv.no.8462-8470 (Nov.-Dec. 1985)$g1
=945 \\$lkstk $uv.no.8471-8478 (Jan.-Feb. 1986)$g1
=945 \\$lkstk $uv.no.8479-8487 (Mar.-Apr. 1986)$g1
=945 \\$lkstk $uv.no.8488-8496 (May-Jun. 1986)$g1
=945 \\$lkstk $uv.no.8497-8505 (Jul.-Aug. 1986)$g1
=945 \\$lkstk $uv.no.8506-8513 (Sep.-Oct. 1986)$g1
=945 \\$lkstk $uv.no.8514-8521 (Nov.-Dec. 1986)$g1
=945 \\$lkstk $uv.no.8523-8531 (Jan.-Feb. 1987)$g1
=945 \\$lkstk $uv.no.8532-8539 (Mar.-Apr. 1987)$g1
=945 \\$lkstk $uv.no.8540-8548 (May-Jun. 1987)$g1
=945 \\$lkstk $uv.no.8549-8557 (Jul.-Aug. 1987)$g1
=945 \\$lkstk $uv.no.8558-8566 (Sep.-Oct. 1987)$g1
=945 \\$lkstk $uv.no.8567-8574 (Nov.-Dec. 1987)$g1
=945 \\$lkstk $uv.no.8575-8583 (Jan.-Feb. 1988)$g1
=945 \\$lkstk $uv.no.8584-8592 (Mar.-Apr. 1988)$g1
=945 \\$lkstk $uv.no.8593-8600 (May-Jun. 1988)$g1
=945 \\$lkstk $uv.no.8601-8609 (Jul.-Aug. 1988)$g1
=945 \\$lkstk $uv.no.8610-8618 (Sep.-Oct. 1988)$g1
=945 \\$lkstk $uv.no.8619-8627 (Nov.-Dec. 1988)$g1
=945 \\$lkstk $uv.no.8628-8635 (Jan.-Feb. 1989)$g1
=945 \\$lkstk $uv.no.8636-8644 (Mar.-Apr. 1989)$g1
=945 \\$lkstk $uv.no.8645-8652 (May-Jun. 1989)$g1
=945 \\$lkstk $uv.no.8653-8666 (Jul.-Sep. 1989)$g1
=945 \\$lkstk $uv.no.8667-8679 (Oct.-Dec. 1989)$g1
=945 \\$lkstk $uv.no.8680-8692 (Jan.-Mar. 1990)$g1
=945 \\$lkstk $uv.no.8693-8705 (Apr.-Jun. 1990)$g1
=945 \\$lkstk $uv.no.8706-8713 (Jul.-Aug. 1990)$g1
=945 \\$lkstk $uv.no.8714-8722 (Sep.-Oct. 1990)$g1
=945 \\$lkstk $uv.no.8723-8730 (Nov.-Dec. 1990)$g1
=945 \\$lkstk $uv.no.8732-8739 (Jan.-Feb. 1991)$g1
=945 \\$lkstk $uv.no.8740-8748 (Mar.-Apr. 1991)$g1
=945 \\$lkstk $uv.no.874908757 (May-Jun. 1991)$g1
=945 \\$lkstk $uv.no.8758-8766 (Jul.-Aug. 1991)$g1
=945 \\$lkstk $uv.no.8767-8774 (Sep.-Oct. 1991)$g1
=945 \\$lkstk $uv.no.8775-8783 (Nov.-Dec. 1991)$g1
=945 \\$lkstk $uv.no.8784-8792 (Jan.-Feb. 1992)$g1
=945 \\$lkstk $uv.no.8793-8800 (Mar.-Apr. 1992)$g1
=945 \\$lkstk $uv.no.8801-8809 (May-Jun. 1992)$g1
=945 \\$lkstk $uv.no.8810-8818 (Jul.-Aug. 1992)$g1
=945 \\$lkstk $uv.no.8819-8827 (Sep.-Oct. 1992)$g1
=945 \\$lkstk $uv.no.8828-8835 (Nov.-Dec. 1992)$g1
=945 \\$lkstk $uv.v.341, no.8836-8844 (Jan.-Feb. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8845-8852 (Mar.-Apr. 1993)$g1
=945 \\$lkstk $uv.v.341, no.8853-8861 (May-Jun. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8862-8870 (Jul.-Aug. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8871-8879 (Sep.-Oct. 1993)$g1
=945 \\$lkstk $uv.v.342, no.8880-8887 (Nov.-Dec. 1993); Index$g1
=945 \\$lkstk $uv.v.343, no.8888-8896 (Jan.-Feb. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8897-8905 (Mar.-Apr. 1994)$g1
=945 \\$lkstk $uv.v.343, no.8906-8913 (May-Jun. 1994); Index$g1
=945 \\$lkstk $uv.v.344, no.8914-8921 (Jul.-Aug. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8923-8931 (Sep.-Oct. 1994)$g1
=945 \\$lkstk $uv.v.344, no.8932-8940 (Nov.-Dec. 1994)$g1
=945 \\$lkstk $uv.v.345, no.8941-8948 (Jan.-Feb. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8949-8957 (Mar.-Apr. 1995)$g1
=945 \\$lkstk $uv.v.345, no.8958-8965 (May-Jun. 1995); Index$g1
=945 \\$lkstk $uv.v.346, no.8966-8974 (Jul.-Aug. 1995); Index v.344$g1
=945 \\$lkstk $uv.v.346, no.8975-8983 (Sep.-Oct. 1995)$g1
=945 \\$lkstk $uv.v.346. no.8984-8992 (Nov.-Dec. 1995); Suppl.$g1
=945 \\$lkstk $uv.v.347, no.8993-9000 (Jan.-Feb. 1996); Index v.346$g1
=945 \\$lkstk $uv.v.347, no.9001-9009 (Mar.-Apr. 1996)$g1
=945 \\$lkstk $uv.v.347, no.9010-9018 (May-Jun. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9019-9027 (Jul.-Aug. 1996)$g1
=945 \\$lkstk $uv.v.348, no.9028-9035 (Sep.-Oct. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.348, no.9036-9043 (Nov.-Dec. 1996); Suppl.$g1
=945 \\$lkstk $uv.v.349, no.9044-9051 (Jan.-Feb. 1997); Suppl.; Missing no.9050$g1
=945 \\$lkstk $uv.v.349, no.9052-9060 (Mar.-Apr. 1997)$g1
=945 \\$lkstk $uv.v.349, no.9061-9069 (May-Jun. 1997); Suppl.$g1
=945 \\$lkstk $uv.Index 1983-1996; Missing 1984-1988, 1991-1995$g1
=945 \\$lkstk $uv.v.350, no.9070-9078 (Jul.-Aug. 1997)$g1
=945 \\$lkstk $uv.v.350, no.9079-9086 (Sep.-Oct. 1997); Suppl.$g1
=945 \\$lkstk $uv.v.350, no.9087-9094 (Nov.-Dec. 1997); Suppl.; Missing no.9088, 9090, 9092$g1
=945 \\$lkstk $uv.v.351, no.9095-9103 (Jan.-Feb. 1998)$g1
=945 \\$lkstk $uv.v.351, no.9104-9111 (Mar.-Apr. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.351, no.9112-9120 (May-Jun. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9121-9129 (Jul.-Aug. 1998); Suppl.; Index v.351$g1
=945 \\$lkstk $uv.v.352, no.9130-9138 (Sep.-Oct. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.352, no.9139-9145 (Nov.-Dec. 1998); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9146-9154 (Jan.-Feb. 1999)$g1
=945 \\$lkstk $uv.v.353, no.9155-9162 (Mar.-Apr. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.353, no.9163-9171 (May-Jun. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.354, no.9172-9180 (Jul.-Aug. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9181-9189 (Sep.-Oct. 1999); Suppl.$g1
=945 \\$lkstk $uv.v.354, no.9190-9196 (Nov.-Dec. 1999); Suppl.; Index$g1
=945 \\$lkstk $uv.v.355, no.9197-9205 (Jan.-Feb. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9206-9214 (Mar.-Apr. 2000)$g1
=945 \\$lkstk $uv.v.355, no.9215-9222 (May-Jun. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.356, no.9223-9231 (Jul.-Aug. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9232-9240 (Sep.-Oct. 2000)$g1
=945 \\$lkstk $uv.v.356, no.9241-9248 (Nov.-Dec. 2000); Suppl.; Index$g1
=945 \\$lkstk $uv.v.357, no.9249-9256 (Jan.-Feb. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9257-9265 (Mar.-Apr. 2001)$g1
=945 \\$lkstk $uv.v.357, no.9266-9274 (May-Jun. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9275-9282 (Jul.-Aug. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9283-9291 (Sep.-Oct. 2001)$g1
=945 \\$lkstk $uv.v.358, no.9292-9299 (Nov.-Dec. 2001); Suppl.; Index$g1
=945 \\$lkstk $uv.v.359, no.9300-9307 (Jan.-Feb. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9308-9316 (Mar.-Apr. 2002)$g1
=945 \\$lkstk $uv.v.359, no.9317-9325 (May-Jun. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9326-9334 (Jul.-Aug. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9335-9342 (Sep.-Oct. 2002)$g1
=945 \\$lkstk $uv.v.360, no.9343-9350 (Nov.-Dec. 2002); Suppl.$g1
=945 \\$lkstk $uv.v.361, no.9351-9358 (Jan.-Feb. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9359-9367 (Mar.-Apr. 2003)$g1
=945 \\$lkstk $uv.v.361, no.9368-9376 (May-Jun. 2003); Index$g1
=945 \\$lkstk $uv.v.362, no.9377-9385 (Jul.-Aug. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9386-9393 (Sep.-Oct. 2003)$g1
=945 \\$lkstk $uv.v.362, no.9394-9401 (Nov.-Dec. 2003); Suppl.$g1
=956 \\$aWB 100 L23
=979 \\$aocm02141608
=998 \\$b345$c990101$ds$ea$f-$g4
Record #: 627
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=028 42$a(SMA) 11-4637$bSubstance Abuse and Mental Health Services Administration
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=040 \\$aNMI$beng$cNMI$dNMI$dGPO$dMvI
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=347 \\$avideo file$2rdaft$0http://rdaregistry.info/termList/fileType/1006
=347 \\$bDVD video
=490 1\$aSMA ;$v11-4637
=538 \\$aDVD.
=538 \\$aSystem requirements: PC with DVD drive; DVD player.
=500 \\$aTitle from container.
=500 \\$a"First produced 2011."
=500 \\$aShipping list no.: 2012-0008-E.
=500 \\$a"Produced to accompany the Matrix Intensive Outpatient Treatment for People With Stimulant Use Disorders series."
=500 \\$a"Videos include interviews of people in recovery and their loved ones and provide key information for those supporting people in treatment and recovery."
=520 \\$aVideos designed to help patients and their families work through recovery from stimulant addictions.
=505 0\$aFamilies in recovery (45:50) -- Triggers and cravings (35:20) -- Roadmap for recovery (32:12).
=500 \\$aThis DVD may fail to play on some equipment.
=650 \0$aStimulants$0http://id.loc.gov/authorities/subjects/sh85128149$vInteractive multimedia.$0http://id.loc.gov/authorities/subjects/sh99001572
=650 \7$aStimulants.$2fast$0http://id.worldcat.org/fast/1133448
=650 \0$aSubstance abuse$xTreatment$0http://id.loc.gov/authorities/subjects/sh97001424$xAudio-visual aids$0http://id.loc.gov/authorities/subjects/sh99002410$vInteractive multimedia.$0http://id.loc.gov/authorities/subjects/sh99001572
=650 \7$aSubstance abuse$xTreatment$xAudio-visual aids.$2fast$0http://id.worldcat.org/fast/1136832
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=650 \0$aRecovering addicts$0http://id.loc.gov/authorities/subjects/sh92004757$vInterviews.$0http://id.loc.gov/authorities/subjects/sh99001682
=650 \7$aRecovering addicts.$2fast$0http://id.worldcat.org/fast/1091689
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=655 \7$aVideo recordings.$2fast$0http://id.worldcat.org/fast/1692913
=710 1\$aUnited States.$bSubstance Abuse and Mental Health Services Administration.$0http://id.loc.gov/authorities/names/no92028637
=740 02$aFamilies in recovery.
=740 02$aTriggers and cravings.
=740 02$aRoadmap for recovery.
=830 \0$aDHHS publication ;$0http://id.loc.gov/authorities/names/n42037386$vno. (SMA) 11-4637.
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=100 1\$aCraggs, Stewart R.$0http://id.loc.gov/authorities/names/n77005314
=245 10$aJohn Ireland :$ba catalogue, discography and bibliography /$ccompiled by Stewart R. Craggs.
=250 \\$a2Second rev.ised and enlarged edition.
=2604 \\1$aAldershot, England ;$aBurlington, VT :$bAshgate,$c[2007]
=264 \4$c©2007.
=300 \\$axxvii, 180 p. ages :$bport.rait ;$c24 cm.
=336 \\$atext$btxt$2rdacontent
=337 \\$aunmediated$bn$2rdamedia
=338 \\$avolume$bnc$2rdacarrier
=504 \\$aIncludes bibliographical references (p.ages [139]-148) and indexes.
=504 \\$aIncludes discography.
=600 10$aIreland, John,$d1879-1962$0http://id.loc.gov/authorities/names/n80144687$vBibliography.$0http://id.loc.gov/authorities/subjects/sh99001362
=600 17$aIreland, John,$d1879-1962.$2fast$0http://id.worldcat.org/fast/63546
=600 10$aIreland, John,$d1879-1962$0http://id.loc.gov/authorities/names/n80144687$vDiscography.$0http://id.loc.gov/authorities/subjects/sh00007650
=655 \7$aBibliographies.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026048
=655 \7$aBibliographies.$2fast$0http://id.worldcat.org/fast/1919895
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=655 \7$aDiscographies.$2fast$0http://id.worldcat.org/fast/1423883
=655 \7$aCatalogs.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026057
=655 \7$aCatalogs.$2fast$0http://id.worldcat.org/fast/1423692
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=008 070402st2007\\\\2007nyuaf\\\\\\\\\001\0beng\d\
=010 \\$a2007013380
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=100 1\$aDodd, Christopher J.$q(Christopher John),$d1944-$0http://id.loc.gov/authorities/names/n93020496
=245 10$aLetters from Nuremberg :$bmy father's narrative of a quest for justice /$cChristopher J. Dodd with Lary Bloom.
=250 \\$a1First edition.
=2604 \\1$aNew York :$bCrown Pub.,$c[2007]
=264 \4$c©2007.
=300 \\$aviii, 373 p.ages, [8] unnumbered p.ages of plates :$bill.ustrations ;$c24 cm.
=336 \\$atext$btxt$2rdacontent
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=338 \\$avolume$bnc$2rdacarrier
=500 \\$aIncludes index.
=650 \0$aWorld War, 1939-1945$xAtrocities$zGermany.$0http://id.loc.gov/authorities/subjects/sh2003010011
=600 10$aDodd, Thomas J.$q(Thomas Joseph),$d1907-1971$0http://id.loc.gov/authorities/names/n88179554$vCorrespondence.$0http://id.loc.gov/authorities/subjects/sh99001488
=600 17$aDodd, Thomas J.$q(Thomas Joseph),$d1907-1971.$2fast$0http://id.worldcat.org/fast/255922
=650 \0$aNuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946.$0http://id.loc.gov/authorities/subjects/sh85093307
=611 27$aNuremberg Trial of Major German War Criminals (Germany : 1945-1946)$2fast$0http://id.worldcat.org/fast/1709901
=650 \0$aWar crime trials$zGermany$zNuremberg.$0http://id.loc.gov/authorities/subjects/sh2010118177
=650 \0$aLegislators$zUnited States$vCorrespondence.$0http://id.loc.gov/authorities/subjects/sh2009129520
=650 \0$aLawyers$zUnited States$0http://id.loc.gov/authorities/subjects/sh87000876$vCorrespondence.$0http://id.loc.gov/authorities/subjects/sh99001488
=655 \7$aBiographies.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026049
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=655 \7$aPersonal correspondence.$2fast$0http://id.worldcat.org/fast/1919948
=700 1\$aBloom, Lary.$0http://id.loc.gov/authorities/names/n88265129
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=079 \\$aocm60526324
=090 \\$aPN1997$b.C4978x 2005
=245 04$aThe Cincinnati Kid$h[videorecording] /$cMetro-Goldwyn-Mayer ; a Filmways-Solar picture ; screenplay by Ring Lardner, Jr. and Terry Southern ; produced by Martin Ransohoff' ; directed by Norman Jewison.
=2604 \\1$a[United States] :$bTurner Entertainment Co. ;$aBurbank, Calif. :$bDistributed by Warner Home Video,$c[2005]
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=300 \\$a1 videodisc (102 min.) :$bsound., col.or ;$c4 3/4 in.
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=345 \\$awideshcreen
=347 \\$anvideo Ffile$2rencdaft$0h; ttp://rdaregisubtry.info/termList/filesType/1006
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=538 Sp \\$anishDVD; cDolby digital mono; Widescreedn version; captRegion 1; Dual-layedr.
=511 1\$aSteve McQueen, Edward G. Robinson, Ann-Margaret, Karl Malden, Tuesday Weld, Joan Blondell, Rip Torn, Jack Weston, Cab Calloway.
=508 \\$aDirector of photography, Philip H. Lathrop ; film editor, Hal Ashby ; music, Lalo Schifrin.
=500 \\$aVideodisc release of the 1965 motion picture.
=500 \\$aBased on the novel, The Cincinnati Kid / by Richard Jessup.
=500 \\$aSpecial features include: commentaries by Norman Jewison, Phil Gordon and Dave Foley; vintage featurette; theatrical trailer.
=520 \\$aThe Kid thinks he's the best 5-card stud player in town, but The Man has never been beaten. It is therefore inevitable that they go head-on, and what a game it will be: a non-stop, stud poker duel-to-the-death to decide who will be the reigning king of the New Orleans gambling world.
=546 \\$aSoundtracks in English and French; subtitles in English, French and Spanish; closed captioned.
=650 \0$aGambling$vDrama.$0http://id.loc.gov/authorities/subjects/sh2009125658
=650 \0$aPoker$0http://id.loc.gov/authorities/subjects/sh85103968$vDrama.$0http://id.loc.gov/authorities/subjects/sh99001612
=650 \7$aPoker.$2fast$0http://id.worldcat.org/fast/1068219
=655 \7$aFeature films.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026247
=655 \7$aFeature films.$2fast$0http://id.worldcat.org/fast/1710384
=655 \7$aFilm adaptations.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026254
=655 \7$aFilm adaptations.$2fast$0http://id.worldcat.org/fast/1710491
=655 \7$aVideo recordings for the hearing impaired.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026725
=655 \7$aVideo recordings for the hearing impaired.$2fast$0http://id.worldcat.org/fast/1710450
=655 \7$aDrama.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026297
=655 \7$aDrama.$2fast$0http://id.worldcat.org/fast/1423879
=700 1\$aLardner, Ring,$cJr.,$d1915-2000.$0http://id.loc.gov/authorities/names/n84148120
=700 1\$aSouthern, Terry.$0http://id.loc.gov/authorities/names/n84230539
=700 1\$aMcQueen, Steve,$d1930-1980.$0http://id.loc.gov/authorities/names/n50007866
=700 1\$aRobinson, Edward G.,$d1893-1973.$0http://id.loc.gov/authorities/names/n50049280
=700 0\$aAnn-Margret,$d1941-$0http://id.loc.gov/authorities/names/n82074103
=700 1\$aJewison, Norman,$d1926-$0http://id.loc.gov/authorities/names/n85376602
=700 1\$aMalden, Karl.$0http://id.loc.gov/authorities/names/no89014727
=700 1\$aWeld, Tuesday,$d1943-$0http://id.loc.gov/authorities/names/n88051131
=700 1\$aBlondell, Joan.$0http://id.loc.gov/authorities/names/n84007709
=700 1\$aTorn, Rip,$d1931-$0http://id.loc.gov/authorities/names/n85378884
=700 1\$aWeston, Jack,$d1924-1996.$0http://id.loc.gov/authorities/names/no91005649
=700 1\$aCalloway, Cab,$d1907-1994.$0http://id.loc.gov/authorities/names/n82020542
=700 1\$aJessup, Richard.$tCincinnati Kid.
=710 2\$aMetro-Goldwyn-Mayer.$0http://id.loc.gov/authorities/names/n80015727
=710 2\$aFilmways Pictures.$0http://id.loc.gov/authorities/names/no97063716
=710 2\$aSolar Productions.$0http://id.loc.gov/authorities/names/no97041094
=710 2\$aTurner Entertainment Co.$0http://id.loc.gov/authorities/names/n88034562
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=505 0\$aPt. I. Basic principles of neuroscience. Cellular and molecular biology of the neuron / A. Kimberley McAllister ... [et al.] -- Functional neuroanatomy: neuropsychological correlates of cortical and subcortical damage / Brian T. Harel, Daniel Tranel -- Nervous, endocrine, and immune system interactions in psychiatry / Oyetunde O. Alagbe, Dwight L. Evans, Andrew H. Miller -- Pt. II. Neuropsychiatric assessment. Bedside neuropsychiatry: eliciting clinical phenomena of neuropsychiatric illness / Fred Ovsiew -- Electrodiagnostic techniques in neuropsychiatry / Nash N. Boutros, Robert W. Thatcher, Silvana Galderisi -- The neuropsychological evaluation / Diane B. Howieson, Muriel D. Lezak -- Clinical and functional imaging in neuropsychiatry / Robin A. Hurley, Ronald E. Fisher, Katherine H. Taber -- Epidemiological and genetic aspects of neuropsychiatric diorders / Dolores Malaspina ... [et al.] -- Pt. III. Neuropsychiatric symptomatologies. Neuropsychiatric aspects of pain management / Brenda Golianu ... [et al.] -- Neuropsychiatric aspects of disorders of attention / Ronald A. Cohen, Stephen Salloway, Lawrence H. Sweet -- Neuropsychiatric aspects of delirium / Paula T. Trzepacz, David J. Meagher -- Neuropsychiatric aspects of aphasia and related disorders / Mario F. Mendez, David Glenn Clark -- Neuropsychiatric aspects of aggression and impulse-control disorders / Eric Hollander, Heather A. Berlin -- Neuropsychiatric aspects of memory and amnesia / Yaakov Stern, Harols A. Sackeim -- Pt. IV. Neuropsychiatric disorders. Neuropsychiatric aspects of traumatic brain injury / Jonathan M. Silver, Robert E. Hales, Stuart C. Yudofsky -- Neuropsychiatric aspects of seizure disorders / H. Florence Kim ... [et al.] -- Neuropsychiatric aspects of sleep and sleep disorders / Max Hirshkowitz, Amir Sharafkhaneh --
=505 0\$aNeuropsychiatric aspects of cerebrovascular disorders / Robert G. Robinson, Sergio E. Starkstein -- Neuropsychiatric aspects of brain tumors / Trevor R.P. Price, Kenneth L. Goetz, Mark R. Lovell -- Neuropsychiatric aspects of human immunodeficiency virus infection of the central nervous system / Francisco Fernandez, Juan Tan -- Neuropsychiatric aspects of endocrine disorders / Monica Kelly Cowles ... [et al.] -- Neuropsychiatric aspects of poisons and toxins / Shreenath V. Doctor -- Neuropsychiatric aspects of ethanol and other chemical dependencies / Eric J. Nestler, David W. Self -- Neuropsychiatric aspects of dementias associated with motor dysfunction / Alan J. Lerner, David Riley -- Neuropsychiatric aspects of Alzheimer's Disease and other dementing illness / Liana G. Apostolova, Jeffrey L. Cummings -- Neuropsychiatric aspects of schizophrenia / Carol A. Tamminga, Mujeeb U. Shad, Subroto Ghose -- Neuropsychiatric aspects of mood disorders / Paul E. Holtzheimer III, Helen S. Mayberg -- Neuropsychiatric aspects of anxiety disorders / Dan J. Stein, Scott L. Rauch -- Neuropsychiatric disorders of childhood and adolescence / Martin H. Teicher ... [et al.] -- Pt. V. Neuropsychiatric treatments. Intracellular and intercellular principles of pharmacotherapy for neuropsychiatric disorders / W. Dale Horst, Michael J. Burke -- Psychopharmacological treatments for patients with neuropsychiatric disorders / Paul E. Holtzheimer III, Mark Snowden, Peter P. Roy-Byrne -- Psychotherapy for patients with neuropsychiatric disorders / David V. Forrest -- Cognitive rehabilitation and behavior therapy for patients with neuropsychiatric disorders / Michael D. Franzen, Mark R. Lovell.
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=520 \\$aInspired by true events, this supernatural thriller follows a seminary student sent to study exorcism at the Vatican in spite of his own doubts about the controversial practice and even his own faith. Only when sent to apprentice with legendary Father Lucas, who has performed thousand of exorcisms, does his armor of skepticism begin to fall. Drawn into a troubling case that transcends even Father Lucas's skill, the young seminarian glimpses a phenomenon science can't explain or control.
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=511 0\$aL'instituteur [teacher] Georges Lopez; les enfants de la classe [children in the class] Alizé, Axel, Guillaume, Jesse, Johan (Jojo), Johann, Jonathan, Julien, Laura, Létitia, Marie-Elizabeth, Nathalie, Olivier.
=508 \\$aImage [photography], Katell Djian, Laurent Didier ; caméra et montage [camera and editing], Nicolas Philibert ; musique originale [original music], Philippe Hersant.
=500 \\$aOriginally released as a French motion picture in 2002.
=500 \\$aSpecial features: Entretien avec Nicolas Philibert [Interview with] (21 min.); Theatrical trailer [English] (3 min.); French trailer (2 min.); Poésies [Poetry recitation] (3 min.).
=521 8\$aMPAA rating: Not rated.
=520 \\$aThis film chronicles a year in the life of a one-room schoolhouse in rural France, presided over by Georges Lopez, a devoted teacher responsible for nurturing a dozen children ages 3-11. The film sees the teacher as artist, and presents teaching as a form of love. Because along with reading, writing, and arithmetic, the children learn about what we think of as the basic values of civilization: reason, tolerance, learning, cooperation, and comradeship. In one year, one dedicated teacher, sensitive to children's educational and emotional needs, exemplifies the importance of an abiding faith in children, and in education as a vocation.
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=546 \\$aIn French with optional subtitles in English.
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=546 \\$aEnglish dialogue with optional English subtitles.
=511 1\$aJames Stewart, Ben Gazzara, Lee Remick, Eve Arden, George C. Scott, Kathryn Grant, Murray Hamilton, Orson Bean, Arthur O'Connell, Joseph N. Welch.
=508 \\$aDirector of photography, Sam Leavitt ; editor, Louis R. Loeffler ; music, Duke Ellington.
=500 \\$aBased on the novel of the same title by Robert Traver.
=500 \\$aOriginally produced as a motion picture in 1959.
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=520 \\$aA small-town Michigan lawyer takes on a difficult case: that of a young Army lieutenant accused of murdering the local tavern owner who he believes raped his wife. A gripping, envelope-pushing courtroom drama, Anatomy of a murder was groundbreaking for the frankness of its discussion of sex. More than anything else, it is a striking depiction of the power of words. With its outstanding supporting cast and influential jazz score by Duke Ellington, it is an American movie landmark.
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=245 00$aUltimate Broadway platinum :$b100 favorite show tunes.
=246 30$aBroadway platinum
=250 \\$a3Third edition.
=2604 \\1$aMilwaukee, Wis. :$bHal Leonard Corp.,$c[2004]
=300 \\$a1 score (384 p.ages of music) ;$c31 cm.
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=490 1\$aThe ultimate series
=500 \\$aIncludes index.
=500 \\$a"Piano. Vocal. Guitar."
=500 \\$aFor voice and piano with chord symbols and guitar chord diagrams.
=505 0\$aA lot of livin' to do -- A wonderful day like today -- A wonderful guy -- Any dream will do -- As if we never said goodbye -- As long as he needs me -- Bali Ha'i -- Beauty and the beast -- Bye bye Birdie -- Cabaret -- Camelot -- Climb ev'ry mountain -- Consider yourself -- Day by day -- Do you hear the people sing? -- Don't rain on my parade -- Elaborate lives -- Everything's coming up roses -- Falling in love with love -- From this moment on -- Get me to the church on time -- Getting to know you -- Gigi -- Gonna build a mountain -- Gus : the theatre cat -- Haben sie gehort das Deutsche band? (Have you ever heard the German band?) -- Hello, young lovers -- How are things in Glocca Morra -- I can dream, can't I? -- I can't get started with you -- I concentrate on you -- I could write a book -- I enjoy being a girl -- I know where I've been -- I love you -- I remember it well -- I still believe in love -- I wanna be a producer -- I'll be seeing you -- I'm gonna wash that man right outa my hair -- I've got you under my skin -- I've grown accustomed to her face -- If ever I would leave you -- If this isn't love -- In the still of the night -- It might as well be spring -- It's a grand night for singing -- It's de-lovely.
=505 8\$aJust in time -- Little girl blue -- Look to the rainbow -- Mama, I'm a big girl now -- Maybe -- Mr. Wonderful -- My cup runneth over -- My favorite things -- My heart belongs to Daddy -- No other love -- Oh, what a beautiful mornin' -- On a clear day (You can see forever) -- On my own -- People -- Put on a happy face -- Seeing is believing -- September song -- Small world -- Someone like you -- Speak low -- Sun and moon -- Thank heaven for little girls -- That face -- The best things in life are free -- The blue room -- The music of the night -- The party's over -- The sound of music -- The surrey with the fringe on top -- The sweetest sounds -- There's a small hotel -- There's no business like show business -- They call the wind Maria -- This can't be love -- Thoroughly modern Millie -- Together wherever we go -- Try to remember -- We kiss in a shadow -- What kind of fool am I? -- When I'm not near the girl I love -- Where or when -- Who can I turn to (When nobody needs me) -- Wish you were here -- Without love -- Wouldn't it be loverly -- Written in the stars -- Wunderbar -- You are beautiful -- You rule my world -- You'd be so nice to come home to -- You'll never walk alone -- Younger than springtime.
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=500 \\$aCollective title from slipcase.
=500 \\$aTitle on container of disc 5: Antoine Doinel : les salades de l'amour.
=500 \\$aDiscs recorded in original theatrical aspect ratios.
=500 \\$aSpecial features: disc 1. audio commentaries; The 400 blows: psychological profile, theatrical trailer; disc 2. The Doinel agency, trailer; disc 3. On location, Truffaut & Bernard Revon, Jean-Pierre Leaud speaks, Who is Antoine Doinel?, trailer; disc 4. Truffaut & Marie-France Pisier, Closing the Doinel cycle, trailer; disc 5: Les Mistons (1957 ; 18 min.) / directed by François Truffaut -- Working with François Truffaut : Claude de Givray and Bernard Revon, co-writers (2003 ; 44 min.).
=511 1\$aJean-Pierre Léaud; Claire Maurier, Albert Rémy [400 blows], Marie-France Pisier [Antoine et Colette], Delphine Seyrig, Claude Jade, Michel Lonsdale [Baisers volés], Claude Jade, Hiroko Berghauer, Barbara Laage [Domicile conjugal], [L'amour en fuite] Marie-France Pisier, Claude Jade, Dani, Dorothée.
=508 \\$aDirectors of photography, Henri Decaë [and others]; editors, Marie Josèphe Yoyotte [and others]; music, Jean Constantin [and others].
=520 \\$aFive films featuring the enthusiastic, melancholic, and hopelessy romantic trouble maker Antoine Doinel, played by Jean-Pierre Léaud. The films take Doinel from his troubled childhood through myriad frustrations and romantic entanglements, from his stormy teens through marriage, children, divorce, and adulthood.
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=505 0\$aDisc 2. Baisers volés = Stolen kisses / une production, Les Films du carrosse, Les Productions Artistes associés ; scénario et dialogue, François Truffaut, Claude de Givray, Bernard Revon ; mise en scene, François Truffaut (1968 ; 91 min.).
=505 0\$aDisc 3. Domicile conjugale = Bed and board / une co-production les Films du carrosse, Valoria Films, FIDA Cinematografica ; scénario et dialogue, François Truffaut, Claude de Givray, Bernard Revon ; mise en scène, François Truffaut (1970 ; 97 min.).
=505 0\$aDisc 4. Amour en fuite = Love on the run / une production Les Films du carrosse ; scénario de François Truffaut [and others] ; mise en scène, François Truffaut (1979 ; 95 min.).
=505 0\$aDisc 5. Les salades de l'amour : the supplements (95 min.).
=521 8\$aMPAA rating: Not rated.
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=740 02$aMistons.
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=245 10$aInventing downtown :$bartist-run galleries in New York City, 1952-1965 /$cMelissa Rachleff ; introduction by Lynn Gumpert ; interviews by Billy Klüver and Julie Martin.
=264 \1$aNew York, NY :$bGrey Art Gallery, New York University ;$aMunich ;$aLondon ;$aNew York, NY :$bDelMonico Books, an imprint of Prestel,$c2017.
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=500 \\$a"Published on the occasion of the exhibition Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965, organized by the Grey Art Gallery, New York University, and guest curated by Melissa Rachleff" -- title page verso.
=504 \\$aIncludes bibliographical references and index.
=505 0\$aGalleries and artists in the exhibition : Tanager Gallery (51 East Fourth Street (May 1952 - March 1953) and 90 East Tenth Street (April 1953 - June 1962)): Louise Bourgeois, Charles Cajori, Lois Dodd, Perle Fine, Jean Follett, Mary Frank, Sidney Geist, Gloria Graves, Sally Hazelet Drummond, Angelo Ippolito, Al Jensen, Alex Katz, William "Bill" King, Fred Mitchell, Louise Nevelson, George Ortman, Philip Pearlstein -- Hansa Gallery (70 East Twelfth Street (November 1952 - November 1954) and 210 Central Park South (December 1954 - June 1959)): Robert Beauchamp, Jacques Beckwith, Lily Brody, John Chamberlain, Jean Follett, Miles Forst, Wolf Kahn, Allan Kaprow, Fay Lansner, Alfred Leslie, Dody Müller, Jan Müller, Felix Pasilis, Vaughan Rachel, Lucas Samaras, George Segal, Richard Stankiewicz, Myron Stout, Robert Whitman, Jane Wilson -- Brata Gallery (89 East Tenth Street (October 1957 - April 1962)): Ronald Bladen, Ed Clark, Al Held, Robert Kobayashi, Nicholas Krushenick, Yayoi Kusama, Nanae Momiyama, Sal Romano, George Sugarman -- City Gallery (735 Sixth Avenue (November 1958 - May 1959)): Robert Beauchamp, Gandy Brodie, Sari Dienes, Jackie Ferrara, Red Grooms, Mimi Gross, Joan Herbst, Budd Hopkins, Lester Johnson, Emily Mason, Jay Milder, Claes Oldenburg, Peter Passuntino, George Nelson Preston, Bob Thompson, Michaela Weisselberg (now Mica Nava) -- Reuben Gallery (61 Fourth Avenue (October 1959 - June 1960) and 44 East Third Street (November 1960 - April 1961)): Yvonne Andersen, Jim Dine, Rosalyn Drexler, John Cohen, Martha Edelheit, Red Grooms, Allan Kaprow, Claes Oldenburg, I. C. Rapoport, Robert Rauschenberg, Renée Rubin, Lucas Samaras, Robert Whitman -- Delancey Street Museum (148 Delancey Street (October 1959 - May 1960)): John Cohen, Emilio Cruz, Lester Johnson, Marcia Marcus, Jay Milder, Bob Thompson -- Judson Gallery (239 Thompson Street (February 1959 - January 1962)): Dorothea Baer, Jim Dine, Martha Edelheit, Dan Flavin, Martha Holmes, Claes Oldenburg, Marcus Ratliff, Richard Tyler, Stan VanDerBeek, Tom Wesselmann, Phyllis Yampolsky -- 112 Chambers Street (December 1960 - June 1961): Simone Forti, Robert Morris, Minoru Niizuma, Yoko Ono -- 79 Park Place (November 1963 - March 1964): Mark di Suvero, Dean Fleming, Peter Forakis, Danny Lyon, Anthony Magar, Tamara Melcher, Forrest Myers, Edwin Ruda, Leo Valledor -- March Group (1960 - 1962):Stanley Fisher, Sam Goodman, Jean-Jacques Lebel, Boris Lurie, Kenneth van Sickle -- Hall of Issues at Judson Memorial Church (December 1961 - January 1963): Dave Heath, Peter Moore, Steven Schapiro, Peter Schumann, Phyllis Yampolsky -- The Center (1962-1965): Ben Morea, Aldo Tambellini -- Spiral Group (1963 - 1965): Emma Amos, Romare Bearden, Reginald Gammon, Norman Lewis, William Majors, Hale Woodruff, James Yeargans -- Green Gallery (15 West Fifty-seventh Street (October 1960 - June 1965)):Richard Bellamy, Ronald Bladen, Rudy Burckhardt, Geoffrey Clements, Mark di Suvero, Dan Flavin, Sally Hazelet Drummond, Joan Jacobs, Donald Judd, Tadaaki Kuwayama, Lee Lozano, Robert McElroy, Robert Morris, Claes Oldenburg, Pat Passlof, Larry Poons, James Rosenquist, Lucas Samaras, George Segal, Richard Smith, Tom Wesselmann
=520 0\$aThis enlightening and thought-provoking look at New York City's postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City's most renowned postwar artists (de Kooning, Pollock, Rothko, Franz Kline) have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period uncovering its diversity, creativity, and nuances, and tracing the spaces influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area's multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the eras creative milieu. Taken together, the books essays and interviews provide a distinctly new assessment of how downtown New York's fertile environment nurtured an innovative art scene. -- publisher's statement.
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=245 14$aThe crusader states /$cMalcolm Barber.
=2604 \\1$aNew Haven [Conn.] :$bYale University Press,$c[2012]
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=245 10$aEnsayos sobre literatura colombiana /$cRafael Gutiérrez Girardot.
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=505 0\$aI. [without special title] / Edición al cuidado de Juan Guillermo Gómez García -- II. [without special title] / Edición al cuidado de Selnich Vivas Hurtado.
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=245 10$aMicrosensors, MEMS, and smart devices /$cJulian W. Gardner, Vijay K. Varadan, Osama O. Awadelkarim.
=2604 \\1$aChichester ;$aNew York :$bJ. Wiley,$c[2001]
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=245 02$aA new dance for America$h[videorecording] :$bthe choreography, teachings and legacy of Doris Humphrey, 1895-1958 /$cWW Films presents ; a film by Ina Hahn ; written, directed, and narrated by Ina Hahn ; produced by Philip Elliott Hopkins.
=246 30$aChoreography, teachings and legacy of Doris Humphrey, 1895-1958
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=511 0\$aNarration of Doris Humphrey by Lindsay Crouse.
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=520 \\$aThe story of the life and works of modern dance pioneer Doris Humphrey (1895-1958) is the focus of this documentary. It leads from her birth in Oak Park, Illinois, to growing up in a theatrical hotel in Chicago where she supported her parents as a dance teacher at the age of 18, the launch of her professional career in the Denishawn Company, establishing her own company with partner Charles Weidman, to serving as artistic director and choreographer for José Limón. Historical and contemporary performance excerpts cover the span of her career from her earliest composition, Valse Caprice (1920), to her last, Brandenberg Concerto (1958), and represent some of her finest pieces such as Soaring, Passacaglia in C Minor, New Dance and Day on Earth. Attention has been paid to placing her growth as a dance artist and her contribution to the development of modern dance within the context of twentieth century history. Interviews with former dancers who worked with her and with her son complete the picture of this indomitable woman who, along with Charles Weidman and Martha Graham, forged a new art form growing out of the national experience of pioneering, freedom of expression, wide open spaces and democratic values.
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=245 00$aBaroque dance unmasked$h[videorecording] :$bworkshop to performance /$ccreated by Catherine Turocy ; produced by Dancetime Publications ; writted and directed by Catherine Turocy.
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=508 \\$aDirector of photography, David Drum ; editor, Theron Yeager.
=500 \\$a"'The spirit of 18th century dance : a Baroque ballet workshop' video was copyrighted in 1999 and was re-edited and re-mastered for DVD format as 'Baroque dance unmasked : workshop in performance' in 2011 by Dancetime Publications."
=520 \\$a"Catherine Turocy is America's foremost Baroque Dance expert. This documentary shows Turocy's sophisticated educational approach to 18th century performance practices at the Baroque Ballet Workshop, filmed at the Jarvis Conservatory in Napa, California. This unique documentary features the process from the studio to the stage. It contains rare footage of Turocy talking about her unique approach to recovering period dance."--Container.
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=245 010$aSalò$h[videorecording] :$bor, The 120 days of Sodom = Salò : o, Le 120 giornate di Sodoma /$cAlberto Grimaldi presents ; a film by Pier Paolo Pasolini ; a co-production Pea Produzioni Europee Associate ; Les Productions Artistes Associes ; produced by Alberto Grimaldi ; written and directed by Pier Paolo Pasolini.
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=546 \\$aItalian dialogue; English subtitles.
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=500 \\$aOriginally released in 1976.
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=520 \\$aA transposition of the Marques de Sade's eighteenth century opus of torture and degradation. Set in northern Italy during the waning days of World War II, four Fascists kidnap a group of young men and women to satisfy their basest desires. The victims move through three increasingly violent and perverse phases at the hands of their tormentors, culminating in ritualistic death. Considered by many the most disturbing film ever made.A thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
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=2604 \\1$aNew York :$bPalgrave Macmillan,$c2007.
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=650 \0$aIslamic literature, Turkish$0http://id.loc.gov/authorities/subjects/sh99012461$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh99001187
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=546 \\$aIn English with optional English subtitles for the deaf and hard of hearing.
=511 1\$aBrad Dourif, Ned Beatty, Harry Dean Stanton, Dan Shor, Amy Wright, Mary Nell Santacroce, William Hickey, Jhon Huston.
=508 \\$aDirector of photography, Gerry Fisher ; editor, Roberto Silvi ; music composer, Alex North.
=500 \\$aBased on the novel by Flannery O'Connor.
=500 \\$aOriginally released as a motion picture in 1979.
=500 \\$aJohn Huston's name is intentionally misspelled in the title and credits.
=500 \\$aSpecial features: New interviews with actor Brad Dourif, writer Benedict Fitzgerald, and writer-producer Michael Fitzgerald; rare archival audio recording of author Flannery O'Connor reading her short story "A good man is hard to find;" a 26-min. episode of the television program "Creativity with Bill Moyers" from 1982, featuring director John Huston discussing his life and work; theatrical trailer; a booklet featuring an essay by author Francine Prose.
=520 \\$aU.S. Army war veteran Hazel Motes may not be a believing Christian, but he somehow makes observations about the state of a run-down country church and understands that there are ridiculous frauds on the streets. When a cab driver insists he looks like a preacher in his new hat, Hazel takes on the part. He starts his own new Church of Truth, without the crucified Jesus. His first disciple is an 18-year old simpleton with a 'prophetic gift.'
=546 \\$aIn English with optional English subtitles for the deaf and hard of hearing.
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=650 \0$aProphecy$0http://id.loc.gov/authorities/subjects/sh85107525$vDrama.$0http://id.loc.gov/authorities/subjects/sh99001612
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=700 1\$aHuston, John,$d1906-1987.$0http://id.loc.gov/authorities/names/n78096855
=700 1\$aFitzgerald, Michael$c(Producer)$0http://id.loc.gov/authorities/names/no2016040611
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=700 12$aProse, Francine,$d1947-$tMatter of life and death.
=700 1\$aO'Connor, Flannery.$tWise blood.
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=245 10$aAir a'charbad fo thalamh =$bOn the underground /$cby Rody Gorman.
=246 31$aOn the underground
=2604 \\1$aEdinburgh :$bPolygon,$c2000.
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=245 10$aElements of Southern Sotho.
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=511 1\$aDemi Moore, Viggo Mortensen, Anne Bancroft, Jason Beghe, Scott Wilson.
=508 \\$aMusic, Trevor Jones ; editor, Pietro Scalia ; director of photography, Hugh Johnson ; co-producer, Nigel Wooll ; producers, Roger Birnbaum, Demi Moore, Suzanne Todd ; screenplay, David Twohy, Danielle Alexandria ; producer/director, Ridley Scott.
=500 \\$aOriginally released as a motion picture in 1997.
=500 \\$aIncludes theatrical trailer.
=521 8\$aMPAA rating: R.
=520 \\$aLieutenant O'Neil is the first woman ever given the opportunity to earn a place in the armed forces' most highly skilled combat unit--the elite Navy SEALs. But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it becomes clear that no one--powerful politicians, top military brass or her male Navy SEAL teammates--wants her to succeed.
=546 \\$aEnglish or French language with optional subtitles in Spanish ; closed-captioned for the hearing impaired.
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=511 1\$aMakena Diop, Rasmane Quedraogo, Fatou Tall-Salbues, Joseph B. Tapsoba, Souleymane Zoure.
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=546 \\$aFrench dialogue with English subtitles. Closed-captioned.
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=520 \\$aA Nigerian peasant comes looking for work in Essakane, a dusty gold mine in northeast Burkina Faso, Africa. He quickly finds out the gold rush ended twenty years before and the inhabitants of this wasteland manage to exist simply from force of habit.
=500 \\$aSpecial features: biographies of director Laurent Salgues, and Makena Diop ; short film Dreamer directed by Raymond E. Spiess Jr.
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=246 3\$aNew history of the twentieth century
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=508 \\$aDirectors of photography, Dewald Aukema, Chris Wood, Vaughan Matthews, Ashley Meneely ; editors, Joby Gee, Guy Crossman, Tom Deverell ; music, Jack Ketch, Emma Smith.
=521 8\$aMPAA rating: Not rated.
=520 \\$aThe film considers the unparalleled stretch of violence during the 20th century as a single, unrelenting 'war of the world' that began with Japan's invasion of Russia in 1904 and continued through the Korean War all the way to an ongoing 'Third Word's War'.
=505 0\$aThe clash of empires -- A tainted victory -- The icebox.
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=700 1\$aFerguson, Niall,$0http://id.$loc.gov/authorities/names/n94028195$eauthor,$4ehost.
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=245 10$aLectures from learning sequences in music$h[sound recording] :$bskill, content, and patterns /$cEdwin E. Gordon.
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=245 14$aThe Delta Regional Authority and SouthEast Crescent Authority :$bprocess and prospects for regional development authorities : hearing before the Subcommittee on Economic Development, Public Buildings, and Emergency Management of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Seventh Congress, second session, September 12, 2002.
=245 14$aThe Internal Revenue Service :$bthe commissioner's final report : hearing before the Subcommittee on Government Efficiency, Financial Management and Intergovernmental Relations of the Committee on Government Reform, House of Representatives, One Hundred Seventh Congress, second session, April 15, 2002.
=2645 \14$aThe Internal Revenue Service :$bthe commissioner's final report : hearing before the Subcommittee on Government Efficiency, Financial Management and Intergovernmental Relations of the Committee on Government Reform, House of Representatives, One Hundred Seventh Congress, second session, April 15, 2002.
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=500 \\$a"Serial no. 107-169."
=530 \\$aAlso available via Internet from the GPO Access web site. Address as of 5/7/03: http://frwebgate.access.gpo.gov/cgi-bin/getdoc.cgi?dbname=107%5Fhouse%5Fhearings&docid=f:85483.pdf; current access is available via PURL.
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=245 10$aDecision making using game theory :$ban introduction for managers /$cAnthony Kelly.
=2604 \\1$aCambridge, U.K. ;$aNew York :$bCambridge University Press,$c2003.
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=245 14$aThe music book /$cEunice Boardman, Barbara Andress ; special consultants, Beth Landis, Betty Welsbacher ; consultants, Martha Mahoney ... [etand al.others].
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=500 \\$aExcerpts of various types of music, arranged in graded sets K. and grades 1-8.
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=100 1\$aLichtenberger, Elizabeth O.$0http://id.loc.gov/authorities/names/n98069750
=245 10$aEssentials of WAIS-IV assessment /$cElizabeth O. Lichtenberger, Alan S. Kaufman.
=2604 \\1$aHoboken, N.J. :$bWiley,$c[2009]
=264 \4$c©2009.
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=490 1\$aEssentials of psychological assessment series
=504 \\$aIncludes bibliographical references and index.
=505 0\$aIntroduction and overview -- How to administer the WAIS-IV -- How to score the WAIS-IV -- How to interpret the WAIS-IV : conceptual and clinical foundations -- How to interpret the WAIS-IV : step-by-step -- Clinical applications I : a neuropsychological approach to interpretation of the WAIS-IV and the use of the WAIS-IV in learning disability assessments -- Clinical applications II : age and intelligence across the adult life span -- Clinical applications III : WAIS-IV use with special groups and practice effects in normal samples -- Strengths and weaknesses of the WAIS-IV -- Illustrative case reports.
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=700 1\$aKaufman, Alan S.,$d1944-$0http://id.loc.gov/authorities/names/n85093012
=830 \0$aEssentials of psychological assessment series.$0http://id.loc.gov/authorities/names/n98080598
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=511 0\$aFerenc Bognár, piano.
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=500 \\$aCompact disc.
=500 \\$aProgram notes by András Wilheim in Japanese and English (6 p.) in container.
=505 0\$aSonatina -- Three Rondos on folk tunes (on Slovak folktunes) -- Three Hungarian folk songs from the Cśik -- 14 bagatelles op. 6 -- Suite op. 14 -- Seven sketches op. 9b -- Improvisations on Hungarian peasent songs op. 20.
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=700 12$aBartók, Béla,$d1881-1945.$tRondo népi dallamokkal.
=700 12$aBartók, Béla,$d1881-1945.$tCsíkmegyei népdal.
=700 12$aBartók, Béla,$d1881-1945.$tBagatelles,$mpiano,$nop. 6.$0http://id.loc.gov/authorities/names/no97082815
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=700 12$aBartók, Béla,$d1881-1945.$tRögtönzések magyar parasztdalokra.$0http://id.loc.gov/authorities/names/n81147596
=800 1\$aBartók, Béla,$d1881-1945.$tPiano music ;$0http://id.loc.gov/authorities/names/n82001645$vv. 1.
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=100 1\$aBresnick, Martin.$0http://id.loc.gov/authorities/names/n82083364
=245 10$aHigh art :$bfor piccolo solo with optional toy piano /$cMartin Bresnick ; [new edition by Patti Monson].
=2604 \\1$aNew York, N.Y. :$bC. Fischer,$c2003.
=300 \\$a1 score (8 [9] unnumbered p.ages) ;$c31 cm.
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=700 1\$aMonson, Patti.$0http://id.loc.gov/authorities/names/no00054670
=830 \0$aCarl Fischer chamber music edition.$0http://id.loc.gov/authorities/names/no2003040431
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=090 \\$aPC2105.B423x 1994
=100 1\$aBéchade, Hervé D.$0http://id.loc.gov/authorities/names/n82094115
=245 10$aGrammaire française /$cHervé-D. Béchade.
=2604 \\1$aParis :$bPresses universitaires de France,$c[1994]
=264 \4$c©1994.
=300 \\$axviii, 314 p.ages :$bill.ustrations ;$c22 cm.
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=490 1\0$aCollection Premier cycle,$x1158-6028
=500 \\$aIncludes index.
=650 \0$aFrench language$xGrammar.$0http://id.loc.gov/authorities/subjects/sh85051846
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=830 \0$aCollection Premier cycle.$0http://id.loc.gov/authorities/names/n91111222$x1158-6028
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Record #: 927
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=240 10$aFából faragott királyfi$0http://id.loc.gov/authorities/names/n85279703
=245 14$aThe wooden prince =$bDer Holzgeschnitzte Prinz = Le Prince de bois ; Dance suite = Tanz-Suite = Suite de danses$h[sound recording] /$cBéla Bartók.
=2460 31$aDer Holzgeschnitzte Prinz
=246 31$aSuite de danses
=264 \\1$aNew York, N.Y. :$bCBS Records Masterworks,$c[1989?]
=264 \4$c[1989?], p1977.
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=511 0\$aNew York Philharmonic ; Pierre Boulez, conductor.
=518 \\$aRecorded 1972, Philharmonic Hall, New York (2nd work) and 1975, Manhattan Center, New York (1st work).
=500 \\$aCompact disc.
=500 \\$aAnalog recording.
=500 \\$aProgram notes by Bill Zakariasen and Robert Hurwitz in English, by Marcel Marnat in French and by Hans-Klaus Jungheinrich and H.-J. Winterhoff in German (10 p.) inserted in container.
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=700 1\$aBoulez, Pierre,$d1925-2016,$0http://id.loc.gov/authorities/names/n50042119$econductor.
=700 12$aBartók, Béla,$d1881-1945.$tTʹáncszvit.$0http://id.loc.gov/authorities/names/n82099725
=710 2\$aNew York Philharmonic,$0http://id.loc.gov/authorities/names/n81139912$4econductor.
=740 42$aDer Holzgeschnitzte Prinz.
=740 32$aLe prince de bois.
=740 02$aDance suite.
=740 02$aTanz-Suite.
=740 02$aSuite de danses.
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=245 10$aThrenody :$bfor clarinet in B♭ and piano /$cThea Musgrave.
=2604 \\1$aLondon :$bNovello,$c[2000]
=264 \4$c©2000.
=300 \\$a1 score (11 p.ages) + 1 part (7 p.ages) ;$c30 cm.
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=500 \\$aPrefatory note by composer.
=500 \\$aDuration: ca. 8:00.
=650 \0$aClarinet and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008101113
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Record #: 929
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=090 \\$aM221.H38$bF554x 1996
=100 1\$aHarvey, Jonathan,$d1939-2012.$0http://id.loc.gov/authorities/names/n81066247
=245 10$aFlight-elegy :$bfor violin and piano (1983/89) /$cJonathan Harvey.
=254 \\$aScore.
=2604 \\1$aLondon :$bFaber Music,$c[1996]
=264 \4$c©1996.
=300 \\$a1 score (6 p.ages) + 1 part (4 p.ages) ;$c30 cm.
=306 \\$a000900
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=500 \\$aDuration: ca. 9:00.
=500 \\$aIncludes performance instructions and program note by the composer.
=650 \0$aViolin and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008113256
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Record #: 930
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=028 02$a423 067-2$bDeutsche Grammophon
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=100 1\$aChopin, Frédéric,$d1810-1849.$0http://id.loc.gov/authorities/names/n79127769
=240 10$aPiano music.$kSelections$0http://id.loc.gov/authorities/names/n81144611
=245 10$aBallade, op. 52 ;$h[sound recording]$bNocturne, op. 15, no. 2 ; 4 mazurkas, op. 33 ; Grande valse brillante : op. 34, no. 3 ; Etudes, op. 10 no. 12, op. 25 no. 3 ; Sonate no. 3, op. 58 ; Polonaise, op. 53 /$cFrédéric Chopin.
=2604 \\1$aHamburg :$bDeutsche Grammophon,$cp[1987.]
=264 \4$c℗1987
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=344 \\$hdigital recording
=511 0\$aStanislav Bunin, piano.
=518 \\$aRecorded during performances at the 1985 International Chopin Competition, Warsaw.
=500 \\$aCompact disc.
=500 \\$aAnalog recording.
=650 \0$aPiano music.$0http://id.loc.gov/authorities/subjects/sh85101782
=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
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=700 1\$aBunin, Stanislav,$d1966-$0http://id.loc.gov/authorities/names/n88643766$eperformer.
=740 02$aBallade, op. 52.
=740 02$aNocturne, op. 15, no. 2.
=740 02$a4 mazurkas, op. 33.
=740 02$aGrande valse brillante.
=740 02$aEtudes, op. 10 no. 12, op. 25 no. 3.
=740 02$aSonate no. 3, op. 58.
=740 02$aPolonaise, op. 53.
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Record #: 931
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=100 1\$aBoulez, Pierre,$d1925-2016,$0http://id.loc.gov/authorities/names/n50042119$econductor.
=245 10$aPasseport pour le XXe siècle$h[sound recording].
=246 3\$aPasseport pour le vingtième siècle
=246 3\$aPasseport pour le 20. siècle
=2604 \\1$aFrance :$bMontaigne Auvidis,$cp[1994.]
=264 \4$c℗1994
=300 \\$a1 soaundio disc :$bdigital ;$c4 3/4 in.
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=500 \\$a"Based on the video series Boulez XXème siècle: six television programmes, with Pierre Boulez ... presents a selection of the works, or excerpts, which were recorded during the filming"--Booklet, p. 2 of cover.
=500 \\$aThe 1st work with instrumental ensemble acc. (originally piano acc.); 2nd for percussion ensemble (13 players); 4th originally for string quartet; 5th for 10 wind instruments and 4 percussion groups; 6th for violin, 2 horns, and string orchestra; 8th for oboe, bass clarinet, and percussion (3 players); 9th for instrumental ensemble.
=500 \\$aSung in Russian (1st work).
=511 0\$aChristine Whittlesey, soprano (1st work) ; Ensemble intercontemporain ; Pierre Boulez, conductor.
=518 \\$aRecorded Sep. and Dec. 1987, Feb. 1988, Centre Georges Pompidou, Paris.
=500 \\$aCompact disc.
=500 \\$aProgram notes in English and French (32 p.) inserted.
=505 0\$aTrois poésies de la lyrique japonaise = Three Japanese lyrics / Igor Stravinsky -- Ionisation / Edgar Varèse -- Cinq pièces opus 10 = Five pieces for orchestra, opus 10 / Anton Webern -- Concertino pour douze instruments = for twelve instruments / Igor Stravinsky -- Intégrales : extrait = excerpt / Edgar Varèse -- Corale : extrait = excerpt / Luciano Berio -- Concerto de chambre : extrait = Chamber concerto : for 13 players : excerpt / György Ligeti -- Kreuzspiel : extrait = excerpt / Karlheinz Stockhausen -- Eclat : commentaires et extraits = commentary and excerpts / Pierre Boulez.
=650 \0$aInstrumental music$0http://id.loc.gov/authorities/subjects/sh85066774$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002012476
=650 \0$aSongs (High voice) with instrumental ensemble.$0http://id.loc.gov/authorities/subjects/sh85125142
=650 \7$aSongs (High voice) with instrumental ensemble.$2fast$0http://id.worldcat.org/fast/1126144
=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=700 1\$aWhittlesey, Christine,$0http://id.loc.gov/authorities/names/n81077591$4eperformer.
=700 12$aStravinsky, Igor,$d1882-1971.$tStikhotvorenii︠aa iz i︠͡a︡ponskoĭ liriki.$0http://id.loc.gov/authorities/names/no89011555
=700 12$aVarèse, Edgard,$d1883-1965.$tIonisation.$0http://id.loc.gov/authorities/names/n78049208
=700 12$aWebern, Anton,$d1883-1945.$tStücke,$morchestra,$nop. 10.$0http://id.loc.gov/authorities/names/no97074881
=700 12$aStravinsky, Igor,$d1882-1971.$tConcertino,$mstrviolings (2), quviolart, cetllo;$oarranged.$0http://id.loc.gov/authorities/names/n81085824
=710 2\$aEnsemble intercontemporain,$0http://id.loc.gov/authorities/names/n83042583$4eperformer.
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Record #: 932
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=100 1\$aBach, Johann Sebastian,$d1685-1750.$0http://id.loc.gov/authorities/names/n79021425
=240 10$aBrandenburgische Konzerte$0http://id.loc.gov/authorities/names/n81022346
=245 10$aBrandenburg concertos, BWV 1064-1051$h[sound recording] =$bBrandenburgische Konzerte = Concertos brandebourgeois = Conciertos de Brandemburgo /$cJohann Sebastian Bach.
=246 31$aBrandenburgische Konzerte
=246 31$aConcertos brandebourgeois
=246 31$aConciertos de Brandemburgo
=2604 \\1$aHolzgerlingen, Germany :$bHänssler,$cp[1999.]
=264 \4$c℗1999
=300 \\$a2 soaundio discs (ca.pproximately 96 min.) :$bdigital ;$c4 3/4 in.
=306 \\$a002031$a001132$a001137$a001510$a002041$a001612
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=490 1\$aHänssler Edition Backakademie ;$vv. 126
=511 0\$aOregon Bach Festival Chamber Orchestra; Helmuth Rilling, conductor.
=518 \\$aRecorded July 11-12, 1994 at the Hult Center for the Performing Arts, Eugene, Oregon.
=500 \\$aCompact disc (DDD).
=500 \\$aProgram notes by Andreas Bomba in German with English, French, and Spanish translations (53 p : ill.) inserted in container.
=505 0\$aNo. 1 in F major, BWV 1046 (20:31) -- No. 2 in F major, BWV 1047 (11:32) -- No. 3 in G major, BWV 1048 (11:37) -- No. 4 in G major, BWV 1049 (15:10) -- No. 5 in D major, BWV 1050 (20:41) -- No. 6 in B flat major, BWV 1051 (16:12).
=6505 \07$aConcerti grossi.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026724
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=655 vi \7$aColin wicerth os.$2lcgftr$0http://ind.loc.g ov/authorchitiest/genreFora)ms/gf2014026725
=6505 \07$aConcertos (H.$2farpst$0http://ichd.world wicath .org/fast/1726450
=655 \7$aSound recording s.$2lcgft$0http://id.lorc.gov/authoritiest/genreFora)ms/gf2011026594
=6505 \07$aCSounced rtecordings (H.$2farst$0https://id.worldchat.ord)g/fast/1411639
=700 1\$aRilling, Helmuth,$0http://id.loc.gov/authorities/names/n82096229$4econductor.
=711 2\$aOregon Bach Festival.$eOrchestra,$0http://id.loc.gov/authorities/names/no99010267$4jperformer.
=800 1\$aBach, Johann Sebastian,$d1685-1750.$tWorks.$f1998 ;$0http://id.loc.gov/authorities/names/no2001032892$vv. 126.
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Record #: 933
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=100 1\$aMa, Yo-Yo,$d1955-$40http://id.loc.gov/authorities/names/n80016911$eperformer.
=245 10$aSimply baroque$h[sound recording].
=2604 \\1$aNew York :$bSony Classical,$cp[1999.]
=264 \4$c℗1999
=300 \\$a1 soaundio disc (ca.pproximately 69 min.) :$bdigital ;$c4 3/4 in.
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=500 \\$aThe Bach works arranged for violoncello and chamber ensembles by Ton Koopman.
=511 0\$aYo-Yo Ma, baroque cello; The Amsterdam Baroque Orchestra; Ton Koopman, conductor, organ, harpsichord.
=518 \\$aRecorded Aug. 16-21, 1998, De Stadsgeboorzaal, Leiden, Holland.
=500 \\$aCompact disc.
=500 \\$aProgram and biographical notes and complete credits (15 p. : ill.) inserted in container.
=505 00$tSei Lob und Preis mit Ehren, BWV 167 ;$tErbarme dich (from St. Matthew passion), BWV 244 ;$tJesu, joy of man's desiring, BWV 147 ;$tErtöt' uns durch dein' Güte, BWV 22 ;$tIch ruf' zu dir, Herr Jesu Christ, BWV 639 ;$tKommst du nun, Jesu, vom Himmel herunter, BWV 650 ;$tLass mein Herz die Münze sein, BWV 163 ;$tDein Blut, der edle Saft, BWV 136 ;$tAir on a G string (from Suite III), BWV 1068 /$rJohann Sebastian Bach --$tConcerto in G major for cello and string orchestra, G. 480 ;$tConcerto in D major for cello and orchestra, G. 478 /$rLuigi Boccherini ; cadenzas, Ton Koopman.
=650 \0$aCantatas, Sacred$vExcerpts, Arranged.$0http://id.loc.gov/authorities/subjects/sh85019784
=650 \7$aCantatas, Sacred$xExcerpts, Arranged.$2fast$0http://id.worldcat.org/fast/846090
=650 \0$aChorale preludes (Instrumental ensemble), Arranged.
=650 \0$aInstrumental ensembles, Arranged.$0http://id.loc.gov/authorities/subjects/sh85066773
=650 \7$aInstrumental ensembles, Arranged.$2fast$0http://id.worldcat.org/fast/974413
=650 \0$aCello with instrumental ensemble, Arranged.
=6505 \07$aConcertos.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026725
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=655 \7$aArrangements (CeMusic)$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027203
=655 \7$aArrangements (Music)$2fast$0http://id.worldcat.org/fast/1920435
=700 1\$aKoopman, Ton,$d1944-$40http://id.loc.gov/authorities/names/n78018976$4einstrumentalist,$econductor,$4earranger.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tIhr Menschen, rühmet Gottes Liebe.$pSei Lob und Preis mit Ehren;$0http://id.loc.gov/authorities/names/no99062280$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tMatthäuspassion.$pErbarme dich, erbarme dich, mein Gott;$0http://id.loc.gov/authorities/names/n85367784$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tHerz und Mund und Tat und Leben,$nBWV 147.$pJesus bleibet meine Freude;$0http://id.loc.gov/authorities/names/n82039522$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tJesus nahm zu sich die Zwölfe.$pErtöt' uns durch dein' Güte;$0http://id.loc.gov/authorities/names/n81004713$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tOrgelbüchlein.$pIch ruf' zu dir, Herr Jesu Christ;$oarranged.$0http://id.loc.gov/authorities/names/n95023678
=700 12$aBach, Johann Sebastian,$d1685-1750.$tChoräle von verschiedener Art,$nBWV 645-650.$pKommst du nun, Jesu, vom Himmel herunter;$0http://id.loc.gov/authorities/names/n78045370$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tNur jedem das Seine.$pLass mein Herz die Münze sein;$0http://id.loc.gov/authorities/names/no99062277$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tErforsche mich, Gott, und erfahre mein Herz.$0http://id.loc.gov/authorities/names/n82163655$pDein Blut, der edle Saft;$oarranged.
=700 12$aBach, Johann Sebastian,$d1685-1750.$tSuites,$morchestra,$nBWV 1068,$rD major.$pAir;$oarranged.$0http://id.loc.gov/authorities/names/n83133694
=700 12$aBoccherini, Luigi,$d1743-1805.$tConcertos,$mvioloncello, string orchestra,$nG. 480,$rG major.$0http://id.loc.gov/authorities/names/n81032676
=700 12$aBoccherini, Luigi,$d1743-1805.$tConcertos,$mvioloncello, orchestra,$nG. 478,$rD major.$0http://id.loc.gov/authorities/names/n81024403
=710 2\$aAmsterdam Baroque Orchestra,$0http://id.$loc.gov/authorities/names/n84028918$eperformer.
=902 \\$a160622
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Record #: 934
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=100 1\$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$0http://id.loc.gov/authorities/names/n80128710
=240 10$aWorks.$kSelections$0http://id.loc.gov/authorities/names/n2011036967
=245 10$aSymphonies nos. 1-3$h[sound recording] ;$bPrince Igor : Overture, Polovtsian dances ; Notturno ; In the steppes of Central Asia ; Petite suite /$cAlexander Borodin.
=2604 \\1$aHamburg :$bDeutsche Grammophon,$c1992,.
=264 p\4$c℗1990.
=300 \\$a2 soaundio discs :$bdigital, stereo.phonic ;$c4 3/4 in.
=546380 \\$aTSymphonies$2lcgft
=380 \\$aOvoertures$2lcgft
=380 \\$alDance forms
=380 \\$aSymphonic poems$2lcgft
=380 \\$aSuites$2lcgft
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=344 \\$hdigital recording
=511 0\$aGothenburg Symphony Orchestra, Gothenburg Symphony Chorus; Torgny Sporsén, bass; Neeme Järvi, conductor.
=518 \\$aRecorded in Göteborg, Konserthuset, 1989-1991.
=500 \\$aCompact disc.
=500 \\$aProgram notes by Richard Taruskin (16 p.) inserted in container.
=505 0\$aSymphony no. 1 in E flat major -- Symphony no. 3 in A minor -- Prince Igor : Overture, Dance of the Polovtsian maidens, Polovtsian dances -- Symphony no. 2 in B minor -- Notturno, from String quartet no. 2 in D major -- In the steppes of Central Asia -- Petite suite.
=546 \\$aThe vocal selections in Swedish.
=655 \7$aSymphonies.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027121
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=650 \0$aOperas$vExcerpts.$0http://id.loc.gov/authorities/subjects/sh85094931
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=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 (O \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
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=655 \7$aExcerpts.$2fast$0http://id.worldca)t.org/fast/1692837
=700 1\$aJärvi, Neeme,$0http://id.loc.gov/authorities/names/n83191552$4econductor.
=700 1\$aSporsén, Torgny,$0http://id.loc.gov/authorities/names/no2012128510$4eperformer.
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tSymphonies.$0http://id.loc.gov/authorities/names/no97084062
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tKni︠aazʹ Igorʹ.$pPolovet︠sskai︠aa pli︠aaska.$0http://id.loc.gov/authorities/names/n82162683
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tKni︠aazʹ Igorʹ.$pUverti︠͡ura.$0http://id.loc.gov/au︡thorities/names/n81015461
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tMalenʹkai︠aa si︠uuita.$0http://id.loc.gov/authorities/names/n82101863
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tQuartets,$mviolins (2), viola, cello,$nno. 2,$rD major.$pNotturno;$oarranged.$0http://id.loc.gov/authorities/names/n85023044
=700 12$aBorodin, Aleksandr Porfirʹevich,$d1833-1887.$tV sredneĭ Azii.$0http://id.loc.gov/authorities/names/n81059075
=710 2\$aGöteborgs symfoniker,$0http://id.$loc.gov/authorities/names/n81035841$eperformer.
=740 02$aPrince Igor.$pOverture.
=740 02$aPrince Igor.$pPolovtsian dances.
=740 02$aNotturno.
=740 02$aIn the steppes of Central Asia.
=740 02$aPetite suite.
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=100 1\$aWalton, William,$d1902-1983.$0http://id.loc.gov/authorities/names/n81055560
=240 10$aSymphonies,$nno. 1$0http://id.loc.gov/authorities/names/nr94022376
=245 00$aSymphony no. 1$h[sound recording] /$cWilliam Walton. From me flows what you call time / Toru Takemitsu.
=2604 \\1$a[London] :$bBBC Music,$cp[1994]
=264 \4$c℗1994.
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=380 \\$aConcertos$2lcgft
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=490 0\$aBBC music magazine ;$vv. 2, no. 11
=500 \\$aThe 2nd work is a concerto for percussion ensemble and orchestra.
=511 0\$aIn the 1st work: BBC National Orchestra of Wales ; Tadaaki Otaka, conductor. 2nd work: BBC Symphony Orchestra ; Andrew Davis, conductor.
=518 \\$aRecorded live at the Proms, Royal Albert Hall, London, July 27, 1993 (1st work) and Aug. 15, 1993 (2nd work).
=500 \\$aAccompanies: BBC music magazine, v. 2, no. 11.
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=700 1\$aDavis, Andrew,$d1944-$0http://id.loc.gov/authorities/names/n84087150$econductor.
=700 12$aTakemitsu, Tōru.$tFrom me flows what you call time.$0http://id.loc.gov/authorities/names/nr2004028756
=710 2\$aBBC National Orchestra of Wales,$0http://id.loc.gov/authorities/names/no2003019179$4eperformer.
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=245 10$aBasic statistics for the behavioral sciences /$cKenneth D. Hopkins, B.R. Hopkins, Gene V. Glass.
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=530 \\$aAlso available via Internet from the EPA Office of Research and Development web site. Address as of 8/12/2003: http://www.epa.gov/ORD/WebPubs/endocrine/endocrine.pdf; current access available via PURL.
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=245 10$aStagnation time, composition, pH, and orthophosphate effects on metal leaching from brass /$cby Darren A. Lytle and Michael R. Schock.
=2604 \\1$aCincinnati, Ohio :$bNational Risk Management Research Laboratory, Office of Research and Development, U.S. Environmental Protection Agency,$c[1996]
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=500 \\$aShipping list no.: 1997-0048-P.
=530 \\$aAlso available via Internet from the EPA Office of Research and Development web site. Address as of 8/12/2003: http://www.epa.gov/ORD/NRMRL/Pubs/600R96103/600R96103.pdf; current access available via PURL.
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=500 \\$aTitle from title screen (viewed on 8/11/2003).
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=100 1\$aChávez, Carlos,$d1899-1978.$0http://id.loc.gov/authorities/names/n79108394
=245 10$aSymphonies nos. 1, 2 & 3$h[sound recording] /$cCarlos Chávez.
=2604 \\1$aNew York, NY :$bVox Cum Laude,$cp[1983.]
=264 \4$c℗1983
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=500 \\$aTitle from container.
=511 0\$aLondon Symphony Orchestra ; Eduardo Mata, conductor.
=500 \\$a"Recorded under the auspices of the Secretariat of Public Education, Mexico"--Container.
=500 \\$aCompact disc.
=500 \\$aDigital recording.
=500 \\$aProgram notes in English, French, and German by Julián Orbón (15 p.) inserted in container.
=505 0\$aSinfonía India (12:43) -- Sinfonía de Antígona (10:53) --Third symphony (32:00).
=6505 \7$aSymphonies.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027121
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=710 2\$aLondon Symphony Orchestra,$0http://id.loc.gov/authorities/names/n81014472$4eperformer.
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=240 10$aVocal music.$kSelections$0http://id.loc.gov/authorities/names/n82234843
=245 10$aFive bridal folk songs from the Voronezh district;$h[sound recording] Svadebka = Les noces ; Four Russian peasant songs ; Three motets ; Tres sacrae cantiones ; The dove descending breaks the air ; T.S. Eliot in memoriam / Stravinsky.
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=500 \\$aThe 1st Stravinsky work is a ballet, for solo voices (SATB), chorus, 4 pianos and 6 percussionists. The Russian peasant songs are performed twice, in the original version for unacc. women's voices, and in the 1954 version with 4 horns. The motets and the 5th work are for chorus (SATB), unacc.; the 6th work is for male voices and instrumental ensemble. Tres sacrae cantiones, for unacc. chorus, is a completion by Stravinsky of 3 Gesualdo motets.
=546 \\$aSung in Russian, Latin, and English; the motets sung in the original Church Slavic text.
=511 0\$aNew London Chamber Choir and ensemble ; James Wood, conductor ; Voronezh Chamber Choir (Institute of the Arts) ; Oleg Shepel, conductor.
=518 \\$aRecorded in the Royal College of Music, London, Oct. 13-14, 1990.
=500 \\$aCompact disc.
=500 \\$aProgram notes by Lorraine Gwynne, in English with French and German translations, and vocal texts (transliterated) with English, French and German translations (39 p. : ill.) inserted in container.
=505 0\$aFive bridal folk songs from the Voronezh district / traditional (9:29) -- Svadebka = Les noces = The wedding (23:21) ; Podblyudnye = Four Russian peasant songs : 1914/17 (2:48) ; Podblyudnye = Four Russian peasant songs : 1954 (4:04) ; Otshe nash = Our Father = Pater noster : 1926 Slavonic version (1:54) ; Bogoroditse Devo = Blessed Virgin = Ave Maria : 1934 Slavonic version (1:00) ; Simvol very = Symbol of faith = Credo : 1964 Slavonic version (2:07) / Stravinsky -- Tres sacrae cantiones. Da pacem Domine ; Assumpta est Maria ; Illumina nos / Carlo Gesualdo ; completed by Stravinsky (9:33) -- The dove descending breaks the air (2:35) ; Introitus : T.S. Eliot in memoriam (5:18) / Stravinsky.
=546 \\$aSung in Russian, Latin, and English; the motets sung in the original Church Slavic text.
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=700 1\$aGesualdo, Carlo,$cprincipe di Venosa,$dapproximately 1560-1613.$tSacrae cantiones,$mvoices (6-7).$kSelections.$0http://id.loc.gov/authorities/names/no00059210
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=710 2\$aNew London Chamber Choir,$0http://id.loc.gov/authorities/names/n88607298$4eperformer.
=710 2\$aVoronezhskiĭ kamernyĭ khor.,$0http://id.loc.gov/authorities/names/n94039486$eperformer.
=740 02$aNoces and other choral music.
=740 02$aNoces, peasant songs, motets, etc.
=740 02$a5 bridal folk songs from the Voronezh district.
=740 02$aBridal folk songs from the Voronezh district.
=740 02$aSvadebka.
=740 02$aRussian peasant songs.
=740 02$aSacrae cantiones.
=740 02$aT.S. Eliot in memoriam.
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=245 14$aDie Schöpfung$h[sound recording] :$bHob. XXI:2 = The Creation /$cJoseph Haydn.
=246 31$aCreation
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=500 \\$aOratorio.
=546 \\$aSung in German.
=500 \\$aText by Gottfried van Swieten, after Milton's Paradise lost.
=511 0\$aEdith Mathis, soprano ; Ann Murray, alto (in final chorus) ; Francisco Araiza, tenor ; José van Dam, bass ; Wiener Singverein ; Wiener Philharmoniker ; Herbert von Karajan, conductor.
=518 \\$a"Recording of a concert from the 1982 Salzburg Festival"--Container.
=500 \\$a"Previously released as [analog disc] 2741 017 and [cassette] 3382 017"--Insert, p. 60.
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=546 \\$aSung in German.
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=700 1\$aSwieten, Gottfried van,$d1733-1803,$0http://id.loc.gov/authorities/names/n81018892$4elibrettist.
=700 1\$aMathis, Edith,$0http://id.$loc.gov/authorities/names/n81042603$eperformer.
=700 1\$aMurray, Ann,$d1949-$40http://id.loc.gov/authorities/names/n82096223$eperformer.
=700 1\$aAraiza, Francisco,$0http://id.$loc.gov/authorities/names/n81004885$eperformer.
=700 1\$aDam, José van,$0http://id.loc.gov/authorities/names/n80158410$4eperformer.
=700 1\$aKarajan, Herbert von,$0http://id.loc.gov/authorities/names/n81015297$4econductor.
=700 1\$aMilton, John,$d1608-1674.$tParadise lost.$0http://id.loc.gov/authorities/names/n85227530
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=100 1\$aHummel, Johann Nepomuk,$d1778-1837.$0http://id.loc.gov/authorities/names/n79150265
=240 10$aAdagio, Variazionen und Rondo über ein russisches Thema$0http://id.loc.gov/authorities/names/n96098606
=245 10$aTrio, op. 78, for pianoforte, violoncello, and flute.
=2604 \\1$aLondon :$bMusica Rara,$c[1968]
=264 \4$c©1968.
=300 \\$a1 score (30 p.ages) + 2 parts ;$c31 cm
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=500 \\$aIntrod. by N. Delius.
=650 \0$aTrios (Piano, flute, cello)$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008113014
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=100 1\$aSchroepfer, Helen Daley.
=245 10$aSelf and other :$bjustice in Derrida and Piaget /$cby Helen Daley Schroepfer.
=2604 \\0$c2003.
=300 \\$ax, 181 leaves ;$c28 cm
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=500 \\$aAbstract.
=502 \\$aThesis (Ph.D.)--Temple University, 2003.
=504 \\$aIncludes bibliographical references (leaves: 164-181).
=600 10$aDerrida, Jacques.$0http://id.loc.gov/authorities/names/n79092610
=600 17$aDerrida, Jacques.$2fast$0http://id.worldcat.org/fast/41147
=600 10$aPiaget, Jean,$d1896-1980.$0http://id.loc.gov/authorities/names/n78093533
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=245 00$aSolos for the flute player :$bwith piano accompaniment /$cselected and edited by Louis Moyse.
=2604 \\1$aNew York :$bG. Schirmer,$c[1961]
=264 \4$c©1961.
=300 \\$a1 score (v, 70 p.ages) + 1 part (31 p.ages) ;$c31 cm
=380 \\$aMinuets (Music)$2lcgft
=380 \\$aDance forms
=380 \\$aPolonaises$2lcgft
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=500 \\$aOriginal works and arrangements.
=505 0\$aAllegro (from Sonata for flute and piano) / Jean Baptiste Loeillet -- Allegretto (from Menuetto in F) (12 little pieces for piano) / Joseph Haydn -- Song without words : op. 62, no. 25 / Felix Mendelssohn -- Two menuets (from Sonata for flute and piano) / Jean-Jacques Naudot -- Gavotte (from Sonata for flute and piano) / George Frideric Handel -- Andante and allegretto (from Sonata for flute and piano) / John Reid -- Two arias in rondeau (from Sonata for flute and piano) / Jean-Jacques Naudot -- Rosamunde. (Ballet music) / Franz Schubert -- Air : (from L'apothéose de Lulli) / François Couperin -- Polonaise (from Sonata for flute and piano) / Ludwig van Beethoven -- May, sweet May : (from Album for the young : op. 68) / Robert Schumann -- Trio des Ismaëlites : (from The childhood of Christ) / Hector Berlioz --
=505 0\$a(cont.): Nocturne, op. 32, no. 1 / Frédéric Chopin -- Entr'acte (from Carmen) / Georges Bizet -- Adagio (from Flute quartet, K. 285) / Wolfgang Amadeus Mozart -- Two passepieds (from Partita in B minor for piano) / Johann Sebastian Bach -- Scherzando (from Trio sonata for flute, violin and piano) / Georg Philipp Telemann -- Adagio (from Symphony no. 24) / Joseph Haydn -- Valse-menuet : (from L'Arlésienne : suite no. 1) / Georges Bizet -- Rondo (from Piano sonata, K. 279) / Wolfgang Amadeus Mozart -- Allegro (from Sonata for flute and piano) / Leonardo Vinci.
=500 \\$aPublisher's no.: Ed. 2411.
=650 \0$aFlute and piano music$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008103871
=650 \7$aFlute and piano music$xScores and parts.$2fast$0http://id.worldcat.org/fast/1905696
=650 \0$aFlute and piano music, Arranged$vScores and parts.$0http://id.loc.gov/authorities/subjects/sh2008103868
=650 \7$aFlute and piano music, Arranged$xScores and parts.$2fast$0http://id.worldcat.org/fast/1905694
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=700 1\$aMoyse, Louis,$d1912-2007.$0http://id.loc.gov/authorities/names/n81149131
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=240 10$aUnicorn, the gorgon, and the manticore$0http://id.loc.gov/authorities/names/n96060852
=245 14$aThe unicorn$h[sound recording] /$cMenotti. Parson Weems & the cherry tree / Thomson.
=2604 \\1$aNewport, RI :$bNewport Classic,$cp[1997]
=264 \4$c℗1997.
=300 \\$a1 soaundio disc :$bdigital ;$c4 3/4 in.
=306 \\$a004153$a002218
=380 \\$aMadrigals (Music)$2lcgft
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=500 \\$aThe 1st work is a madrigal fable, the 2nd work a ballet.
=511 0\$aBoston Cecilia Chorus & Chamber Ensemble ; Donald Teeters, conductor.
=518 \\$aRecorded at the Campion Center, Weston, Mass., Jan. 24-25, 1997.
=500 \\$aCompact disc.
=500 \\$aDurations: 41:53; 22:18.
=500 \\$aProgram notes by Donald Teeters and libretto of the 1st work (15 p.) inserted in container.
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=700 12$aThomson, Virgil,$d1896-1989.$tParson Weems and the cherry tree.$0http://id.loc.gov/authorities/names/no97050228
=710 2\$aBoston Cecilia (Musical group),$0http://id.loc.gov/authorities/names/nr94006706$eperformer.
=740 02$aParson Weems & the cherry tree.
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=100 1\$aUhler, John Earle,$d1891-1962.$0http://id.loc.gov/authorities/names/n87847324
=245 10$aMorley's Canzonets for three voices.
=2604 \\1$aBaton Rouge, :$bLouisiana State University Press,$c1957.
=300 \\$a49 p.ages, facsim.ile: score ([118] unnumbered p.ages) ;$c23 cm.
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=490 1\0$aLouisiana State University studies.$p Humanities series, ;$vno.7
=500 \\$aIncludes facsim. of German ed., 1624.
=600 10$aMorley, Thomas,$d15527-1603?$tCanzonets,$mvoices (3)$0http://id.loc.gov/authorities/names/n2001063719
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=650 \0$aPart- songs, English.$0http://id.loc.gov/authorities/subjects/sh85098320
=650 \7$aPart songs, English.$2fast$0http://id.worldcat.org/fast/1053960
=830 \0$aLouisiana State University studies.$pHumanities series ;$0http://id.loc.gov/authorities/names/n42705863$vno.7.
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Record #: 949
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=100 1\$aBori, Lucrezia,$d1887-1960,$0http://id.loc.gov/authorities/names/n82139132$4eperformer.
=245 10$aLucrezia Bori$h[sound recording] :$bthe Victor recordings (1925-37).
=246 3\$aVictor recordings (1925-37)
=2604 \\1$a[London?] :$bRomophone,$c[p]1995.
=300 \\$a2 soaundio discs (2 hrs. 27 min.) :$bdigital ;$c4 3/4 in.
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=511 0\$aLucrezia Bori, soprano ; with other soloists ; Victor Orchestra.
=518 \\$aRecorded 1925-1937.
=538 \\$aCompact disc.
=500 \\$aProgram notes (13 p.) inserted into container.
=505 0\$aCD 1. Louise. Depuis le jour / Charpentier -- La primavera d'or / Glazunov ; arr. La Forge -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Cruz de majo / Valverde -- Patotero sentimetal / Joves -- Simonetta / Rumbold -- Into the woods (Unterm Fenster) op. 34 no. 3 / Schumann -- Night hymn at sea (Sur le grande mer) / Goring-Thomas -- Night hymn at sea (Sur le grande mer) / Goring-Thomas -- La bohème. Sì. Mi chiamano Mimì / Puccini -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Tales from the Vienna Woods / J. Strauss ; arr. La Forge -- Il bacio / Arditi -- Il
=505 0\$abacio / Arditi -- Ciribiribin / Pestalozza -- Calm as the night / Götze -- Les contes d'Hoffmann. Barcarolle / Offenbach -- Clavelitos / Valverde -- Armour mouilé. Valse d'oiseau / Varney -- La bohème. quando me'n vo / Puccini -- La traviata. Ah, fors'è lui ; Follie, follie ... sempre libera / Verdi -- CD 2. Madama Butterfly. Un bel dì / Puccini -- Malagueña / Pagans -- Mignon. Connais-tu le pays? ; Me voici dans son boudoir 'Gavotte' / Thomas -- La violetera / Goetz-Padilla -- Seguidilla / arr. Riemann -- Don Giovanni. Batti, batti o bel Masetto ; Vedrai, carino / Mozart -- Le nozze de figaro.
=505 0\$aDeh vieni non tardar / Mozart -- Manon. Obéissons quand leur voix appelle 'Gavotte' ; Adieu, notre petite table / Massenet -- La rondine. Ore dolci e divine / Puccini -- La vida breve. Vivan los que rien / De Falla -- Il segreto di Susanna. O gioia, la nube leggera / Wolf-Ferrari -- Jota / De Falla -- Acis y Galatea. Confiando jilguerillo / Literes ; arr. Nin -- Amantes chasqueaos. Jilguerito con pico de oro / Laserna ; arr. Nin -- Don Quijote de la Mancha. Consejo / Orbrados -- Malagueña / Nin -- Seguidilla murciana / De Falla -- Jota tortosina ; Copias de curro dulce ; Canto
=505 0\$aandaluza / Nin.
=546 \\$aSung in Italian, English, French, and Spanish.
=650 \0$aOperas$xvExcerpts.$0http://id.loc.gov/authorities/subjects/sh85094931
=650 \0$aSongs (High voice) with orchestra.$0http://id.loc.gov/authorities/subjects/sh85125146
=650 \7$aSongs (High voice) with orchestra.$2fast$0http://id.worldcat.org/fast/1126150
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=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=710 2\$aVictor Orchestra.$0http://id.loc.gov/authorities/names/n92063056
=710 2\$aRomophone (Firm)
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=100 1\$aNewman, Anthony,$0http://id.$loc.gov/authorities/names/n82145576$eperformer.
=245 10$aRomantic masterworks for organ$h[sound recording].
=2604 \\1$aProvidence, R.I. :$bNewport Classic ;$a[s.Place of publ.ication not identified] :$bDistributed by MCA,$cp[1988]
=264 \4$c℗1988.
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=511 0\$aAnthony Newman, playing the Rieger organ at the Episcopal Church of the Holy Trinity, New York City.
=500 \\$aCompact disc.
=500 \\$aProgram notes (5 p.) inserted.
=505 0\$aAllegro, from Organ symphony no. 6 in G minor, opus 42, no. 2 / Widor (7:52) -- Toccata in B minor / Gigout (2:35) -- Carillon on "Tu es petra" / Mulet (4:12) -- Sonata on Psalm 94 / Reubke (17:46) -- Ave Maria / Liszt (5:34) -- Toccata, from Organ symphony no. 5 in F minor, opus 42, no. 1 / Widor (4:33) -- Westminster carillon / Vierne (5:41) -- Andante (4:18) ; Fantasia and fugue on "Ad nos, ad salutarem undam" (20:53) / Liszt.
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=655 \07$aSonatas.$2fast$0http://id.worldcat.org/fast/1920363
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=655 \7$aSound recordings.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026594
=655 \7$aSound recordings.$2fast$0http://id.worldcat.org/fast/1411639
=700 12$aWidor, Charles -Marie,$d1844-1937.$tSymphonies,$morgan,$nno. 6, op. 42, no. 2,$rG minor.$pAllegro.$0http://id.loc.gov/authorities/names/n78087241
=700 12$aGigout, Eugène,$d1844-1925.$tPièces e,$morgan recueil$n(1890).$pToccata.$0http://id.loc.gov/authorities/names/n85064867
=700 12$aMulet, Henri.$tEsquisses byzantines.$pTu es petra et portae inferi non praevalebunt adversus te.$0http://id.loc.gov/authorities/names/n82100073
=700 12$aReubke, Julius,$d1834-1858.$tSonatas,$morgan,$rC minor.$0http://id.loc.gov/authorities/names/n81028032
=700 12$aLiszt, Franz,$d1811-1886.$tAve Maria von Arcadelt.$0http://id.loc.gov/authorities/names/n87119419
=700 12$aWidor, Charles -Marie,$d1844-1937.$tSymphonies,$morgan,$nno. 5, op. 42, no. 1,$rF minor.$pToccata.$0http://id.loc.gov/authorities/names/n84105377
=700 12$aVierne, Louis,$d1870-1937.$tPièces de fantaisie.$nSuite 3.$pCarillon de Westminster.$0http://id.loc.gov/authorities/names/n85064869
=700 12$aLiszt, Franz,$d1811-1886.$tÉvocation à la cChapelle Sixtine.$0http://id.loc.gov/authorities/names/no97082834$pAve verum corpus.
=700 12$aLiszt, Franz,$d1811-1886.$tFantasie und Fuge über den Choral Ad nos, ad salutarem undam.$0http://id.loc.gov/authorities/names/n81022353
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Record #: 951
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=245 00$6880-01$aBijinesu no tame no Nihongo.$nsho-chūkyū =$bGetting down to business : Japanese for business people : lower intermediate level /$cYoneda Ryūsuke ... [et al.].
=880 00$6245-01/{ndollar}1$aビジネスのための日本語.$n初中級 =$bGetting down to business : Japaneshe for business people : lower intermediate level /$c米田隆介 ... [et al.].
=246 31$aGetting down to business :$bJapanese for business people.$nlower intermediate level
=250 \\$6880-02$aShohan.
=880 \\$6250-02/{dollar}1$a初版.
=2604 \\1$6880-03$aTōkyō :$bSurī Ē Nettowāku,$c1998.
=880 \\$6260-03/{dollar}1$a東京 :$bスリーエーネットワーク,$c1998.
=300 \\$axx, 145 p.ages :$bill.ustrations ;$c26 cm. +$e1 guidebook (56 p.ages ; 25 cm.)
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=500 \\$6880-04$aIncludes index.
=88650 \\$6500-$aJapanese language$xBusiness Japanese.$04http://{id.lollc.gov/author}ities/subjects/sh91$a付:テキストガイド(00156p25cm).1
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=655 \7$aTextbooks.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026191
=655 \7$aTextbooks.$2fast$0http://id.worldcat.org/fast/1423863
=700 1\$6880-06$aYoneda, Ryūsuke.$0http://id.loc.gov/authorities/names/no2007131735
=880 00$6245-01/{dollar}1$aビジネスのための日本語.$n初中級 =$bGetting down to business : Japanese for business people : lower intermediate level /$c米田隆介 ... [et al.].
=880 \\$6250-02/{dollar}1$a初版.
=880 \1$6264-03/{dollar}1$a東京 :$bスリーエーネットワーク,$c1998.
=880 \\$6500-04/{dollar}1$a付:テキストガイド(56p25cm).
=880 1\$6700-06/{dollar}1$a米田隆介.$0http://id.loc.gov/authorities/names/no2007131735
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Record #: 952
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=010 \\$a2003046322
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=090 \\$aQA76.9.S88$bW48 2004
=100 1\$aWhitten, Jeffrey L.$0http://id.loc.gov/authorities/names/n85213635
=245 10$aSystems analysis and design methods /$cJeffery [i.e.Jeffrey] L. Whitten, Lonnie D. Bentley, Kevin C. Dittman.
=250 \\$a6Sixth edition.
=2604 \\1$aBoston :$bMcGraw-Hill Irwin,$c[2004]
=264 \4$c©2004.
=300 \\$axix, 780 p.ages :$bill.ustrations (some col.or) ;$c29 cm. +$e1 CD-ROM (4 3/4 in.)
=336 \\$atext$btxt$2rdacontent
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=338 \\$acomputer disc$bcd$2rdacarrier
=340 \\$b4 3/4 in.
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=347 \\$atext file$2rdaft$0http://rdaregistry.info/termList/fileType/1002
=504 \\$aIncludes bibliographical references and index.
=505 8\$aCD-ROM contents: Two case projects -- Templates for completing the projects -- Lecture PowerPoint slides.
=538 \\$aSystem requirements for accompanying CD-ROM: IBM-Compatible with a Pentium, 400 MHz processor ; 128 MB of RAM ; 4x CD-ROM drive ; Windows 98 or higher.
=650 \0$aSystem design.$0http://id.loc.gov/authorities/subjects/sh85131736
=650 \7$aSystem design.$2fast$0http://id.worldcat.org/fast/1141401
=650 \0$aSystem analysis.$0http://id.loc.gov/authorities/subjects/sh85131733
=650 \7$aSystem analysis.$2fast$0http://id.worldcat.org/fast/1141385
=700 1\$aBentley, Lonnie D.$0http://id.loc.gov/authorities/names/n85213636
=700 1\$aDittman, Kevin C.$0http://id.loc.gov/authorities/names/n97025462
=856 41$zAccess table of contents.$uhttp://www.loc.gov/catdir/toc/mh031/2003046322.html
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Record #: 953
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=001 991036278039703811
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=028 22$a18250-5$bC. Fischer
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=245 00$aNeo-Russian piano music :$ba collection of forty-four representative piano numbers by the founders and exponents of the new school of Russian music /$cspecially selected, edited and supplied with a biographical introduction by Andor Pintér.
=2604 \\1$aNew York :$bC. Fischer,$c[1915]
=264 \4$c©1915.
=300 \\$a1 score (iii p., 221 p.ages of music), [1] unnumbered leaf of plates :$bportraits. ;$c32 cm
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=505 0\$aSérénade levantine ; Etude in G flat major / A. Alphéraky -- Sérénade from Petite suite / A. Borodin -- Echo rustique ; Nereid ; Idyl / V. Rébikoff -- Novelette / N. Rimsky-Korsakov -- Harmonies du soir / H. Pachulski -- Mazurka in C minor / M. Glinka -- Près de l'eau ; Souvenir douloureux / F. Blumenfeld -- Burlesque ; Mazurka in D flat major / E. Aleneff -- Barcarole / S. Rachmaninoff -- Chant du pêcheur / M. Balakirev -- Minuet-fantasy ; Melody in E minor ; Gavotte-caprice / S. Bortkiewicz -- Prélude in E flat minor ; Prélude in B flat minor ; Mazurka in C sharp minor / A. Scriabine -- Mazurka in C sharp minor ; Mazurka in B minor ; R. Glière -- Causerie / C. Cui -- Paeons ; Près de la mer / A. Arensky -- Exaltation ; Ballata / B. Karagitschew -- Second mazurka in B flat minor ; Scherzino / G. Karganoff -- Elégie / S. Yóuferoff -- Intermezzo / M. Mussorgski.
=505 0\$aImpromptu / A. Glazounow -- Choeur dansé ; Clair de lune / N. Stcherbatcheff -- Souvenir du passé / V. Sokalsky -- Prélude in F sharp minor ; Berceuse / J. Wihtol -- Alla mazurka / A. Nemerowsky -- Elégie ; Minuetto / N. Amani -- Chant de Neël / S. Liapounow -- Une mazourka un peu baroque / W. Sapellnikoff -- Ballade / A. Liadow.
=650 \0$aPiano music.$0http://id.loc.gov/authorities/subjects/sh85101782
=650 \0$aMusic$zRussia.$0http://id.loc.gov/authorities/subjects/sh2003004923
=655 \7$aNotated music.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014027184
=655 \7$aNotated music.$2fast$0http://id.worldcat.org/fast/1920428
=700 1\$aPintér, Andor.,$0http://id.loc.gov/authorities/names/no95060942$eeditor.
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Record #: 954
=LDR 01425382ccm a220055397Ia 4500
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=100 1\$aHandel, George Frideric,$d1685-1759.$0http://id.loc.gov/authorities/names/n79129204
=240 10$aOrchestra music.$kSelections$0http://id.loc.gov/authorities/names/n83047128
=245 10$aWater music ;$bRoyal fireworks music ; Three concerti : (variants) /$cGeorg Frederick Haendel.
=2604 \\1$aNew York :$bE.F. Kalmus,$c[1968]
=264 \4$c©1968.
=300 \\$a1 miniasturedy score (127 p.ages) ;$c19 cm.
=380 \\$aConcerti grossi$2lcgft
=380 \\$aSuites$2lcgft
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=490 1\0$aKalmus study scores ;$vno. 777
=505 0\$av. 1. Opus 6, nos. 1-6 -- v. 2. op. 6, nos. 7-12.
=650 \0$aSuites (Orchestra)$vScores.$0http://id.loc.gov/authorities/subjects/sh85130048
=650 \0$aConcerti grossi$vScores.$0http://id.loc.gov/authorities/subjects/sh2008101520
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=700 12$aHandel, George Frideric,$d1685-1759.$tMusic for the royal fireworks.$0http://id.loc.gov/authorities/names/n81144352
=700 12$aHandel, George Frideric,$d1685-1759.$tWater music.$0http://id.loc.gov/authorities/names/n80008124
=700 12$aHandel, George Frideric,$d1685-1759.$tConcerti grossi,$nop. 3.$nNo. 4.$0http://id.loc.gov/authorities/names/no97079193
=700 12$aHandel, George Frideric,$d1685-1759.$tConcerti grossi,$nop. 3.$nNo. 6.$0http://id.loc.gov/authorities/names/no97079194
=740 02$aRoyal fireworks music.
=740 02$aThree concerti.
=830 \0$aKalmus study scores ;$0http://id.loc.gov/authorities/names/no2002025378$vno. 777.
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Record #: 955
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=511 1\$aLaurence Olivier, Joan Fontaine, George Sanders, Judith Anderson, Florence Bates, Nigel Bruce, Reginald Denny, C. Aubrey Smith, Melville Cooper, Leo G. Carroll, Leonard Carey, Lumsden Hare, Edward Fielding, Philip Winter.
=508 \\$aPhotographer, George Barnes ; editor, Hal C. Kern, James Newcom ; music, Franz Waxman ; adaptation by Philip MacDonald and Michael Hogan.
=500 \\$aBased on the novel by Daphne du Maurier.
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=586 8\$aAcademy Award, 1941: Best cinematography, black-and-white; Best picture
=520 \\$aA young woman who believes she has found her heart's desire when she marries the dashing aristocratic widower Maxim de Winter. But upon moving to Manderley, her groom's baroque ancestral mansion, she soon learns that his deceased wife's memory haunts not only the home but the temperamental, brooding Maxim as well.
=500 \\$aSpecial features: Commentary from 1990 by film scholar Leonard J. Leff; isolated music and effects track; new conversation between film critic and author Molly Haskell and scholar Patricia White; new interview with film historian Craig Barron on Rebecca's visual effects; Daphne du Maurier: in the footsteps of Rebecca, a 2016 French television documentary; Making-of-documentary from 2007; Footage of screen, hair, makeup, and costume tests for actors Joan Fontaine, Anne Baxter, Vivien Leigh, Margaret Sullivan, and Loretta Young; Casting gallery with notes by director Alfred Hitchcock and producer David O. Selznick; Hitchcock interviewed by Tom Snyder on a 1973 episode of NBC's Tomorrow; Tomorrow interview with Fontaine from 1980; Audio interviews from 1986 with actor Judith Anderson and Fontaine; Three radio versions of Rebecca, from 1938, 1944, and 1950, including Orson Welles's adaptation of the novel for the Mercury Theater; Theatrical release trailer. Container booklet includes an essay "Welcome to the Haunted House" by critic and Selznick biographer David Thompson and selected Selznick production correspondence, including with Hitchcock.
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=2604 \\1$aNew York :$bWolters Kluwer Law & Business,$c[2011]
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=245 00$aClinical handbook of complex and atypical eating disorders /$cedited by Leslie K. Anderson, Stuart B. Murray, Walter H. Kaye.
=264 \1$aNew York, NY :$bOxford University Press,$c[2018]
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=505 8\$aMachine generated contents note:-- Foreword by Ivan Eisler About the Editors Contributors Introduction 1. Evidence-Based Treatments and the Atypical/Complex Conundrum Jenna Schlein, Gina Dimitropoulos, Katharine Loeb, & Daniel Le Grange Part I: Psychiatric Comorbidities 2. Clinical Guidelines for the Treatment of Anxiety in Eating DisordersStephanie Knatz Peck, Stuart B. Murray, & Walter H. Kaye3. Treating ED-PTSD patients: A synthesis of the literature and new treatment directions Julie G. Trim, Tara Galovski, Amy Wagner, & Timothy D. Brewerton 4. The Complex Relationship between Eating Disorders and Substance Use Disorders: Clinical Implications Amy Baker Dennis & Tamara Pryor 5. Suicidality, Self-Injurious Behavior, and Eating Disorders Leslie K. Anderson, April Smith & Scott Crow 6. Eating Disorders and Borderline Personality Disorder: Strategies for Managing Life Threatening and Therapy Interfering Behaviors Lucene Wisniewski & Leslie K. Anderson 7. Body Dysmorphic Disorder and Eating Disorders Danyale McCurdy-McKinnon & Jamie D. Feusner 8. Food Selectivity in Autism Spectrum Disorder William G. Sharp & Valentina Postorino Part II: Atypical Symptom Presentations 9. Avoidant-Restrictive Food Intake Disorder: Assessment and Treatment Jessie Menzel Anorexia Nervosa with a history of Obesity or Overweight Jocelyn Lebow & Leslie Sim 11. Purging disorder Pamela K. Keel, K. Jean Forney, & Grace Kennedy 12. Evidence-based Treatment Approaches for Night Eating Disorders Kelly C. Allison & Laura A. Berner 13. Diabetes and Eating Disorders Liana Abascal, & Ann Goebel-Fabbri 14. Muscle Dysmorphia: Clinical Presentation and Treatment Strategies Scott Griffiths & Stuart B. Murray 15. Rumination Disorder in Adults: Cognitive Behavioral Formulation and Treatment Helen B. Murray & Jennifer J. Thomas 16. Atypical Eating Disorders and Specific Phobia of Vomiting (SPOV): Clinical Presentation and Treatment Approaches Alexandra Keyes & David Veale Part III: Atypical Populations 17. Pediatric Eating Disorders Emily K . Gray & Kamryn T. Eddy 18. Eating Disorders in Males Tiffany A. Brown, Scott Griffiths & Stuart B. Murray 19. Eating Disorders and Disordered Eating in the LGBTQ Population Jon Arcelus, Fernando Fernandez-Aranda, & Walter Pierre Bouman 20. Considerations in the Treatment of Eating Disorders among Ethnic Minorities Ana L. Ramirez, Eva Trujillo-ChiVacuan, Marisol Perez 21. Midlife onset Eating Disorders Cristin Runfola, Jessica H. Baker, & Cynthia M. Bulik 22. Eating Disorders in Athletes: Detection, Diagnosis, and Treatment Carolyn R. Plateau & Jon Arcelus.
=520 \\$a"Treating patients with eating disorders (ED) is a notoriously challenging undertaking. Patients tend to be medically compromised and have a deep ambivalence towards their symptoms, and treatment dropout and relapse rates are high. Further complicating matters, a sizable number of patients present with additional characteristics that set them apart from the patients for whom empirically supported treatments were developed. Up to 50% of current ED diagnoses are classified as atypical and do not fit into existing diagnostic categories, and many more present with complex comorbidities. Clinical Handbook of Complex and Atypical Eating Disorders brings together into one comprehensive resource what is known about an array of complicating factors for patients with ED, serving as an accessible introduction to each of the comorbidities and symptom presentations highlighted in the volume. The first section of the book focuses on the treatment of ED in the presence of various comorbidities, and the second section explores the treatment of ED with atypical symptom presentations. The third section focuses on how to adapt ED treatments for diverse populations typically neglected in controlled treatment trials: LGBT, pediatric, male, ethnically diverse, and older adult populations. Each chapter includes a review of clinical presentation, prevalence, treatment approaches, resources, conclusions, and future directions."--Provided by publisher.
=650 12$aFeeding and Eating Disorders$xcomplications.$0https://id.nlm.nih.gov/mesh/D001068Q000150
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=245 10$aTheories and applications of counseling and psychotherapy :$brelevance across cultures and settings /$cEarl J. Ginter, University of Georgia, Gargi Roysircar, Antioch University New England, Lawrence H. Gerstein, Ball State University.
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=505 0\$aOverture. From sustainable development to meaningful development: The role of the arts -- Part I. The Arts, the Economy, and Development: 1. An untapped and unmeasured economy: on the value of the arts ; 2. Arts in education: cultivating creative minds for development ; 3. The arts and environmental stewardship -- Part II. Trade in Services: A Three-Part Suite: 4. International trade in cultural services ; 5. Artists without borders in the digital age ; 6. On cultural tourism -- Part III. Variations on a Theme: 7. The unsettled question of women in the performing arts ; 8. The arts in mental health, social healing, and urban renewal -- Part IV. Rondo: A Round-Up of Data; 9. Creative data collection -- Finale: On imagination and choice.
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=520 \\$a"The Creative Wealth of Nations Development seen from a more holistic perspective looks beyond the expansion of material means and considers the enrichment of people's lives. The arts are an indispensable asset in taking a comprehensive approach towards the improvement of lives. Incorporating issues of international trade, education, sustainability, gender, mental health and social inclusion, The Creative Wealth of Nations demonstrates the diverse impact of applying the arts in development to promote meaningful economic and social progress. Kabanda explores a counterintuitive and largely invisible creative economy: whilst many artists struggle to make ends meet, the arts can also be a promising engine for economic growth. If nations can fully engage their creative wealth manifested in the arts, they are likely to reap major monetary and nonmonetary benefits from their cultural sector. Drawing from his own experience of the support music provided growing up amidst political and economic turmoil in Uganda, Kabanda shows us the benefits of an arts-inclusive approach to development in Africa, and beyond"--$cProvided by publisher.
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=505 0\$aIntroduction / Henry Somers-Hall, Jeffrey A. Bell and James Williams -- 'A book? what book?' or Deleuze and Guattari on the Rhizome / Miguel de Beistegui -- One or several wolves : the wolf-man's pass-words / Brent Adkins -- Who the earth thinks it is / Ronald Bogue -- Postulates of linguistics / Jeffrey A. Bell -- 587 BC - AD 70 : on several regimes of signs / Audrey Wasser -- November 28, 1947 : how do you make yourself a body without organs? / John Protevi -- Year zero : faciality / Nathan Widder -- 'What happened next?' : Hjelmslev's Net, Arachne's Web and the figure of the line / Helen Palmer -- Micropolitics and Segmentarity / Eugene W. Holland -- Memories of a Deleuzian : to think is always to follow the witches flight / Simon O'Sullivan -- Of the refrain (the Ritornello) / Emma Ingala -- 1227 A.D. : treatise on nomadology - the war machine / Paul Patton -- 7000 B.C. : apparatus of capture / Daniel W. Smith -- The smooth and the striated / Henry Somers-Hall -- Concrete rules and abstract machines : form and function in a thousand Plateaus / Ray Brassier.
=520 8\$a"This volume brings together a team of international specialists on Deleuze and Guattari to provide in-depth critical studies of each plateau of their major work, A Thousand Plateaus. It combines an overview of the text with deep scholarship and brings a renewed focus on the philosophical significance of their project.'A Thousand Plateaus' represents a whole new way of doing philosophy. This collection supports the critical reception of Deleuze and Guattari's text as one of the most important and influential works of modern theory. Key Features : emphasises the philosophical nature of A Thousand Plateaus, provides detailed coverage of the text as a whole, brings together cutting edge research from some of the leading lights in scholarship on Deleuze and Guattari, an ideal companion to a plateau-by-plateau reading of Deleuze and Guattari's work."--Back cover.
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=245 00$aAperture conversations :$b1985 to the present /$ceditors: Melissa Harris, Michael Famighetti.
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=520 8\$aWhy did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer?s 'The Concert'? And what is Susan Meiselas?s take on Instagram and the future of online storytelling? 'Aperture Conversations' presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from Aperture magazine with selections from Aperture?s booklist and online platform, 'Aperture Conversations' celebrates the artist?s voice, collaborations, and the photography community at large.
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=245 10$aSmiley's dream book /$cby Jeff Smith ; color by Tom Gaadt.
=250 \\$aFirst edition.
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=245 00$aForest family :$bAustralian culture, art, and trees /$cedited by John C. Ryan and Rod Giblett.
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=490 1\$aCritical plant studies : philosophy, literature, culture ;$vvolume 4
=504 \\$aIncludes bibliographical references and index.
=505 0\$aIntroducing Forest family / John C. Ryan and Rod Giblett -- From understory to overstory: critical studies of old-growth trees and forests / John C. Ryan -- Forest giants: locating Southwest Australian old-growth country / John C. Ryan -- Family trees: jarrah, karri, and the Gibletts of the Balbarrup-Dingup area / Rod Giblett -- Built in the forest: a hamlet history of Giblett cultural heritage / Rod Giblett -- Photographic essay: let no man put asunder/ Juha Tolonen -- From burls to blockades: artistic interpretations of karri trees and forests / John C. Ryan -- Sing the karri, sculpt the jarrah: sustaining old-growth forest through the arts / Robin Ryan -- Old-growth activism: the Giblett forest rescue of 1994 and 1997 / Nandi Chinna.
=520 \\$a"Forest Family highlights the importance of the old-growth forests of Southwest Australia to art, culture, history, politics, and community identity. The volume weaves together the natural and cultural histories of Southwest eucalypt forests, spanning pre-settlement, colonial, and contemporary periods. The contributors critique a range of content including historical documents, music, novels, paintings, performances, photography, poetry, and sculpture representing ancient Australian forests. Forest Family centers on the relationship between old-growth nature and human culture through the narrative strand of the Giblett family of Western Australia and the forests in which they settled during the nineteenth century. The volume will be of interest to general readers of environmental history, as well as scholars in critical plant studies and the environmental humanities."--$cProvided by publisher.
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=245 10$aEndure :$bmind, body, and the curiously elastic limits of human performance /$cAlex Hutchinson ; foreword by Malcolm Gladwell.
=250 \\$aFirst edition.
=264 \1$aNew York, NY :$bWilliam Morrow, an imprint of HarperCollinsPublishers,$c[2018]
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=505 0\$aMind and muscle. The unforgiving minute ; The human machine ; The central governor ; The conscious quitter ; Two hours: November 30, 2016 -- Limits. Pain ; Muscle ; Oxygen ; Heat ; Thirst ; Fuel ; Two hours: March 6, 2017 -- Limit breakers. Training the brain ; Zapping the brain ; Belief ; Two hours: May 6, 2017.
=520 \\$a"The capacity to endure is the key trait that underlies great performance in virtually every field--from a 100-meter sprint to a 100-mile ultramarathon, from summiting Everest to acing final exams or completing any difficult project. But what if we all can go farther, push harder, and achieve more than we think we're capable of? Blending cutting-edge science and gripping storytelling in the spirit of Malcolm Gladwell--who contributes the book's foreword--award-winning journalist Alex Hutchinson reveals that a wave of paradigm-altering research over the past decade suggests the seemingly physical barriers you encounter as set as much by your brain as by your body. This means the mind is the new frontier of endurance--and that the horizons of performance are much more elastic than we once thought. But, of course, it's not "all in your head." For each of the physical limits that Hutchinson explores--pain, muscle, oxygen, heat, thirst, fuel--he carefully disentangles the delicate interplay of mind and body by telling the riveting stories of men and women who've pushed their own limits in extraordinary ways. The longtime "Sweat Science" columnist for Outside and Runner's World, Hutchinson, a former national-team long-distance runner and Cambridge-trained physicist, was one of only two reporters granted access to Nike's top-secret training project to break the two-hour marathon barrier, an extreme quest he traces throughout the book. But the lessons he draws from shadowing elite athletes and from traveling to high-tech labs around the world are surprisingly universal. Endurance, Hutchinson writes, is "the struggle to continue against a mounting desire to stop"--And we're always capable of pushing a little farther."--Publisher's description.
=520 \\$a"From the National Magazine Award-winning Runner's World columnist, frequent NewYorker.com contributor, and Cambridge-trained physicist: a fascinating and definitive exploration of the science of endurance and peak performance"--$cProvided by publisher.
=520 \\$aHutchinson provides a fascinating and definitive exploration of the revolutionary new science of endurance and the secrets of human performance. He reveals why our individual limits may be determined as much by our head and heart, as by our muscles.
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=100 1\$aPfenninger, Simone E.,$0http://id.loc.gov/authorities/names/n2009013694$eauthor.
=245 10$aBeyond age effects in instructional L2 learning :$brevisiting the age factor /$cSimone E. Pfenninger and David Singleton.
=264 \1$aBristol ;$aBlue Ridge Summit, PA :$bMultilingual Matters,$c[2017]
=300 \\$aix, 271 pages ;$c24 cm.
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=490 1\$aSecond language acquisition ;$v113
=504 \\$aIncludes bibliographical references and index.
=650 \0$aLanguage acquisition$xAge factors.$0http://id.loc.gov/authorities/subjects/sh85074512
=650 \7$aLanguage acquisition$xAge factors.$2fast$0http://id.worldcat.org/fast/992120
=650 \0$aClassroom environment.
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=700 1\$aSingleton, D. M.$q(David Michael),$0http://id.loc.gov/authorities/names/n83006730$eauthor.
=830 \0$aSecond language acquisition (Clevedon, England) ;$0http://id.loc.gov/authorities/names/n2001045489$v113.
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=100 1\$aDevota, Dot,$0http://id.loc.gov/authorities/names/n2014030323$eauthor.
=245 10$aDept. of posthumous letters /$cDot Devota & Caitie Moore.
=246 3\$aDepartment of posthumous letters
=250 \\$aFirst printing.
=264 \1$a[Place of publication not identified] :$bArgos Books,$c2017.
=264 \4$c©2017
=300 \\$a2 volumes (39, 41 pages) ;$c17 cm
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=500 \\$aDouble-volume set issued with paper band wrapper.
=500 \\$aLine drawings by Brandon Shimoda.
=505 0\$aVolume [1]. Dot Devota -- volume [2]. Caitie Moore.
=520 \\$a"In Dept of Posthumous Letters, Dot Devota and Caitie Moore conduct an epistolary exchange that subverts the logic of the dialogic. "In a letter you cannot listen. You must always be speaking," writes Devota, as her letters to Moore narrate anecdotes that read like overheard myths-webs of observation, reversal and misunderstanding that signal the presence of an attentive listener. Line drawings by Brandon Shimoda intensify the enchantment that unfolds out of Moore and Devota's voices. "Have you ever played this game: Horse/Muffin/Bird?" Moore asks Devota. Intelligently-framed questions ranging from philosophical to purely affectionate interlace these poems like veins of honey. "It's a proportion thing, an order thing. I am, certainly, no part Muffin."--Publisher's website.
=650 \0$aProse poems, American$0http://id.loc.gov/authorities/subjects/sh85107567$y21st century.$0http://id.loc.gov/authorities/subjects/sh2002012478
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=700 1\$aShimoda, Brandon,$0http://id.loc.gov/authorities/names/no2009155325$eillustrator.
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=100 1\$aHoffmann-Curtius, Kathrin,$0http://id.loc.gov/authorities/names/n86069150$eauthor.
=240 10$aBilder zum Judenmord.$lEnglish$0http://id.loc.gov/authorities/names/no2018120487
=245 10$aJudenmord :$bart and the Holocaust in post-war Germany /$cKathrin Hoffman-Curtius with Sigrid Philipps.
=264 \1$aLondon, UK :$bReaktion Books,$c2018.
=300 \\$a407 pages :$billustrations (some color) ;$c26 cm
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=500 \\$aOriginally published by Jonas Verlag, Marburg, 2014 in German as Bilder zum Judenmord.
=504 \\$aIncludes bibliographical references (page 355-380) and index.
=505 0\$aPrequel Images -- The Human figure, 1945-9 -- Early Series -- Captured in One Picture -- A Confession -- Remembering in the 1950s -- Remembering Again: The Early 1960s -- The Past in the Present: Commenting on the Auschwitz Trial
=520 8\$aIn remembering the murder of the Jews during the period of National Socialism in Germany, the contribution made by artists in the first twenty years after the end of the war has been largely ignored. But how did artists deal with their own experiences and relate these to what they saw, heard and read about the Holocaust? What images of the Jews were presented to the Germans after the end of the brutal regime? And did works of art in Germany contribute to a re-education process, new ways of thinking in both East and West Germany, and the culture of memory? 0Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust. It presents paintings, drawings and etchings that bring to light the persecution of the Jews, and examines how artists reacted to injustice in a social situation where the majority stayed silent. Featuring an unfamiliar array of works, by artists such as Otto Pankok, Lea Grundig, Ludwig Meidner, Werner Tubke, Wolf Vostell, Joseph Beuys and Gerhard Richter, and including those by former camp inmates, this is essential reading for all those interested in the history of art and the Holocaust.
=546 \\$aIn English; translated from the original German.
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=650 \0$aHolocaust, Jewish (1939-1945), in art.
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=700 1\$aPhilipps, Sigrid,$d1951-$0http://id.loc.gov/authorities/names/n95086102$eauthor.
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=511 1\$aConstance Bennett, Lowell Sherman, Neil Hamilton.
=500 \\$aOrigianlly released as a motion picture in 1932.
=500 \\$aFull-screen 4x3 (1.37:1).
=521 8\$aRating: Not rated.
=520 \\$a"Sassy and ambitious waitress Mary Evans amuses and befriends seldom-sober director Max Carey , who stumbles into her restaurant. Max invites Mary to his film premiere and, after a night of drinking and carousing, Mary charms her way into a screen test and then a contract with a movie studio. Just as Mary finds her dreams coming true and her career on the upswing, Carey's life and career begins its descent." -- Container.
=508 \\$aExecutive producer, David O. Selznick ; photography, Charles Rosher ; original music, Max Steiner.
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=710 2\$aWarner Home Video (Firm),$0http://id.loc.gov/authorities/names/no95005960$edistributor.
=830 \0$aArchive collection.$0http://id.loc.gov/authorities/names/no2009120822
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=245 00$aMachine project :$bthe platinum collection (live by special request) /$cedited by Mark Allen, Rachel Seligman ; with contributions by Mark Allen [and thirteen others].
=264 \1$aSaratoga Springs, New York :$bFrances Young Tang Teaching Museum and Art Gallery at Skidmore College ;$aMunich ;$aNew York :$bDelMonico Books-Prestel,$c2017.
=300 \\$a311 pages :$billustrations (chiefly color), charts, map ;$c32 cm
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=500 \\$aAccompanies an exhibition organized by Rachel Seligman, held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, September 19, 2015-January 3, 2016.
=504 \\$aIncludes bibliographical references (page 304).
=505 0\$aIntroduction : Dear friends / Machine Project -- Curiosity is the main energy / Ian Berry -- Live by special request / Rachel Seligman -- Hello, have you been here before? / Mark Allen -- Artist projects : "Reading" affinity atlas / Krystal Krunch -- Mr. Akita / Asher Hartman and Cliff Hengst -- A readers chorus : readers Rajio Taiso / Haruko Tanaka -- October poem 2015: a mechanical poem to be read aloud / Joshua Beckman -- themed nomad no plastic form / Kamau Amu Patton -- EVERYTHING / Dawn Kasper -- Massagem Sonora and ReVerberancias / Carmina Escobar -- Music for mineral springs / Chris Kallmyer -- deepdeepbodygl!tter / Hana van der Kolk -- Archives + history : Field guide to Machine Project / Charlotte Cotton -- Every poetry project ever / as remembered by Joshua Beckman and Mark Allen -- Every machine event 2003-2015 / compiled by Zut Lorz and Sarah Miller -- The last section : Poster designers -- Exhibition checklist -- Machine Project exhibition history and selected bibliography -- Future emails : Machine Project / compiled by Simon Pinkas.
=520 8\$aNew essays and images capture the quirky essence of Machine Project, where vacations for plants, concerts for dentists, and operas for dogs are a few of the typical offerings produced at the informal, non-profit, educational institution in Los Angeles. Designed in collaboration with Kimberly Varella, this book reflects on Machine Project's ongoing artistic practice, featuring an extensive selection of photographs of past projects and documentation of new performance projects at the Tang Museum by Haruko Tanaka, Krystal Krunch, Hana van der Kolk, Carmina Escobar, Kamau Patton, Dawn Kasper, Joshua Beckman, Asher Hartman, and Chris Kallmyer among others.
=610 20$aMachine Project (Organization)$0http://id.loc.gov/authorities/names/no2010045027$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh99001275
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=700 1\$aSeligman, Rachel,$0http://id.loc.gov/authorities/names/n2013020233$eeditor,$eorganizer.
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=245 10$aOur prayer book psalter :$bcontaining Coverdale's version from his 1535 Bible and the prayer book version by Coverdale from the Great Bible, 1539-41, printed side by side /$cwith an introduction and notes on the sources of Coverdale's renderings by Ernest Clapton ; with a foreword by the Rev. G.C. Richards.
=2604 \\1$aLondon :$bSociety for Promoting Christian Knowledge,$c1934.
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=245 10$aStory-telling lessons, /$cby Henry Edward Tralle.
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=246 14$aBitter films.$nVolume 2,$p2006-2011
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=264 \4$c©2012
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=505 00$tEverything will be ok (2006 ; 17 min.) --$tI am so proud of you (2008 ; 22 min.) --$tIt's such a beautiful day (2001 ; 23 min.) --$tWisdom teeth (2010 ; 40 min.).
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=655 \7$aDrama.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1423879
=655 \7$aShort films.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1710364
=655 \7$aAnimated films.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026049
=655 \7$aShort films.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2011026570
=655 \7$aAVideo recordings.$2lcgft$0http://imd.loc.gov/authorities/genreForms/gf2011026723
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=700 1\$aHertzfeldt, Don,$d1976-$0http://id.loc.gov/authorities/names/no2009016266$edirector,$eproducer,$eanimator.
=710 2\$aBitter Films (Firm)
=902 \\$aMARCIVE-BF 20190204
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Record #: 996
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=020 \\$a9783959051705
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=050 \4$aTR642$b.H625 2017
=082 04$a770
=245 04$aThe hobbyist /$ccurators of the exhibition, Pierre Hourquet, Anna Planas, Thomas Seelig ; editors, Olivia Baeriswyl [and four others] ; translations, Gareth Davies, Ishbel Flett, Kevin Kennedy.
=250 \\$aFirst edition.
=264 \1$aWinterthur :$bFotomuseum Winterthur ;$aLeipzig :$bSpector Books,$c[2017]
=264 \4$c©2017
=300 \\$a102 pages :$billustrations (some color), facsimiles, portraits ;$c28 cm
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=500 \\$aPublished on the occasion of the exhibition held at Fotomuseum Winterthur, Winterthur, Switzerland, 9 September 2017-28 January 2018.
=504 \\$aIncludes bibliographical references.
=520 8\$aWhat happens when photographers and artists incorporate hobbies into their work as a means of challenging artistic practices and hierarchies? How do hobbyists describe their passions photographically, not least today in our era of digital communication? The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, both in connection to photography of hobbies and also photography as a hobby. Both hobby and photographic practices similarly find themselves in between leisure and labour, ideology and consumerism, between amateur culture and professionalism. From the hippy and avant-garde cultures of the 1960s, to 1980s do-it-yourself, to today's maker movement, The Hobbyist explores photography's engagement with a wide variety of lively, often quirky amateur obsessions.
=650 \0$aPhotography, Artistic$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008108790
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=650 \0$aHobbies$vP0http://id.loc.gov/authorities/subjects/sh85061308$xSocial waspects$0http://id.loc.gov/authorkities/subjects/sh00002758$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh99001275
=650 \7$aHobbies$xSocial aspects.$2fast$0http://id.worldcat.org/fast/958523
=650 \0$aHobbyies$0http://id.loc.gov/authorities/subjects/sh85061308$vPictorial works$0http://id.loc.gov/authorities/subjects/sh99001272$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh99001275
=650 \7$aHobbies.$2fast$0(OChttp://id.woLC)rldcat.org/fast00/958515
=650 \70$aHobbyiests$xS0http://id.locial .gov/authoritiesp/subjects/sh95010238$vExhibitions.$2f0http://id.loc.gov/asut$0(OChoLC)frities/subjects/sh9900958512375
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=650 \7$aPhotography, Artistic.$2fast$0(OChttp://id.worldcat.oLC)rg/fast0/1061964
=6505 \7$aPExhoibitiography$xSon ciatal aspectogs.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/14240618268
=655 \7$aExhibition, picatorial wogrks.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/142402187
=655 \7$aExhibition, catalogs.$2lcgft$0http://id.loc.gov/authorities/genreForms/gf2014026098
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=655 \7$aIllustrated works.$2fast$0(OChttp://id.woLC)rldcat.org/fast0/142413873
=700 1\$aHourquet, Pierre,$eorganizer.
=700 1\$aPlanas, Anna,$0http://id.loc.gov/authorities/names/nr99021101$eorganizer.
=700 1\$aSeelig, Thomas,$d1964-$0http://id.loc.gov/authorities/names/no2003081777$eorganizer.
=700 1\$aBaeriswyl, Olivia,$eeditor.
=710 2\$aFotomuseum Winterthur,$0http://id.loc.gov/authorities/names/n94040620$ehost institution,$eissuing body.
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Record #: 997
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=245 00$6880-01$aMetodicheskoe posobie k izuchenii͡u kursa "Marksistsko-Leninskai͡a filosofii͡a" :$bDli͡a slushateleĭ ZVPSH pri T͡SK KPSS i un-tov Marksizma-Leninizma /$c[Pod. rek. D.I. Danilenko].
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=650 \7$aDialectical materialism.$2fast$0http://id.worldcat.org/fast/892465
=650 \0$aHistorical materialism.$0http://id.loc.gov/authorities/subjects/sh85061196
=650 \7$aHistorical materialism.$2fast$0http://id.worldcat.org/fast/958141
=700 1\$aDanilenko, Dmitriĭ Ivanovich,$0http://id.loc.gov/authorities/names/n79087858$eeditor.
=880 00$6245-01/(N$aМетодическое пособие к изучению "Марксистско-Ленинская философия" :$bдля слушателей ЗБПШ при ЦК КПСС и ухиверситетов Марксизма-Ленинизма /$c[Под рек. Д.И. Далиленко].
=260 \\$6880-02$aMoskva :$b"Mysl',"$c1968-
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=546 \\$bCyrillic alphabet.
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Record #: 998
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=050 \4$aNE675.5.E7$bL45
=100 1\$aEpifanov, G. D.,$0http://id.loc.gov/authorities/names/n83007075$eartist.
=240 10$aWorks.$kSelections
=245 10$6880-01$aDvadt͡sat' gravi͡ur na dereve /$cGennadiĭ Dmitrievich Epifanov ; [redaktor, G.K. Leont'eva]
=880 10$6245-01/(N$aДвадцать гравюр на дереве /$cГеннадий Дмитриевич Епифанов ; [редактор Г.К. Леонтьева]
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=700 1\$aLeontʹeva, G. K.$q(Galina Konstantinovna),$0http://id.loc.gov/authorities/names/n82263272$eeditor.
=880 10$6245-01/(N$aДвадцать гравюр на дереве /$cГеннадий Дмитриевич Епифанов ; [редактор Г.К. Леонтьева]
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Record #: 999
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=050 14$aSB61$b.E39 2017
=082 04$a635.092241$223
=100 1\$aEdwards, Ambra,$0http://id.loc.gov/authorities/names/no2011128185$eauthor.
=245 10$aHead gardeners /$cAmbra Edwards ; photographs by Charlie Hopkinson.
=264 \1$aLondon :$bPimpernel Press,$c[2017]
=264 \4$c©2017
=300 \\$a240 pages :$billustrations (some color) ;$c24 cm
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=500 \\$aIncludes index.
=505 0\$aIntroduction: On behalf of gardeners -- The naturalist: Ned Price, The Weir, Herefordshire -- The generous gardener: Fergus Garrett, Great Dixter, East Sussex -- A survivor's tale: Paul Pulford, Queen Elizabeth Hall, London -- But is it art?: Mick Evans, Packwood House, Warwickshire -- Gardening like a cow: Beatrice Krehl, Waltham Place, Berkshire -- Is a man up to the job?: Troy Scott Smith, Sissinghurst Castle, Kent -- Space for thought: Lucille Savin, Merton College, Oxford -- What's the big idea?: Alistair Clark, Garden of Cosmic Speculation, Dumfries -- Mending what is broken: Carol Sales, Headley Court, Surrey -- Planting for posterity: Andrew Woodall, Broughton Grange, Oxfordshire -- The show must go on: Michael Walker, Trentham Gardens, Staffordshire -- Mission impossible: Martin Ogle, Lowther Castle, Cumbria -- Partners in perfectionism: Jim Buckland & Sarah Wain, West Dean Gardens, West Sussex -- Visitor information.
=520 \\$aAmbra Edwards and Charlie Hopkinson explore, in words and pictures, the lives, visions and achievements of fourteen very different head gardeners.
=650 \0$aGardeners$0http://id.loc.gov/authorities/subjects/sh85053087$zGreat Britain.$0http://id.loc.gov/authorities/names/n79023147
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=100 1\$aDrnaso, Nick,$0http://id.loc.gov/authorities/names/no2013074908$eauthor,$eillustrator.
=245 10$aSabrina /$cby Nick Drnaso.
=250 \\$aFirst edition.
=264 \1$a[New York, New York]:$bpublished in the USA by Drawn & Quarterly, a client publisher of Farrar, Straus and Giroux :$a[Montréal, Quebec] :$bpublished in Canada by Drawn & Quarterly, a client publisher of Raincoast Books,$c2018.
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=520 \\$a"When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate."--$cProvided by publisher.
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